# Good to Know

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2020 studio album by JoJo

Good to Know Standard cover Studio album by JoJo Released May 1, 2020 (2020-05-01) Studio Swara Padi (Ubud Bali, Indonesia) Westlake (Los Angeles, California) Blackwood (Los Angeles, California) Melrose Sound (Los Angeles) Goddess Sound (North Hollywood, California) Encore (Burbank, California) Red Bull (Santa Monica, California) Genre Pop R&B Length 29:33 (digital edition) 35:17 (physical edition) Label Clover Warner Producer 30 Roc A Pluss Beatgodz DatBoiSqueeze Lido Fade Majah Doc McKinney Noise Club Dylan Wiggins JoJo chronology The High Road (2018) (2018) Good to Know (2020) December Baby (2020) Singles from Good to Know "Man" Released: March 13, 2020

***Good to Know*** is the fourth studio album by American singer-songwriter [JoJo](/source/JoJo_(singer)). Released on May 1, 2020, it marks her first release since leaving [Atlantic Records](/source/Atlantic_Records) and launching her own record label imprint Clover Music through a joint venture with [Warner Records](/source/Warner_Records). The album reflects JoJo's efforts to process past experiences and develop a greater sense of [self-understanding](/source/Self-understanding), conceived during a period of personal transition. It was shaped by her personal life including a breakup, and was intended to encourage listeners to reflect on their own emotional patterns.

*Good to Know* is a [pop](/source/Pop_music) and [R&B](/source/Contemporary_R%26B) record characterized by [slow-](/source/Slow_tempo) to [mid-tempo](/source/Mid-tempo) songs, layered vocal harmonies, and an atmospheric production style. Its structure is divided into three thematic sections—moving from [escapism](/source/Escapism) and self-numbing behaviors to [self-reflection](/source/Self-reflection) and, ultimately, [self-acceptance](/source/Self-acceptance). *Good to Know* incorporates [bass](/source/Bass_(music))-driven arrangements and contemporary R&B production elements, while its lyrics explore themes of independence, sexuality, and introspection. It also contains an R&B-oriented sound and emphasis on mood over conventional pop structures.

*Good to Know* was supported by the lead single "[Man](/source/Man_(JoJo_song))", followed by three [promotional singles](/source/Promotional_singles)—"[Lonely Hearts](/source/Lonely_Hearts_(JoJo_song))", "Comeback", and "Small Things". A [deluxe edition](/source/Deluxe_edition) featuring additional tracks and an [acoustic](/source/Acoustic_music) version were released in 2020, while plans for the Good to Know Tour were canceled due to the [COVID-19 pandemic](/source/COVID-19_pandemic). Upon release, *Good to Know* received positive reviews from critics, who highlighted its cohesive sound, vocal performances, and emphasis on mood and introspection. Commercially, the album reached numbers 22 in Portugal, 33 on the US [*Billboard* 200](/source/Billboard_200), and 78 in Scotland.

## Background and inspiration

JoJo in 2015

Following years of contractual disputes with [Blackground Records](/source/Blackground_Records) and its imprint Da Family Entertainment, American singer [JoJo](/source/JoJo_(singer)) experienced a decade-long gap between her second and third studio albums.[1][2] After releasing her third studio album, *[Mad Love](/source/Mad_Love_(JoJo_album))*, through Atlantic Records in 2016,[3] she later said that she felt "misunderstood" during its process and did not feel fully "heard".[4] She subsequently left Atlantic, launched her own imprint Clover Music in partnership with [Warner Records](/source/Warner_Records), and [re-recorded](/source/Re-record) her first two albums in 2018 after they had been removed from streaming services.[5][1][6]

The title of *Good to Know* reflects the value of learning from feedback and criticism,[7] and was inspired by her awareness of sharing intimate details in her songwriting.[8] JoJo associated the title with accepting the present moment, referencing musician [Thundercat](/source/Thundercat_(musician))'s phrase: "It is what it is. It's good to know."[9] She also explained that it reflected a growing sense of confidence and acceptance at the end of the album's creation, stating: "I feel more confident and I feel like it's all good. You know what I mean? That's kind of where I landed at the end of making this album, and that's what 'Good to Know' means."[10]

