# Delta blues

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Early style of blues music

Not to be confused with [Delta Blues (horse)](/source/Delta_Blues_(horse)) or [Delta Blues (film)](/source/Delta_Blues_(film)).

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Delta blues Stylistic origins Blues Cultural origins Early twentieth century Mississippi, U.S. Derivative forms Chicago blues Detroit blues Memphis blues electric blues

The [Mississippi Delta](/source/Mississippi_Delta) (not to be confused with the [Mississippi River Delta](/source/Mississippi_River_Delta) in Louisiana)

**Delta blues** is one of the earliest-known styles of [blues](/source/Blues). It originated in the [Mississippi Delta](/source/Mississippi_Delta) and is regarded as a regional variant of [country blues](/source/Country_blues). Guitar and harmonica are its dominant instruments; [slide guitar](/source/Slide_guitar) is a hallmark of the style. Vocal styles in Delta blues range from introspective and soulful to passionate and fiery.

## Origin

Although Delta blues certainly existed in some form or another at the turn of the twentieth century, it was first recorded in the late 1920s, when record companies realized the potential African-American market for "[race records](/source/Race_records)". Alan Lomax was a key figure in these remote early recordings. The major labels produced the earliest recordings, consisting mostly of one person singing and playing an instrument. Live performances, however, more commonly involved a group of musicians. Record company talent scouts made some of the early recordings on field trips to the South, and some performers were invited to travel to northern cities to record. Current research suggests that [Freddie Spruell](/source/Freddie_Spruell) is the first Delta blues artist to have been recorded; his "[Milk Cow Blues](/source/Milk_Cow_Blues)" was recorded in Chicago in June 1926.[1] According to Dixon and Godrich (1981), [Tommy Johnson](/source/Tommy_Johnson_(blues_musician)) and [Ishmon Bracey](/source/Ishmon_Bracey) were recorded by [Victor](/source/Victor_Talking_Machine_Company) on that company's second field trip to Memphis, in 1928. [Robert Wilkins](/source/Robert_Wilkins) was first recorded by Victor in Memphis in 1928, and [Big Joe Williams](/source/Big_Joe_Williams) and [Garfield Akers](/source/Garfield_Akers) by [Brunswick](/source/Brunswick_Records)/[Vocalion](/source/Vocalion_Records), also in Memphis, in 1929.

[Charley Patton](/source/Charlie_Patton) recorded for Paramount in Grafton, in June 1929 and May 1930. He also traveled to New York City for recording sessions in January and February 1934.

[Son House](/source/Son_House) first recorded in Grafton, Wisconsin, in 1930 for [Paramount Records](/source/Paramount_Records).[2]

[Robert Johnson](/source/Robert_Johnson) recorded his only sessions, in San Antonio in 1936 and in Dallas in 1937, for [ARC](/source/American_Record_Corporation). Many other artists were recorded during this period.

["Cross Road Blues"](https://en.wikipedia.org/wiki/File:Crossroads.ogg)

47-second sample of Robert Johnson song

*Problems playing this file? See [media help](https://en.wikipedia.org/wiki/Help:Media).*

Subsequently, the early Delta blues (as well as other genres) were extensively recorded by [John Lomax](/source/John_Lomax) and his son [Alan Lomax](/source/Alan_Lomax), who crisscrossed the southern U.S. recording music played and sung by ordinary people, helping establish the canon of genres known today as [American folk music](/source/American_folk_music). Their recordings, numbering in the thousands, now reside in the [Smithsonian Institution](/source/Smithsonian_Institution). According to Dixon and Godrich (1981) and Leadbitter and Slaven (1968), Alan Lomax and the Library of Congress researchers did not record any Delta bluesmen or blueswomen prior to 1941, when he recorded [Son House](/source/Son_House) and [Willie Brown](/source/Willie_Brown_(musician)) near [Lake Cormorant, Mississippi](/source/Lake_Cormorant%2C_Mississippi), and [Muddy Waters](/source/Muddy_Waters) at [Stovall, Mississippi](/source/Stovall%2C_Mississippi). However, among others, John and Alan Lomax recorded [Lead Belly](/source/Lead_Belly) in 1933,[3] and [Bukka White](/source/Bukka_White) in 1939.[4]

## Female performers

In big-city blues, female singers such as [Ma Rainey](/source/Ma_Rainey), [Bessie Smith](/source/Bessie_Smith), and [Mamie Smith](/source/Mamie_Smith) dominated the recordings of the 1920s.[5] Although very few women were recorded playing Delta blues and other rural or folk-style blues, many performers did not get professionally recorded.

