# Lace > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Lace > Markdown URL: https://mediated.wiki/source/Lace.md > Source: https://en.wikipedia.org/wiki/Lace > Source revision: 1356195777 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) {{Short description|Openwork fabric, patterned with open holes in the work, made by machine or by hand}} {{Other uses}} {{Use dmy dates|date=April 2017}} [[File:Verknipte kantstrook.JPG|thumb|Valuable old lace, cut and framed for sale in [Bruges](/source/Bruges), [Belgium](/source/Belgium)]] '''Lace''' is a decorative openwork [textile](/source/textile) made without the use of pre-existing fabric.{{Cite book |last=Wingate |first=Isabel Barnum |url=https://archive.org/details/fairchildsdictio00wing/page/338/mode/2up |title=Fairchild’s Dictionary of Textiles |year=1979 |isbn=0870051989 |edition=6th |pages=339}}{{cite web|url=http://www.thefreedictionary.com/lace|title=Lace|website=The Free Dictionary|access-date=23 May 2012}} Lace can be made by hand or machine. Various techniques can be employed to form lace, each having a distinct category. Lace can also be used to refer to other types of openwork fabric such as [cutwork](/source/cutwork) or [filet](/source/Filet_lace), which use pre-existing fabric. Lace is commonly used as an embellishment for clothing or [household linens](/source/Linens). The origin of lace is unclear, however the earliest examples are from 16th century Italy.{{Cite book|last=Frost|first=Patricia|publisher=Miller's |title=Miller's collecting textiles|date=2000|isbn=1-84000-203-4|location=London|oclc=48140446}}{{Rp|122}} {{Rp|12}} Lace can be made of any thread, though cotton is widely used. Early forms of lace were made of [linen](/source/linen), [silk](/source/silk), [gold](/source/gold), or silver thread. Manufactured lace is often made of [synthetic fiber](/source/synthetic_fiber). Some modern artists make lace with fine copper or silver wire instead of thread. ==Etymology== The word lace is from [Middle English](/source/Middle_English). In Vulgar [Latin](/source/Latin) *''laceum'', or in Latin ''laqueus'', means noose. In [Old French](/source/Old_French) ''las'' means noose or string. A noose describes an open space outlined with rope or thread. This description applies to many types of open fabric resulting from "looping, plaiting, twisting, or knotting...threads...by hand or machine."{{Rp|122}}[[File:CUR.55.96.123b view21.jpg|thumb|Square Lace "Sampler," 1800-1825, [Brooklyn Museum](/source/Brooklyn_Museum)]] == Types == There are many types of lace, classified by how they are made. These include: * '''[Bobbin lace](/source/Bobbin_lace)''', also known as bone lace, is made with bobbins and a stiff [pillow](/source/lace_pillow). The bobbins, turned from wood, bone, or plastic, carry threads which are woven together and pinned in place on a pillow fitted with a pattern template. Bobbin lace pillows are made of straw, or other materials like sawdust, insulation styrofoam, or ethafoam. An example of a style of bobbin lace is [Chantilly lace](/source/Chantilly_lace). * '''[Chemical lace](/source/Chemical_lace)''': a stitching ground made of a water-soluble or non-heat-resistant material is embroidered with a continuous motif. The stitching areas are then dissolved so only the embroidery remains. Chemical lace is typically made by machine. *'''[Crocheted lace](/source/Crocheted_lace)''' uses thin thread and crochet stitches to create openwork designs. This includes [Irish crochet](/source/Irish_crochet), pineapple crochet, and [filet crochet](/source/filet_crochet). * '''[Cutwork](/source/Cutwork)''', [drawn thread work](/source/drawn_thread_work), or [whitework](/source/whitework), is lace constructed by removing threads from a woven background. The remaining threads are wrapped or filled with [embroidery](/source/embroidery). * '''[Knitted lace](/source/lace_knitting)''' is made with fine thread or yarn. Different stitches are used to create openwork patterns. This includes [Shetland lace](/source/Shetland_knitted_lace), such as the "wedding ring shawl", a lace shawl so fine that it can be pulled through a wedding ring.