JoJo was abstaining from sex when writing *Good to Know* in 2019,[11][note 1] although the album mainly deals with themes of sex and sensuality.[13] JoJo intended the record to encourage listeners to reflect on their own behavior and emotional patterns.[4] *Good to Know* draws from her "inspirations, [her] patterns, [her] fantasies and what makes [her] feel good"; its writing process helped her "find [her] voice" and regain a sense of control, according to JoJo.[14] She stated to *[The Line of Best Fit](/source/The_Line_of_Best_Fit)* that *Good to Know* involved feelings of shame, guilt, and dishonesty related to a past relationship, and that it reflects an effort to understand herself and become more comfortable with her identity.[15] With *[Bustle](/source/Bustle_(magazine))*, JoJo shared that she felt some parts of the album were "an overshare", particularly in its depiction of her emotions and sexuality. She characterized the record as an effort toward [self-acceptance](/source/Self-acceptance) centered on confronting her feelings and learning to accept and understand herself.[16]

## Composition

*Good to Know* is a [pop](/source/Pop_music) and [R&B](/source/Contemporary_R%26B) album, influenced by the [hip-hop](/source/Hip-hop_music) styles of Canadian artists such as [the Weeknd](/source/The_Weeknd), [Tory Lanez](/source/Tory_Lanez), and [Drake](/source/Drake_(singer)).[13][12] As noted in a press release as an "R&B-infused, emotionally honest body of work",[note 2] the album draws inspiration from JoJo's experiences visiting [strip clubs](/source/Strip_club) while recording in Toronto and Atlanta. According to JoJo, *Good to Know* is "for people who like to get a little [emo](/source/Emo), who like sensuality, who like hard-ass [beats](/source/Beat_(music))".[4] Its songs are generally [slow-](/source/Slow_tempo) to [mid-tempo](/source/Mid-tempo) and feature densely packed, breathy vocal phrasing, layered harmonies, and an atmospheric, [bass](/source/Bass_(music))-driven production style.[20][21]

*Good to Know* is structured in three parts; the opening section depicts attempts to "numb" oneself, followed by a middle portion focused on recognizing the need for independence and breaking unhelpful patterns. The final section centers on [self-love](/source/Self-love) and coming to terms with past experiences.[22][23] These structural phases explore themes of independence and [self-reflection](/source/Self-reflection),[20][21] reflecting a period in JoJo's personal life marked by a [relationship breakdown](/source/Relationship_breakdown) that she has linked to an instance of infidelity while intoxicated.[24] Consequently, JoJo noted that parts of the album resemble "journal excerpt-y" material.[4]

### Songs

["So Bad"](https://en.wikipedia.org/wiki/File:JoJo_-_So_Bad.ogg)

The opening track "So Bad" incorporates distorted piano and [808](/source/Roland_TR-808)-driven production.[25]

*Problems playing this file? See [media help](https://en.wikipedia.org/wiki/Help:Media).*

Early tracks, such as "Pedialyte" and "Bad Habits", reference coping mechanisms including [substance use](/source/Substance_abuse) and [nightlife](/source/Nightlife), which portray attempts to avoid confronting the aftermath of a failed relationship.[26] As noted by *[Variety](/source/Variety_(magazine))*'s A.D. Amorosi, a "silken, spacy" song "So Bad" contains "aquatic keyboards" and "thud-knocking beats".[20] Exploring themes of sex, [escapism](/source/Escapism), and relationships that recur throughout *Good to Know*,[25] its lyrics concentrate on a late-night relationship with a partner depicted as unreliable. The second track, "Pedialyte", likewise references late-night partying and its aftermath.[27] Incorporating unconventional percussion and a coordinated melody,[20] "Gold" is a mid-tempo R&B and pop song,[note 3] with lyrics that convey feelings of insecurity and dissatisfaction.[27]