[Geeshie Wiley](/source/Geeshie_Wiley) was a blues singer and guitar player who recorded six songs for [Paramount Records](/source/Paramount_Records) that were issued on three records in April 1930. According to the blues historian [Don Kent](/source/Don_Kent_(blues_historian)), Wiley "may well have been the rural South's greatest female blues singer and musician".[6]

L.V. Thomas, better known as [Elvie Thomas](/source/Elvie_Thomas), was a blues singer and guitarist from [Houston, Texas](/source/Houston%2C_Texas), who recorded with Geeshie Wiley.[7]

[Memphis Minnie](/source/Memphis_Minnie) was a blues guitarist, vocalist, and songwriter whose recording career lasted for more than three decades. She recorded approximately 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and "[Me and My Chauffeur Blues](/source/Chauffeur_Blues)".

[Bertha Lee](/source/Bertha_Lee_Pate) was a blues singer, active in the 1920s and 1930s. She recorded with, and was the [common-law wife](/source/Common-law_wife) of, Charley Patton.[8]

[Rosa Lee Hill](/source/Rosa_Lee_Hill), daughter of Sid Hemphill, learned guitar from her father and by the time she was ten, was playing at dances with him.[9] Several of her songs, such as "Rolled and Tumbled", were recorded by Alan Lomax between 1959 and 1960.[10] In the late 1960s, [Jo Ann Kelly](/source/Jo_Ann_Kelly) (UK) started her recording career.[11] In the 1970s, [Bonnie Raitt](/source/Bonnie_Raitt) and [Phoebe Snow](/source/Phoebe_Snow) performed blues.[12]

Bonnie Raitt, [Susan Tedeschi](/source/Susan_Tedeschi) and [Rory Block](/source/Rory_Block) are contemporary female blues artists, who were influenced by Delta blues and learned from some of the most notable of the original artists still living. [Sue Foley](/source/Sue_Foley) and [Shannon Curfman](/source/Shannon_Curfman) also performed blues music.

## Influence

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Many Delta blues artists, such as [Big Joe Williams](/source/Big_Joe_Williams), moved to Detroit and Chicago, creating a pop-influenced city blues style. This was displaced by the new [Chicago blues](/source/Chicago_blues) sound in the early 1950s, pioneered by Delta bluesmen [Muddy Waters](/source/Muddy_Waters), [Howlin' Wolf](/source/Howlin'_Wolf), and [Little Walter](/source/Little_Walter), that was harking back to a Delta-influenced sound, but with amplified instruments.

Delta blues was also an inspiration for the creation of [British skiffle](/source/Skiffle#British_skiffle_craze) music, from which eventually came the [British invasion](/source/British_invasion) bands, while simultaneously influencing [British blues](/source/British_blues) that led to the birth of early [hard rock](/source/Hard_rock) and [heavy metal](/source/Heavy_metal_music).

## See also

- [List of Delta blues musicians](/source/List_of_Delta_blues_musicians)

- [Delta Blues Museum](/source/Delta_Blues_Museum)

- [Delta Cultural Center](/source/Delta_Cultural_Center)

- [Music of Mississippi](/source/Music_of_Mississippi)

## References

1. **[^](#cite_ref-1)** Leggett, Steve. ["Freddie Spruell"](https://www.allmusic.com/artist/p475029/biography). *[AllMusic](/source/AllMusic)*. Retrieved December 6, 2011.

1. **[^](#cite_ref-2)** ["Paramount Records"](http://www.msbluestrail.org/blues-trail-markers/paramount-records). *Msbluestrail.org*.

1. **[^](#cite_ref-3)** Richard Havers (September 23, 2022). ["The Lomax Legacy: Giving A Voice to the Voiceless"](https://www.udiscovermusic.com/stories/muddy-waters-first-recording/). *Udiscovermusic.com*.