{{Cite book |last=Lovick |first=Elizabeth |year=2013 |title=The Magic of Shetland Lace Knitting |location=New York |publisher=St. Martin's Griffin |page=10 |isbn=978-1-250-03908-8}} * '''[Machine-made](/source/Lace_machine)''' lace is any style of lace created or replicated using mechanical means. * '''[Needle lace](/source/Needle_lace)''', such as [Venetian Gros Point](/source/Gros_point_de_venise), is made using a needle and thread. * [Net lace](/source/Needlerun_net) is made using a ready made net which is embellished by hand or machine. *'''[Tape lace](/source/Tape_lace)''' can be made by forming the tape (thin woven strips) as the lace is worked or by using a ready made tape. The tape then [joined](/source/Tape_lace) and embellished with needle or bobbin lace. *'''[Tatting](/source/Tatting)''' is a textile craft consisting of a series of knots and loops arranged with a shuttle or needle based process. File:Branscombe4.jpg|[Needle lace](/source/Needle_lace), showing button hole stitch File:Ursuline_lace_2.jpg|[Bobbin lace](/source/Bobbin_lace) being made on a roller pillow File:Boy's Frock LACMA M.2007.211.89 (3 of 3).jpg|[Broderie anglaise](/source/Broderie_anglaise), a type of cutwork File:Lace-filet-hrynkiw.jpg|[Filet lace](/source/Filet_lace) embroidered on an existing net File:Lace_knitting_2.jpg|[Lace knitting](/source/Lace_knitting) File:Nuperelle-skyttel_med_nupereller.JPG|[Tatting](/source/Tatting) with a shuttle ==History: Bobbin and needle lace== {{For|the industrial revolution|Lace machine}} [[File:Hans memling, madonna col bambino tra i santi giacomo e domenico, 1488 ca. 03.JPG|thumb|Early lace on a fragment of ''The Virgin and Child'' by [Hans Memling](/source/Hans_Memling).{{cite web|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=23998|title=Hans Memling {{!}} La Vierge et l'Enfant entre saint Jacques et saint Dominique|website=Site officiel du musée du Louvre|date=12 October 2023 |language=fr}}]] === Origins === Since lace evolved from multiple different techniques, it is impossible to say that it originated in any one place.{{cite web|title=The Craft of Lacemaking|url=https://www.laceguild.org/a-brief-history-of-lace|website=LaceGuild.org|access-date=26 July 2022}} The fragility of lace means that few exceedingly old specimens are extant.{{Rp|3}} The origin of lace is disputed by historians. An Italian claim is a will of 1493 by the Milanese [Sforza](/source/House_of_Sforza) family.{{cite book|last1=Verhaegen|first1=Pierre|title=La Dentelle Belge|date=1912|publisher=L. Lebègue|location=Brussel|page=10|language=fr}} A Flemish claim is lace on the alb of a worshiping priest in a painting about 1485 by [Hans Memling](/source/Hans_Memling).{{cite book|last1=van Steyvoort|first1=Collette|title=Inleiding to kantcreatie (Introduction to creating lace)|date=1983|publisher=Dessain et Tolra|location=Paris|isbn=224927665X|page=11|edition=translation by Magda Grisar}} === Early history === Lace was used by clergy of the Catholic Church as part of vestments in religious ceremonies. Much of their lace was made of gold, silver, and silk. The early forms of lace were made using cutwork techniques. Wealthy people began to use such expensive lace in clothing trimmings and furnishings. In the 1300s and 1400s heavy duties were imposed on lace, and strict [sumptuary law](/source/sumptuary_law)s were passed in the Italian states.