"[Man](/source/Man_(JoJo_song))" is a self-love track,[5] described as a "single-lady anthem" by Aimme Cliff of *[The Guardian](/source/The_Guardian)*.[21] It adopts Latin-influenced guitar elements.[20] JoJo characterized the song as a "cocky, cute bop" centered on confidence and independence rather than romantic dependence. "Small Things" is an acoustic ballad about emotional restraint and the difficulty of suppressing feelings following a breakup,[31][27] while "[Lonely Hearts](/source/Lonely_Hearts_(JoJo_song))" is a subdued song about a one-sided relationship.[27] In "Think About You", JoJo discusses an ex-partner she struggles to move on from.[21] A piano-driven track with a light and breezy tone,[27] it contains prominent bass and sampled elements alongside its arrangement.[32] Featuring vocals from Tory Lanez and [30 Roc](/source/30_Roc), "Comeback" incorporates rap verses,[27] described by Amorosi as "positively [X-rated](/source/X-rated)".[20] The album's closing track, "Don't Talk Me Down", contains "tender vocals" and a "[string](/source/String_(music))-laden" arrangement, according to Nick Smith of *[MusicOMH](/source/MusicOMH)*.[27] Critics highlighted its stripped-back production, featuring classic piano, strings, and minimal processing.[20][9]

## Promotion and release

On February 21, 2020, JoJo announced that her album, titled *Good to Know*, was scheduled to be released later that year.[8][33] The album was released on May 1 through JoJo's imprint label Clover Music in partnership with [Warner Records](/source/Warner_Records);[34] it marked her first release through both Clover and Warner since departing [Atlantic Records](/source/Atlantic_Records).[5] While the digital edition is composed of nine tracks,[35] the [CD](/source/CD) physical edition includes "Bad Habits" and "Proud" as an [intro](/source/Intro_(music)) and [outro](/source/Outro_(music)), respectively.[36] The lead single, "Man", produced by BeatGodz and Fade Majah, was released on March 13.[37] Its accompanying music video, directed by [Marc Klasfeld](/source/Marc_Klasfeld), premiered the same day and features her various female friends like [Tinashe](/source/Tinashe), [Ari Lennox](/source/Ari_Lennox), [Francia Raisa](/source/Francia_Raisa), JoJo Gomez, and [JinJoo Lee](/source/JinJoo_Lee).[38][39] JoJo subsequently released three additional music videos: "Lonely Hearts" on April 28, directed by [Zelda Williams](/source/Zelda_Williams);[40] "Comeback" on May 8;[41][42] and "Small Things" on June 23, both of which were directed by Santiago Salviche.[43]

American singers [Demi Lovato](/source/Demi_Lovato) (left) and [Tinashe](/source/Tinashe) (right) are featured on the album's deluxe edition.

On July 10, JoJo issued an [acoustic](/source/Acoustic_music) version of *Good to Know* alongside a music video of "Think About You", directed by Williams.[44] She then unveiled a remix version of "Lonely Hearts", which features American singer [Demi Lovato](/source/Demi_Lovato), on August 5.[45][46] A [deluxe edition](/source/Deluxe_edition) followed on August 28, including the Demi Lovato remix, "In Your Room", "X (1 Thing Wrong)", "Kiss", and "Love Reggae", featuring American singer Tinashe.[47] However, a verse from Tory Lanez on "Comeback" was omitted following his shooting of American rapper [Megan Thee Stallion](/source/Megan_Thee_Stallion). Prior to the release, JoJo confirmed the decision on her [Twitter](/source/Twitter) after a fan asked why Lanez was absent from the project, replying that she had "took [Lanez] TF off".[48][49] About the incident, JoJo further stated: "It felt like the right and necessary thing to do, out of respect and love for Meg."[47][50]

### Tour

On February 21, 2020, JoJo announced her plan to embark on a worldwide headlining and third major world tour in support of the album, titled the Good to Know Tour.[8] It was planned to travel throughout North America and Europe with the first leg of the tour, beginning on April 21 at [the Showbox](/source/The_Showbox) in Seattle. The tour was scheduled to continue traveling across the UK in the following months beginning in Dublin, Ireland on August 31, before concluding on Sep 25 in Stockholm, Sweden.[51] However, she stated that it had been postponed due to the [COVID-19 pandemic](/source/COVID-19_pandemic).[34] In January 2021, she announced that the tour was canceled due to the unpredictable nature of the pandemic.[52]