1. **[^](#cite_ref-4)** Annika Van Farowe (February 26, 2018). ["Bukka White and the Record Companies"](https://pages.stolaf.edu/americanmusic/tag/bukka-white/). *Pages.stolaf.edu*.

1. **[^](#cite_ref-5)** Wyman, Bill; Havers, Richard (2001). Doggett, Peter; Woodward, Jake (eds.). *Bill Wyman's Blues Odyssey*. Dorling Kindersley. pp. 77–96.

1. **[^](#cite_ref-6)** Kent, Don (1994). Liner notes to *Mississippi Masters: Early American Blues Classics 1927–35*. Reprinted at ParamountsHome.org. Retrieved 18 September 2016.

1. **[^](#cite_ref-7)** Sullivan, John Jeremiah (2014-04-12). ["The Balled of Geeshie and Elvie"](https://www.nytimes.com/interactive/2014/04/13/magazine/blues.html). *The New York Times*. [ISSN](/source/ISSN_(identifier)) [0362-4331](https://search.worldcat.org/issn/0362-4331). Retrieved 2021-04-17.

1. **[^](#cite_ref-8)** "Biography by Joslyn Layne". [AllMusic](/source/AllMusic). Retrieved September 21, 2011.

1. **[^](#cite_ref-9)** [Liner notes, Lomax Collection](http://www.culturalequity.org/sites/default/files/2018-06/Liner_notes_LomaxCollection.pdf), Culturalequity.org

1. **[^](#cite_ref-10)** Lomax, Alan; Hill, Rosa (1959-09-25). ["Rolled and tumbled"](https://egrove.olemiss.edu/lomax/464). *Alan Lomax Collection*.

1. **[^](#cite_ref-11)** Martin, Terry. ["Jo Ann Kelly"](http://www.martin-kingsbury.co.uk/articles/jo-ann%20kelly.htm). *Martin & Kingsbury*. Retrieved 5 November 2022.

1. **[^](#cite_ref-12)** ["Phoebe Snow San Francisco Bay Blues"](https://www.allmusic.com/song/san-francisco-bay-blues-mt0009236274). *[AllMusic](/source/AllMusic)*. Retrieved 4 November 2022.

## Bibliography

- Cobb, Charles E. Jr. ["Traveling the Blues Highway"](https://web.archive.org/web/20090724102711/http://www.nationalgeographic.com/media/ngm/9904/fngm/), [National Geographic Magazine](/source/National_Geographic_Magazine), April 1999, vol. 195, no. 4.

- Dixon, R. M. W., and Godrich, J. (1981). *Blues and Gospel Records: 1902–1943*. Storyville: London, [ISBN](/source/ISBN_(identifier)) [978-0902391031](https://en.wikipedia.org/wiki/Special:BookSources/978-0902391031).

- [Ferris, William R.](/source/William_R._Ferris) (1988). *Blues from the Delta* (rev. ed.). Da Capo Press. [ISBN](/source/ISBN_(identifier)) [0-306-80327-5](https://en.wikipedia.org/wiki/Special:BookSources/0-306-80327-5), [ISBN](/source/ISBN_(identifier)) [978-0306803277](https://en.wikipedia.org/wiki/Special:BookSources/978-0306803277).

- [Ferris, William R.](/source/William_R._Ferris) (2009). *Give My Poor Heart Ease: Voices of the Mississippi Blues*. University of North Carolina Press. [ISBN](/source/ISBN_(identifier)) [0-8078-3325-8](https://en.wikipedia.org/wiki/Special:BookSources/0-8078-3325-8), [ISBN](/source/ISBN_(identifier)) [978-0807833254](https://en.wikipedia.org/wiki/Special:BookSources/978-0807833254) (with CD and DVD).

- [Ferris, William R.](/source/William_R._Ferris), and Hinson, Glenn (2009). *The New Encyclopedia of Southern Culture.* Vol. 14: *Folklife*. University of North Carolina Press. [ISBN](/source/ISBN_(identifier)) [0-8078-3346-0](https://en.wikipedia.org/wiki/Special:BookSources/0-8078-3346-0), [ISBN](/source/ISBN_(identifier)) [978-0-8078-3346-9](https://en.wikipedia.org/wiki/Special:BookSources/978-0-8078-3346-9).