{{Cite book |last=Jackson |first=Mrs. F. Nevill |year=1900 |title=A History of Hand-Made Lace |location=Londo |publisher=L. Upcott Gilln}}{{Rp|6–7}} This led to less demand for lace. In the mid-1400s some lacemakers turned to using [flax](/source/flax), which cost less, while others migrated, bringing the industry to other countries. Lace came into widespread use in the 16th century in the northwestern part of the European continent.{{cite web|title=History of Lace|url=http://www.lacemakerslace.oddquine.co.uk/history.html|website=www.lacemakerslace.oddquine.co.uk}} The popularity of lace increased rapidly and the lace making cottage industry spread throughout Europe. The late 16th century marked the rapid development of lace. Both needle lace and bobbin lace became dominant in fashion and home décor. Sumptuary laws in many countries had a major impact on lace wearing and production throughout its early history, though in some countries they were often ignored or worked around.{{Rp|9–10}} === Italy === Bobbin and needle lace were both being made in Italy early in the 1400s.{{Cite book |last=Huetson |first=T. L. |date=1973 |title=Lace and Bobbins: A History and Collector's Guide |edition=1st American |location=South Brunswick, NJ |publisher=A. S. Barnes |isbn=0-498-01398-7 |oclc=793392}}{{Rp|19}} Documenting lace in Italy in the 15th century is a list of fine laces from the inventory of [Beatrice d'Este, Duchess of Milan](/source/Beatrice_d'Este), from 1493.{{Cite book |last=Singleton |year=1917 |first=Esther |title=Lace and Lace Making |publisher=The Mentor}} ==== Venice ==== In Venice, lace making was originally the province of leisured noblewomen who used it as a pastime. Some of the wives of [doges](/source/Doge_of_Venice) also supported lacemaking in the [Republic](/source/Republic_of_Venice). One, [Giovanna Malipiero Dandolo](/source/Giovanna_Malipiero_Dandolo), showed support in 1457 for a law protecting lacemakers. In 1476, the lace trade was seriously affected by a law which disallowed "silver and embroidery on any fabric and the [Punto in Aria](/source/Punto_in_Aria) of linen threads made with a needle, or gold and silver threads."{{Rp|10}} In 1595, [Morosina Morosini](/source/Morosina_Morosini), another doge's wife, founded a lace workshop for 130 women.{{Cite journal|last=Jones|first=Ann Rosalind|date=2014|title=Labor and Lace: The Crafts of Giacomo Franco's Habiti delle donne venetiane|url=https://www.jstor.org/stable/10.1086/678268|journal=I Tatti Studies in the Italian Renaissance|volume=17|issue=2|pages=399–425|doi=10.1086/678268|jstor=10.1086/678268|s2cid=192036554|issn=0393-5949|url-access=subscription}}{{Rp|403}} In the early 1500s, the production of lace became a paid activity. Young girls worked in convents and the houses of noblewomen, creating lace for household use. Lace was a popular Venetian export in the 1500s and 1600s. The demand for lace remained strong in Europe even when the other Venetian exports during this period slumped.{{Rp|406}} The largest and most intricate pieces of Venetian lace were ruffs and collars for members of the nobility and for aristocrats.{{Rp|412}} === Belgium === Some examples of the lace made in Brussels in the 1400s survive.{{Rp|27}} Belgium and Flanders became a major center for the creation of primarily bobbin lace starting in the 1500s. Belgian-grown flax contributed to the lace industry in the country. Extremely fine linen threads were produced that were a critical factor in the texture and quality of Belgian lace.{{Cite book|last=Blum|first=Clara M.|title=Old World Lace, or a Guide for the Lace Lover|publisher=E.P. Dutton|year=1920|location=New York}}{{Rp|34}} Schools were founded to teach lacemaking to the young.