## Critical reception

Professional ratings Review scores Source Rating The Guardian [21] The Irish News 8/10[32] Metro Weekly [22] MusicOMH [27] RapReviews 7.5/10[53]

*Good to Know* received critical acclaim from music critics.[54][55] Writing for *Variety*, A.D. Amorosi described the album as reflecting a more developed artistic identity, highlighted its blend of subdued vocals, synthesized textures, and rhythmic elements, and compared its sound to an updated take on *[Control](/source/Control_(Janet_Jackson_album))* (1986) by [Janet Jackson](/source/Janet_Jackson).[20] In a review for *Metro Weekly*, Sean Maunier noted that JoJo leans more strongly into R&B than in her previous work, pointing to its production and emphasis on mood over conventional pop structures.[22] *RapReviews*' Steve 'Flash' Juon argued that although *Good to Know* incorporates hip hop influences and benefits from JoJo's work as a co-producer on much of the album, it remains rooted in R&B rather than hip hop. Describing her as an "adult R&B singer", he suggested that, while the genre is "not her genre per se", she could effectively cross over into hip hop through collaborations with rappers and producers.[53]

Reviewers also addressed *Good to Know*'s vocal performances and songwriting. Nick Smith of *MusicOMH* highlighted JoJo's vocal delivery across the record, describing "Don't Talk Me Down" as a standout for its restrained arrangement and dynamic performance. He also noted stylistic variety in tracks such as "Man" and "Small Things", while suggesting that some of the record's more explicit lyrical moments could detract from the material.[27] Similarly, Maunier emphasized her vocal confidence, particularly on songs like "Gold" and "Small Things", where her "strong" vocals are featured.[22]

The themes of *Good to Know* and tone were another focus of commentary. In *The Guardian*, Laura Snapes characterized it as centered on [self-knowledge](/source/Self-knowledge_(psychology)) and independence, with a reflective tone shaped by reassessing past experiences.[21] Edd Dracott of *[The Irish News](/source/The_Irish_News)* also noted a balance between introspective material and more accessible tracks, highlighting its combination of reflective themes with R&B and [dance](/source/Dance_music) production elements.[32] Some critics commented on *Good to Know*'s cohesion and overall approach; Maunier considered its "tighter" production an improvement over *Mad Love*, though he observed that the songs place less emphasis on immediate memorability.[22] Smith similarly noted that the album prioritizes atmosphere and tone, particularly in its latter half, and results in a consistent but occasionally understated listening experience.[27]

## Commercial performance

*Good to Know* debuted at number 33 on the US *Billboard* 200 with 12,700 [album-equivalent units](/source/Album-equivalent_units) on its first week, which consisted 8,000 pure album copies and 3,400 streaming units.[56] The album also charted at number 19 on the US [Top R&B/Hip-Hop albums](/source/Top_R%26B%2FHip-Hop_albums) chart.[57] In the United Kingdom, it reached number 4 on the [UK R&B Albums](/source/UK_R%26B_Albums) chart,[58] peaking at numbers 78 and 22 in Scotland and Portugal, respectively.[59][60] The album lasted a week on the chart in United States,[61] Scotland,[62] and Portugal.[60]

## Track listing

Digital edition[35] No. Title Writer(s) Producer(s) Length 1. "So Bad" Joanna Levesque Merna Bishouty Chantal Kreviazuk Martin McKinney Dylan Wiggins Doc McKinney Wiggins JoJo[c] Bishouty[c] 3:11 2. "Pedialyte" Levesque James Norton Peder Losnegard Enrico Pieranunzi Silvano Chimenti Tobias Brewer Lido[d] 4:06 3. "Gold" Levesque Kennedi Lykken Joelle James Robert McCurdy Christopher Petrosino Asheton Hogan A Pluss Noise Club Lido[b] 2:26 4. "Man" Levesque Lauren LaRue Rodrick Doss Jr. Evon Barnes Sofia Quinn Chelsea Lena Cameron Lazar Beatgodz Fade Majah JoJo[c] Tommy Parker[c] 2:53 5. "Small Things" Levesque Brandon Skeie Caroline Ailin McCurdy Petrosino Hogan Ishmael Windley A Pluss Noise Club Wow Jones[b] JoJo[c] Parker[c] 3:24 6. "Lonely Hearts" Levesque Elizabeth Lowell Boland Bishouty McKinney Wiggins Doc McKinney Wiggins JoJo[c] Bishouty[c] 3:23 7. "Think About You" Levesque Andrew Jackson Losnegard Lido JoJo[c] 3:48 8. "Comeback" (featuring Tory Lanez and 30 Roc) Levesque LaRue Samuel Gloade Daystar Peterson Adarius Morgane 30 Roc DatBoiSqueeze JoJo[c] 2:55 9. "Don't Talk Me Down" Levesque Natalie Dunn Losnegard Lido Johan Lenox[b] JoJo[c] Dunn[c] 3:27 Total length: 29:33