- [Gioia, Ted](/source/Ted_Gioia) (2009). *Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music*. W. W. Norton. [ISBN](/source/ISBN_(identifier)) [0-393-33750-2](https://en.wikipedia.org/wiki/Special:BookSources/0-393-33750-2), [ISBN](/source/ISBN_(identifier)) [978-0393337501](https://en.wikipedia.org/wiki/Special:BookSources/978-0393337501).

- Hamilton, Marybeth. *In Search of the Blues*, Basic Books, 2009, [ISBN](/source/ISBN_(identifier)) [978-0465018123](https://en.wikipedia.org/wiki/Special:BookSources/978-0465018123).

- [Harris, Sheldon](/source/Sheldon_Harris_(music_historian)) (1979). *Blues Who's Who*. Da Capo Press, [ISBN](/source/ISBN_(identifier)) [978-0306801556](https://en.wikipedia.org/wiki/Special:BookSources/978-0306801556).

- Leadbitter, M., and Slaven, N. (1968). *Blues Records 1943–1966*. Oak Publications, London.

- Nicholson, Robert (1999). *Mississippi Blues Today!* Da Capo Press. [ISBN](/source/ISBN_(identifier)) [0-306-80883-8](https://en.wikipedia.org/wiki/Special:BookSources/0-306-80883-8), [ISBN](/source/ISBN_(identifier)) [978-0-306-80883-8](https://en.wikipedia.org/wiki/Special:BookSources/978-0-306-80883-8).

- [Palmer, Robert](/source/Robert_Palmer_(American_writer)) (1982). *Deep Blues: A Musical and Cultural History of the Mississippi Delta*. Penguin Reprint edition. [ISBN](/source/ISBN_(identifier)) [0-14-006223-8](https://en.wikipedia.org/wiki/Special:BookSources/0-14-006223-8), [ISBN](/source/ISBN_(identifier)) [978-0-14-006223-6](https://en.wikipedia.org/wiki/Special:BookSources/978-0-14-006223-6).

- [Ramsey, Frederic Jr.](/source/Fred_Ramsey) (1960). *Been Here and Gone*. New Brunswick, New Jersey: Rutgers University Press.

- Idem, Second printing (1969). New Brunswick, New Jersey: Rutgers University Press.

- Idem, (2000). University of Georgia Press, [ISBN](/source/ISBN_(identifier)) [978-0820321950](https://en.wikipedia.org/wiki/Special:BookSources/978-0820321950).

- Wilson, Charles Reagan, [Ferris, William](/source/William_R._Ferris), Abadie, Ann J. (1989). *Encyclopedia of Southern Culture*. Second Ed. University of North Carolina Press. [ISBN](/source/ISBN_(identifier)) [0-8078-1823-2](https://en.wikipedia.org/wiki/Special:BookSources/0-8078-1823-2), [ISBN](/source/ISBN_(identifier)) [978-0-8078-1823-7](https://en.wikipedia.org/wiki/Special:BookSources/978-0-8078-1823-7).

## External links

- [Trail of the Hellhound – Delta Blues in the lower Mississippi Valley](https://web.archive.org/web/20150902223836/http://www.nps.gov/nhl/learn/delta/blues/sites/sites.htm)

- [The Mississippi Delta Blues Society of Indianola](https://web.archive.org/web/20060625163938/http://www.mississippideltablues.org/)

- ["The Blues"](https://www.pbs.org/theblues/), documentary by [Martin Scorsese](/source/Martin_Scorsese), aired on [PBS](/source/Public_Broadcasting_Service).

v t e Blues Musical form Blue note Blues ballad Blues scale Call and response Eight-bar blues Musical improvisation Shuffles Traditional blues verses Twelve-bar blues Walking bass Origins Origins Field hollers Spirituals Work songs American folk music Regional styles Africa Desert blues Canada Chicago Delta Hill country Louisiana New Orleans Swamp Memphis New Zealand Piedmont Texas Turkey United Kingdom West Coast Subgenres Boogie-woogie Classic female Country Delta Hill country Dirty Electric Fife and drum Hokum Holler Jug band Skiffle Fusion genres Blues rock Biker metal Boogie rock Punk Roots rock Southern rock Gospel Jump Rhythm and blues Soul Lists Blues musicians Blues musicians by genre Blues standards Blues festivals

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