{{Rp|31}} The height of the production of lace in Belgium was in the 1700s. [Brussels](/source/Brussels) was known for [Point d'Angleterre](/source/Brussels_lace). [Lier](/source/Lier%2C_Belgium) and [Bruges](/source/Bruges) also were known for their own styles of lace. Belgian lacemakers either originated or developed laces such as Brussels or Brabant Lace, Lace of Flanders, [Mechlin](/source/Mechlin_lace), [Valenciennes](/source/Valenciennes_lace) and [Binche](/source/Binche_lace).{{Rp|19}}Some handmade lace is still being produced there today.{{Rp|19,31}} === France === Lace arrived in France when [Catherine de Medici](/source/Catherine_de'_Medici), newly married to King [Henry II](/source/Henry_II_of_France) in 1533, brought Venetian lace-makers to her new homeland. The French royal court and the fashions popular there influenced the lace that started to be made in France. It was more delicate than the heavier needle laces of Venice. Examples of French lace are [Alençon](/source/Alen%C3%A7on_lace), [Argentan](/source/Argentan_lace), and [Chantilly](/source/Chantilly_lace).{{Cite book|last=Schwab|first=David E.|title=The Story of Lace and Embroidery and Handkerchiefs|publisher=Fairchild|year=1957|location=New York}}{{Rp|17}} The 17th century court of King Louis the XIV of France was known for its extravagance. During his reign lace, particularly the delicate [Alençon](/source/Alen%C3%A7on_lace) and [Argentan](/source/Argentan_lace) varieties, was extremely popular as court dress. The [frontange](/source/Fontange), a tall lace headdress, became fashionable in France at this time. Louis XIV's finance minister, [Jean Baptiste Colbert](/source/Jean-Baptiste_Colbert), strengthened the lace industry by establishing lace schools and workshops in the country. === Spain === By the 1600s Spain's [Point d'Espagne lace](/source/Point_d'Espagne_lace), made of gold and silver thread, was very popular. Lace was made for use in churches and for the [mantilla](/source/mantilla). Lacemaking may have come to Spain from Italy in the 1500s, or from Flanders, its province at the time.{{Rp|33–35}} This lace was much admired and was made throughout the country.{{Cite book |last=Jones |first=Mary Eirwen |title=The Romance of Lace |publisher=Staples |year=1951 |location=London}}{{Rp|117}} === Germany === [Barbara Uttmann](/source/Barbara_Uthmann) learned how to make bobbin lace as a girl from a Protestant refugee. In 1561 she started a lace-making workshop in [Annaberg](/source/Annaberg-Buchholz). By the time of her death in 1575, there were over 30,000 lacemakers in that area of Germany. Following the revocation of the [Edict of Nantes](/source/Edict_of_Nantes) in France in 1685, many [Huguenot](/source/Huguenots) lacemakers moved to Hamburg and Berlin. The earliest known lace pattern book was printed in [Cologne](/source/Cologne) in 1527.{{Rp|30–31}} === England === thumb|''Young Woman Lacemaking,'' oil on canvas by David Wood Haddon [[File:The Employment of Women in Britain, 1914-1918 Q28121.jpg|thumb|Industrial lace production on a [Jacquard loom](/source/Jacquard_loom), September 1918]] Prior to the introduction of bobbin lace, English lace in the mid 1500s was primarily cutwork or [drawn thread work](/source/drawn_thread_work). There is a 1554 mention of Sir Thomas Wyatt wearing a ruff trimmed with [bone lace](/source/Bobbin_lace) (some bobbins at the time were made of bone).