Physical edition[36] No. Title Writer(s) Producer(s) Length 1. "Bad Habits (Intro)" Levesque Jordan Orvosh Jason Gilbert Sebastian Kole Jordan XL JoJo[c] 1:09 2. "So Bad" Levesque Bishouty Kreviazuk McKinney Wiggins Doc McKinney Wiggins JoJo[c] Bishouty[c] 3:11 3. "Pedialyte" Levesque Norton Losnegard Pieranunzi Chimenti Brewer Lido[d] 4:06 4. "Gold" Levesque Lykken James McCurdy Petrosino Hogan A Pluss Noise Club Lido[b] 2:26 5. "Man" Levesque LaRue Doss Jr. Barnes Quinn Lena Lazar Beatgodz Fade Majah JoJo[c] Parker[c] 2:53 6. "Small Things" Levesque Skeie Ailin McCurdy Petrosino Hogan Windley A Pluss Noise Club Wow Jones[b] JoJo[c] Parker[c] 3:24 7. "Lonely Hearts" Levesque Boland Bishouty McKinney Wiggins Doc McKinney Wiggins JoJo[c] Bishouty[c] 3:23 8. "Think About You" Levesque Jackson Losnegard Lido JoJo[c] 3:48 9. "Comeback" Levesque LaRue Gloade Morgane 30 Roc DatBoiSqueeze JoJo[c] 3:30 10. "Don't Talk Me Down" Levesque Dunn Losnegard Lido Lenox[b] JoJo[c] Dunn[c] 3:27 11. "Proud (Outro)" Levesque Lykken Jamie Hartman Losnegard Brandon Wollman Lido Santell[a] JoJo[c] 3:19 Total length: 35:17

Deluxe edition[63] No. Title Writer(s) Producer(s) Length 1. "Bad Habits (Intro)" Levesque Orvosh Gilbert Kole Jordan XL JoJo[c] 1:09 2. "So Bad" Levesque Bishouty Kreviazuk McKinney Wiggins McKinney Wiggins JoJo[c] Bishouty[c] 3:11 3. "Pedialyte" Levesque Norton Losnegard Pieranunzi Chimenti Brewer Lido[d] 4:06 4. "Gold" Levesque Lykken James McCurdy Petrosino Hogan A Pluss Noise Club Lido[b] 2:26 5. "Man" Levesque LaRue Doss Jr. Barnes Quinn Lena Lazar Beatgodz Fade Majah JoJo[c] Parker[c] 2:53 6. "Small Things" Levesque Skeie Ailin McCurdy Petrosino Hogan Windley A Pluss Noise Club Wow Jones[b] JoJo[c] Parker[c] 3:24 7. "Lonely Hearts" (remix; featuring Demi Lovato) Levesque Boland Bishouty McKinney Wiggins Doc McKinney Wiggins JoJo[c] Bishouty[c] 3:23 8. "Think About You" Levesque Jackson Losnegard Lido JoJo[c] 3:48 9. "Comeback" Levesque LaRue Gloade Morgane 30 Roc DatBoiSqueeze JoJo[c] 3:30 10. "Don't Talk Me Down" Levesque Dunn Losnegard Lido Lenox[b] JoJo[c] Dunn[c] 3:27 11. "Proud (Outro)" Levesque Lykken Jamie Hartman Losnegard Wollman Lido Santell[a] JoJo[c] 3:19 12. "Kiss" Levesque Lykken McCurdy Petrosino Noise Club 3:09 13. "Love Reggae" (featuring Tinashe) Levesque Tinashe Kachingwe Brittany "Chi" Coney Denisia "Blu June" Andrews Faris Al-Majed Nevin Sastry Richard Munos The ANMLS Nova Wav Sastry The ANMLS 3:27 14. "What U Need" Leveseque Coney Andrews Matias Saabye Peschcke-Køed Nova Wav 4:08 15. "X (1 Thing Wrong)" Leveseque Ben Shapiro Daniel Hackett Diana Gordon Felicia Ferraro Nima Jahanbin Paimon Jahanbin Kid Culture Wallis Lane 3:23 16. "In Your Room" Levesque Bishouty Boland Adam Fujiki McKinney Michael Sonier Wiggins Daniel Wilson Wiggins Doc McKinney Sonier 2:56 Total length: 51:39

### Notes

- **[^\[a\]](#ref_a)** signifies a co-producer.

- **[^\[b\]](#ref_b)** signifies an additional producer.

- **[^\[c\]](#ref_c)** signifies a vocal producer.

- **[^\[d\]](#ref_d)** "Pedialyte" contains elements from "Feasing" written by Silvano Chimenti and [Enrico Pieranunzi](/source/Enrico_Pieranunzi), and "Surf Club 76BPM" written by Tobias Brewer. The [outro](/source/Outro_(music)) contains a hidden track titled "Take Me" commencing at approximately three minute and fourteen seconds (3:14) into the track.[64]

## Credits and personnel

Credits were adapted from the [liner notes](/source/Liner_notes).[note 4]

### Recording locations

- Swara Padi Studios; Ubud Bali, Indonesia (track 1)

- [Westlake Studios](/source/Westlake_Studios); Los Angeles, California (tracks 2, 7, 10)

- Blackwood Studios; Los Angeles, California (tracks 3, 5)

- Melrose Sound; Los Angeles, California (tracks 4, 6)

- Goddess Sound; North Hollywood, California (track 8)

- Encore Studios; Burbank, California (track 9)

- Red Bull Studios; Santa Monica, California (track 11)

### Personnel

- [30 Roc](/source/30_Roc) – producer (track 9)

- A Pluss – producer (tracks 4, 6), programming (track 6)

- Beatgodz – producer (track 5)

- Dale Becker – mastering (all tracks)

- Merna Bishouty – vocal producer (tracks 2, 7)

- Daniel Brooks – engineer (track 8), additional engineering (track 6)

- [Stephen "Thundercat" Bruner](/source/Thundercat_(musician)) – bass (track 11)

- Jon Castelli – mixing (track 1)

- Miles Comaskey – mix engineer (tracks 5, 8, 10)

- DatBoiSqueeze – producer (track 9)

- [Natalie Dunn](/source/Nat_Dunn) – vocal producer (track 10)

- Wissam Ghorayeb – engineer (track 5)

- [Jason Gilbert](/source/Jason_Gilbert) – engineer (track 1)

- Ryan Gladieux – engineer (tracks 2–7, 9, 10), mixing (track 11)

- [JoJo](/source/JoJo_(singer)) – vocals (all tracks), vocal producer (all tracks)

- Najeeb Jones – assistant mix engineer (tracks 3, 4, 6, 7)

- Wow Jones – additional production (track 6)

- Jordan XL – producer, instruments, and programming (track 1)

- Johan Lenox – additional production (track 10)

- [Lido](/source/Lido_(musician)) – producer (tracks 3, 8, 10, 11), additional production (track 4)

- Fade Majah – producer (track 5)

- [Tony Maserati](/source/Tony_Maserati) – mixing (tracks 2–10)

- Rob McCurdy – guitar (track 6)

- [Doc McKinney](/source/Doc_McKinney) – producer (tracks 2, 7)

- James Musshorn – engineer (track 11)

- Noise Club – producer (tracks 4, 6), programming (track 6)

- Tommy Parker – vocal producer (tracks 5, 6)

- Chris Petrosino – keyboards (track 6)

- Santell – co-producer (track 11)

- Tyler Scott – mix engineer (tracks 2, 9)