{{Cite book|last=Mincoff|first=Elizabeth|title=Pillow or bobbin lace : technique, patterns, history|date=1987|publisher=Dover|others=Margaret S. Marriage|isbn=0-486-25505-0|location=New York|oclc=16527223}}{{Rp|49}} The court of [Queen Elizabeth](/source/Elizabeth_I) of England maintained close ties with the French court, so French lace began to be seen and appreciated in England. Lace was used on her court gowns and became fashionable. There are two distinct areas of England where lacemaking was a significant industry: [Devon](/source/Devon) and part of the [South Midlands](/source/South_Midlands).{{Rp|48}} Belgian lacemakers were encouraged to settle in Honiton in Devon at the end of the 16th century. They continued to make lace as they had in their homeland, but [Honiton lace](/source/Honiton_lace) never got the acclaim that lace from France, Italy, and Belgium did.{{Rp|19–21}} While the lace in Devon stayed stable, the lace-making areas of the South Midlands faced changes brought by different groups of [émigré](/source/%C3%A9migr%C3%A9)s: Flemings, French Huguenots, and later, French escaping the [Revolution](/source/French_Revolution).{{Rp|48–49}} [Catherine of Aragon](/source/Catherine_of_Aragon), while exiled in Ampthill, England, was said to have supported the lace makers there by burning all her lace and commissioning new pieces.{{Cite web|date=12 April 2017|title=St Catherine's Day, Cattern Cakes and Lace|url=https://www.lavenderandlovage.com/2011/11/st-catherines-day-lace-makers-and.html|website=Lavender and Lovage}} This may be the origin of the lacemaker's holiday, Cattern's Day. On this day (the 25th or 26th of November) lacemakers were given a day off from work and Cattern cakes (small dough cakes made with [caraway seeds](/source/Caraway)) were used to celebrate.{{Cite book|last=Jones|first=Julia|title=A Calendar of Feasts; Cattern cakes and lace|publisher=DK|year=1987|isbn=0863182526|location=England}} The English diarist [Samuel Pepys](/source/Samuel_Pepys) often wrote about the lace used for his, his wife's, and his acquaintances' clothing. On May 10th,1669 he noted that he intended to remove the gold lace from the sleeves of his coat "as it is fit [he] should", possibly in order to avoid charges of ostentatious living.{{cite web|url=http://www.pepysdiary.com/diary/1669/05/10/|title=Monday 10 May 1669|date=10 May 1669|website=The Diary of Samuel Pepys|last1=Pepys|first1=Samuel|access-date=7 January 2015}} The decline of the lace industry in England began about 1780, as was happening elsewhere. Some of the reasons include the increased popularity [Classical style](/source/Clothing_in_ancient_Rome) clothing, the economic issues connected to war, and the increased production and use of machine-made laces.{{Rp|51–52}} In 1840, Britain's Queen Victoria was married in lace, influencing the wedding dress style until now.{{Cite book|title=The Fashion Book|publisher=Dorling Kindersley|year=2014|isbn=9781409352327|location=London|pages=46|oclc=889544401}} === America === American colonists of both British and Dutch origins strove to acquire lace accessories such as caps, ruffs, other neckwear, and handkerchiefs. American women who could afford lace textiles were also able to afford aprons and dresses trimmed lace or made only from lace. Because of sumptuary laws, such as one in Massachusetts in 1634, American citizens were not allowed to own or make their lace textiles. Sumptuary laws prevented spending on extravagance and luxury and classified who could own or make lace. The existence of these laws indicates that lace was being made in that colony at the time.{{Cite book|last=Weissman|first=Judith Reiter|title=Labors of love : America's textiles and needlework, 1650-1930|date=1994|publisher=Wings Books|others=Wendy Lavitt|isbn=0-517-10136-X|location=New York|oclc=29315818}}{{Rp|187–189}} Lacemaking was being taught in boarding schools by the mid 1700s. Newspaper advertisements starting in the early 1700s offered to teach the technique.{{Rp|192}} At this time [Ipswich](/source/Ipswich%2C_Massachusetts), Massachusetts was the only place in America known for producing handmade lace. By 1790, women in Ipswich, who were primarily from the [British Midlands](/source/Midlands), were making 42,000 yards of silk bobbin lace intended for trimmings.{{Rp|189–190}} [George Washington](/source/George_Washington) reportedly purchased [Ipswich Lace](/source/Ipswich_lace) on a trip to the region in 1789.{{Cite book |last=Philbrick |first=Nathaniel |date=2021 |title=Travels with George: In Search of Washington and His Legacy |location=New York |publisher=Viking |isbn=978-0-525-56217-7 |oclc=1237806867}} Machines to make lace began to be smuggled into the country in the early 1800s, as England did not permit these machines to be exported. The first lacemaking factory opened in [Medway, Massachusetts](/source/Medway%2C_Massachusetts) in 1818. Ipswich had its own in 1824. The women there moved from making bobbin lace to decorating the machine-made net lace with darning and tambour stitches, creating what is known as [Limerick lace](/source/Limerick_lace).{{Rp|190}} Lace was still in demand in the 19th century. Lace trimmings on dresses, at seams, pockets, and collars were very popular. The lace being made in the United States was based on European patterns. By the turn of the 20th century, Home Needlework and other magazines included lace patterns of a range of types.{{Rp|195}} In North America in the 19th century, [missionaries](/source/missionaries) spread the knowledge of lace making to the [Native American](/source/Indigenous_peoples_of_the_Americas) tribes.{{cite web|date=1 August 2013|title=Indian Lace|url=http://lace.lacefairy.com/Lace/ID/IndianLace.html|archive-url=https://web.archive.org/web/20130801221656/http://lace.lacefairy.com/Lace/ID/IndianLace.html|archive-date=1 August 2013}} [Sibyl Carter](/source/Sibyl_Carter), an Episcopalian missionary, began to teach lacemaking to [Ojibwa](/source/Ojibwe) women in Minnesota in 1890. Classes were being held for members of many tribes throughout the US by the first decade of the 1900s St. [John Francis Regis](/source/John_Francis_Regis) guided many women out of prostitution by establishing them in the lace making and [embroidery](/source/embroidery) trade, which is why he became the [Patron Saint](/source/Patron_Saint) of lace making.{{Cite web|title=Society of Jesus Celebrates Feast of St. John Francis Regis, SJ|url=http://jesuits.org/news-detail?tn=news-20160615021646|access-date=2017-05-08|website=jesuits.org|archive-date=27 June 2017|archive-url=https://web.archive.org/web/20170627152046/http://jesuits.org/news-detail?tn=news-20160615021646|url-status=dead}} === Ireland === {{main|Irish lace}} [[File:Black Lace kaftan “Illusion” by Sybil Connolly- Full length FRONT.jpg|thumb|right|Carrickmacross Lace "Illusion" dress by Irish fashion designer [Sybil Connolly](/source/Sybil_Connolly)]] Lace was made in Ireland from the 1730s onwards with several different lace-making schools being founded across the country. Many regions acquired a name for high-quality work and others developed a distinctive style. Lace proved to be an important means of income for many poorer women.{{Cite web|last=Hooper|first=Glenn|title=Irish Lace|url=https://www.heritagecouncil.ie/content/files/irish_lace_leaflet_4mb.pdf|archive-url=https://web.archive.org/web/20160425062538/http://www.heritagecouncil.ie/fileadmin/user_upload/Publications/Museums_and_Archive/Lace_Final_for_Web.pdf/|archive-date=25 April 2016|access-date=27 January 2022}} Several important schools of lace included: [Carrickmacross](/source/Carrickmacross_lace) lace, [Kenmare](/source/Kenmare_lace) lace, [Limerick](/source/Limerick_lace) lace and [Youghal](/source/Youghal_lace) lace.