- [Dylan Wiggins](/source/Dylan_Wiggins) – producer (tracks 2, 7)

- Jamar Williams – engineer (track 8)

- David K. Younghyun – assistant mix engineer (track 4)

## Charts

Chart performance Chart (2020) Peak position Portuguese Albums (AFP)[60] 22 Scottish Albums (OCC)[59] 78 UK R&B Albums (OCC)[58] 4 UK Albums Sales (OCC)[65] 44 UK Album Downloads (OCC)[66] 18 US Billboard 200[61] 33 US Top R&B/Hip-Hop Albums (Billboard)[57] 19

## Release history

Release dates and formats Region Date Format(s) Edition Label(s) Ref. Various May 1, 2020 Digital download streaming Digital Warner Clover [67] CD Physical [68] July 10, 2020 Digital download streaming Acoustic [69] August 28, 2020 Digital download streaming vinyl Deluxe [70][71]

## Notes

1. **[^](#cite_ref-13)** In an interview with *[Entertainment Weekly](/source/Entertainment_Weekly)* published May 1, 2020, JoJo said that she began writing the album "a year ago".[12]

1. **[^](#cite_ref-21)** References:[17][18][19]

1. **[^](#cite_ref-33)** Brittany Spanos of *[Rolling Stone](/source/Rolling_Stone)* characterized the song's genre as "midtempo R&B-pop",[28] Layla Halabian of *[Nylon](/source/Nylon_(magazine))* described it as "sexy R&B track",[29] and Sajae Elder of *[The Fader](/source/The_Fader)* called it a "mid-tempo" song.[30]

1. **[^](#cite_ref-68)** All track numbers refer to the physical release of the album.[36]

## References

1. ^ [***a***](#cite_ref-Refinery29_1-0) [***b***](#cite_ref-Refinery29_1-1) Morin, Natalie (August 28, 2020). ["If You Want to Know Where JoJo Went, See Where She's Going"](https://www.refinery29.com/en-us/2020/08/9975951/jojo-singer-good-to-know-deluxe-album-interview). [Refinery29](/source/Refinery29). [Archived](https://web.archive.org/web/20200903221422/https://www.refinery29.com/en-us/2020/08/9975951/jojo-singer-good-to-know-deluxe-album-interview) from the original on September 3, 2020. Retrieved April 27, 2026.

1. **[^](#cite_ref-2)** ["Scratching an Itch: JoJo Covers Drake"](https://www.reuters.com/article/music-us-jojo-idINTRE75H04B20110618) (Press release). [Reuters](/source/Reuters). June 18, 2011. [Archived](https://web.archive.org/web/20230624061858/https://www.reuters.com/article/music-us-jojo-idINTRE75H04B20110618) from the original on June 24, 2023. Retrieved June 24, 2023.

1. **[^](#cite_ref-3)** ["*Mad Love.* by JoJo"](https://music.apple.com/us/album/mad-love/1153047365). [Apple Music](/source/Apple_Music) (US). October 14, 2016. [Archived](https://web.archive.org/web/20160924234804/https://itunes.apple.com/us/album/mad-love./id1153047365) from the original on September 24, 2016. Retrieved September 16, 2016.

1. ^ [***a***](#cite_ref-Nylon_4-0) [***b***](#cite_ref-Nylon_4-1) [***c***](#cite_ref-Nylon_4-2) [***d***](#cite_ref-Nylon_4-3) McCartney, Clare Valentine (April 23, 2020). ["JoJo on Her New Album, Growing Up in the Music Industry And Finding Self-Acceptance"](https://www.nylon.com/entertainment/jojo-on-her-new-album-and-growing-up-in-the-music-industry). *[Nylon](/source/Nylon_(magazine))*. [Archived](https://web.archive.org/web/20200426172156/https://www.nylon.com/entertainment/jojo-on-her-new-album-and-growing-up-in-the-music-industry) from the original on April 26, 2020. Retrieved April 26, 2026.

1. ^ [***a***](#cite_ref-Ahlgrim-2020_5-0) [***b***](#cite_ref-Ahlgrim-2020_5-1) [***c***](#cite_ref-Ahlgrim-2020_5-2) Ahlgrim, Callie (May 2, 2020). ["'I Was Wanting to Escape Myself': JoJo Explains How She Mined Toxic Patterns to Create the Soul-Pop Album of Her Dreams"](https://www.businessinsider.com/jojo-album-good-to-know-interview-2020-4). *[Business Insider](/source/Business_Insider)*. [Archived](https://web.archive.org/web/20240331020050/https://www.businessinsider.com/jojo-album-good-to-know-interview-2020-4) from the original on March 31, 2024. Retrieved May 26, 2026.

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1. **[^](#cite_ref-42)** Kenneally, Cerys (March 13, 2020). ["JoJo Recruits Friends Tinashe, Ari Lennox, And More in Video for New Single 'Man'"](https://www.thelineofbestfit.com/news/latest-news/jojo-recruits-friends-tinashe-ari-lennox-in-video-for-new-single-man). *[The Line of Best Fit](/source/The_Line_of_Best_Fit)*. [Archived](https://web.archive.org/web/20241004082349/https://www.thelineofbestfit.com/news/latest-news/jojo-recruits-friends-tinashe-ari-lennox-in-video-for-new-single-man) from the original on October 4, 2024. Retrieved April 27, 2026.

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1. **[^](#cite_ref-45)** Folks, Antwane (May 8, 2020). ["JoJo Is Quite the Tease in 'Comeback' Video Featuring Tory Lanez and 30 Roc"](https://ratedrnb.com/2020/05/jojo-is-quite-the-tease-in-comeback-video-featuring-tory-lanez-and-30-roc/). *[Rated R&B](/source/Rated_R%26B)*. [Archived](https://web.archive.org/web/20210124024917/https://ratedrnb.com/2020/05/jojo-is-quite-the-tease-in-comeback-video-featuring-tory-lanez-and-30-roc/) from the original on January 24, 2021. Retrieved April 28, 2026.

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1. **[^](#cite_ref-47)** Aniftos, Rania (July 10, 2020). ["JoJo Drops *Good to Know* Acoustic Album, 'Think About You' Video: Watch"](https://www.billboard.com/music/pop/jojo-good-to-know-acoustic-album-thing-about-you-video-9416336/). *[Billboard](/source/Billboard_(magazine))*. [Archived](https://web.archive.org/web/20251123115617/https://www.billboard.com/music/pop/jojo-good-to-know-acoustic-album-thing-about-you-video-9416336/) from the original on November 23, 2025. Retrieved August 5, 2020.

1. **[^](#cite_ref-48)** Aniftos, Rania (August 5, 2020). ["JoJo to Call on Demi Lovato for Upcoming 'Lonely Hearts' Remix"](https://www.billboard.com/music/pop/jojo-demi-lovato-lonely-hearts-remix-9429906/). *[Billboard](/source/Billboard_(magazine))*. [Archived](https://web.archive.org/web/20211118125942/https://www.billboard.com/music/pop/jojo-demi-lovato-lonely-hearts-remix-9429906/) from the original on November 18, 2021. Retrieved April 28, 2026.

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v t e JoJo Discography Videography Songs Live performances Studio albums JoJo The High Road Mad Love Good to Know December Baby Trying Not to Think About It EPs LoveJo III LoveJo2 NGL Mixtapes Can't Take That Away from Me Agápē Singles "Leave (Get Out)" "Baby It's You" "Not That Kinda Girl" "Too Little Too Late" "How to Touch a Girl" "Anything" "Disaster" "When Love Hurts" "Fuck Apologies" "FAB" "Joanna" "Sabotage" "Man" Featured singles "Come Together Now" "Say So" Promotional singles "Beautiful Girls Reply" "Sexy to Me" "Demonstrate" "Music" "Lonely Hearts" Other songs "Note to God" Concert tours Shock Value II Tour Joe Jonas & Jay Sean: Live in Concert Better with U Tour The Agápē Tour I Am JoJo Tour 7/27 Tour Mad Love Tour Leaks, Covers and Mixtapes Tour JoJo Tour 2022 Related articles Clover Music

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Adapted from the Wikipedia article [Good to Know](https://en.wikipedia.org/wiki/Good_to_Know) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Good_to_Know?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.