{{Cite book |last1=Potter |first1=Matthew |last2=Hayes |first2=Jacqui |date=2014 |title=Amazing Lace: A History of the Limerick Lace Industry |location=Limerick, Ireland |publisher=Limerick City and County Council |isbn=978-0-905700-22-9 |oclc=910526333}} == Patrons, designers, and lace makers == ===Patron saints=== Some patron saints of lace include:{{cite web | title=Patron Saints of Needlework and Lace | website=Refresh | date=January 27, 2015 | url=https://trc-leiden.nl/trc-needles/people-and-functions/legendary-people-and-patron-saints/patron-saints-of-needlework-and-lace | access-date=October 18, 2023}} * [St Anne](/source/Saint_Anne) * [St Catherine of Alexandria](/source/Catherine_of_Alexandria) * [St Crispin](/source/Crispin_and_Crispinian) * [St Elizabeth of Hungary](/source/Elizabeth_of_Hungary) * [St Helena of Constantine](/source/Helena%2C_mother_of_Constantine_I) * [St John Regis](/source/John_Francis_Regis) * [St Paraskeva of the Balkans](/source/Paraskeva_of_the_Balkans) * [St Rose of Lima](/source/Rose_of_Lima) ===Historic=== * [Giovanna Dandolo](/source/Giovanna_Dandolo) (1457–1462) * [Barbara Uthmann](/source/Barbara_Uthmann) (1514–1575) * [Morosina Morosini](/source/Morosina_Morosini) (1545–1614) * [Federico de Vinciolo](/source/Federico_de_Vinciolo) (16th century) * [Caterina Angiola Pieroncini](/source/Caterina_Angiola_Pieroncini) (18th century) * [Florence Vere O'Brien](/source/Florence_Vere_O'Brien) (1854-1936) ===Contemporary=== * [Rosa Elena Egipciaco](/source/Rosa_Elena_Egipciaco) == Lace in art == The earliest portraits showing lace are those of the [Florentine School](/source/Florentine_painting).{{Cite book|last=Jackson|first=Emily|title=Old handmade lace : with a dictionary of lace|date=1987|publisher=Dover|others=Emily Jackson|isbn=0-486-25309-0|location=New York|oclc=14718956}}{{Rp|13}} Later, in the 17th century, lace was very popular. Painting styles at the time were realistic, allowing viewers to see the finery of lace.{{Cite web|date=2015-09-29|title=The 10 Best Lace Paintings|url=https://www.sophieploeg.com/blog/the-10-best-lace-paintings/|access-date=2021-04-04|website=Sophie Ploeg|language=en-US}} Painted portraits of the wealthy or the nobility depicted costly laces. This presented a challenge to the painters who needed to represent not only their sitters accurately but their intricate lace as well.{{Rp|414}} A portrait of [Nicolaes Hasselaer](/source/Nicolaes_Hasselaer) was painted by Frans Hals in about 1627. It depicts him dressed in a black garment with a detailed lace collar. Hals created the lace effect with dabs of grey and white, using black paint to indicate the spaces between the threads.{{Cite book|last=Van Guldener|first=Hermine|title=Rijksmuseum Amsterdam|publisher=Knorr & Hirth Verlag|year=1969|location=Munich|pages=27}} An anonymous female artisan is shown making bobbin lace in ''[The Lacemaker](/source/The_Lacemaker_(Vermeer))'', a painting by the Dutch artist [Johannes Vermeer](/source/Johannes_Vermeer) (1632–1675). This painting was completed around 1669–1670. File:Godfrey Kneller (1646-1723) (style of) - Portrait of an Unknown Gentleman in Brown with a Lace Collar - 1336256 - National Trust.jpg|alt=The man shown is wearing a lace cravat. |''Portrait of an Unknown Gentleman in Brown with a Lace Collar'' by [Godfrey Kneller](/source/Godfrey_Kneller) (1646–1723) File:Frans Hals - Nicolaes Hasselaer - WGA11104.jpg|alt=Man seated sideways on a chair, facing viewer, whose garment has an intricately patterned lace collar.|''Portrait of Nicolaes Hasselaer'' by Frans Hals, c. 1627. Rijksmuseum. File:Unknown holland painter. Portrait of woman.jpg|''Portrait of woman'' by Unknown Holland painter, 17th century. [National Gallery of Armenia](/source/National_Gallery_of_Armenia) File:Italian (Florentine) School - Portrait of an Unknown Lady, Aged 23 (called ‘the Countess Miranda’) - 1210350 - National Trust.jpg|alt=Portrait of a woman in an ornate dress with a massive lace collar.|''Portrait of an Unknown Lady''. Florentine School, 1571. National Trust. == In popular culture == The 1982 novel ''[Lace](/source/Lace_(novel))'' used the fabric as inspiration for its title and the novel has also been studied as part of historical analysis of the use of the word.{{Cite journal |last=Porter|first=Gerald|date=1994|title="Work the Old Lady out of the Ditch": Singing at Work by English Lacemakers|url=https://www.jstor.org/stable/3814509|journal=Journal of Folklore Research|volume=31|issue=1/3|pages=35–55|issn=0737-7037}} ==See also== * [Anglo Scotian Mills](/source/Anglo_Scotian_Mills) * [Doily](/source/Doily) * [Fishnet](/source/Fishnet) * [Lacemaking in Croatia](/source/Lacemaking_in_Croatia) * ''[Lagetta lagetto](/source/Lagetta_lagetto)'' (Lacebark) * [Lippitt Mill](/source/Lippitt_Mill) * [Pointelle](/source/Pointelle), a similar type of fabric * [Ribbons](/source/Ribbons) * [Scranton Lace Company](/source/Scranton_Lace_Company) * [See-through clothing](/source/See-through_clothing) == Museums == [[File:Museum of Costume and Lace exterior.jpg|alt=Exterior of an old brick building|thumb|upright=.7|[Fashion and Lace Museum](/source/Fashion_and_Lace_Museum), Brussels, Belgium. ]] * [Cité de la Dentelle et de la Mode](/source/Cit%C3%A9_de_la_Dentelle_et_de_la_Mode), Calais, France * [Fashion and Lace Museum](/source/Fashion_%26_Lace_Museum), Brussels, Belgium * [https://www.kantcentrum.eu/en/home Kantcentrum], Bruges, Belgium * [https://kenmarelace.ie/ Kenmare Lace and Design Centre], Kenmare, County Kerry, Ireland * [Limerick Museum](/source/Limerick_Museum) * The [https://www.laceguild.org/the-museum Lace Guild Museum and Gallery], Stourbridge, UK * [https://thelacemuseum.org/ The Lace Museum], Fremont, California, US * [https://lacismuseum.org/ Lacis Museum of Lace and Textiles], Berkeley, California, US * Lace Museum/Museo del Merletto, near Venice, Italy * [https://arenysdemar.cat/museu/index_i.htm Marès Lace Museum/Museu Marès de la Punta], Arenys de Mar, Spain * [Musée des Beaux-Arts et de la Dentelle Alençon](/source/Mus%C3%A9e_des_Beaux-arts_et_de_la_Dentelle_d'Alen%C3%A7on), France * Museo del Mundillo, Moca, Puerto Rico * [https://www.textilmuseum.ch/en/ Textilmuseum St. Gallen], [St. Gallen, Switzerland](/source/St._Gallen), and their exhibit traveled to Bard Graduate Center in 2022 for a major New York installation, ''Threads of Power''.{{Cite news |last=Smith |first=Roberta |date=2022-12-08 |title=Lace, That Most Coveted Textile |language=en-US |work=The New York Times |url=https://www.nytimes.com/2022/12/08/arts/design/lace-exhibition-bard-graduate-center.html |access-date=2022-12-09 |issn=0362-4331}} ==References== {{-}} {{Reflist}} ==External links== {{Commons category|Lace}} * [https://exhibitions.bgc.bard.edu/threadsofpower/ Threads of Power, online exhibition] * [https://thelacemuseum.org/ The Lace Museum] * [https://internationalorganizationoflace.org/ International Organization of Lace] * [https://www.oidfa.com/ L’Organisation Internationale de la Dentelle au Fuseau et à l’Aiguille], OIDFA {{Lace types}} {{textile arts}} {{Fabric}} {{Authority control}} Category:Lace Category:Textile arts --- Adapted from the Wikipedia article [Lace](https://en.wikipedia.org/wiki/Lace) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Lace?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.