# Chamber Made

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**Chamber Made**, formerly known as **Chamber Made Opera**, is an Australian arts organisation based in [Melbourne](/source/Melbourne), creating work operating at the intersections of music, sound and contemporary performance.

Formed in 1988 by theatre director and [librettist](/source/Libretto) Douglas Horton, it was Australia's only full-time company exclusively devoted to the commissioning and presentation of contemporary chamber opera by living artists. After taking up the artistic directorship in 2010, David Young commissioned and presented twelve new Australian operas, many of which were created as part of the company's "Living Room Opera" series. In 2013, Tim Stitz was appointed as Creative Director, leading a new company model consisting of four Artistic Associates. Since 2014 an overt focus on chamber opera has evolved into a broader remit of creating works that re-imagine how music and performance can converge. In 2017, the company restructured again and Tamara Saulwick was appointed Artistic Director.[1]

Chamber Made works with established artists and emerging professionals. The company also engages performers from different disciplines and non-traditional music and performance backgrounds.[2] Their productions are highly interdisciplinary, incorporating sophisticated composition and experimental performance practice.

The company has forged partnerships with Punctum, Limerick City of Culture, In Between Time Festival, [Arts Centre Melbourne](/source/Arts_Centre_Melbourne), [RMIT University](/source/RMIT_University), [La Mama Theatre](/source/La_Mama_Theatre_(Melbourne)), Aphids, [Speak Percussion](/source/Speak_Percussion), [Melbourne Recital Centre](/source/Melbourne_Recital_Centre), the [Victorian Opera](/source/Victorian_Opera), the [Victorian Writers' Centre](/source/Victorian_Writers'_Centre), The Wheeler Centre, [Fed Square](/source/Federation_Square), [Bell Shakespeare](/source/Bell_Shakespeare), [Rawcus](/source/Rawcus), [Malthouse Theatre](/source/Malthouse_Theatre), [New Music Network](/source/New_Music_Network), and the [Australian Music Centre](/source/Australian_Music_Centre).[3]

The company has multi-year, re-current funding from [Creative Victoria](/source/Creative_Victoria) and has an enduring support base from philanthropic and earned income. Chamber Made is based in a studio managed by the [City of Melbourne](/source/City_of_Melbourne)'s Meat Market tenancy program.

## Company history

Chamber Made Opera was founded in 1988 by Artistic Director Douglas Horton and General Manager Stephen Armstrong. The company quickly established itself as a force in the Australian arts industry, presenting many acclaimed works (see below for list of productions), winning awards, and touring nationally and internationally. Horton was the librettist for many of the company’s works; he stepped down as Artistic Director in March 2009, after 21 years.[4]

In 2010 composer David Young was appointed the role of Artistic Director, a position he held until December 2013.[5] Young lead the company through a period of rejuvenation and transformation, pioneering the innovative Living Room Opera series (see below).

In early 2013 CMO announced a new company structure would be installed following the departure of David Young, headed by new Creative Director Tim Stitz, who appointed a team of four Artistic Associates to join him in the next phase of the company's life. In 2017, Tamara Saulwick moved from the role of Artistic Associate to Artistic Director.[6]

Past staff include Artistic Director David Young, Creative Director / CEO Tim Stitz, Artistic Associate Sarah Kriegler, Artistic Associate Christie Stott, Artistic Associate Erkki Veltheim, General Managers Robina Burton and Geoffrey Williams, Resident Director Margaret Cameron, Resident Conductor Brett Kelly, Caroline Lee, and the late Jacqueline (Jacqui) Everitt, designer.

## Productions

*Only first productions are listed*

- 1988 *The Heiress*, music: Donald Hollier, text after [Henry James](/source/Henry_James)' novel *[Washington Square](/source/Washington_Square_(novel))*
- 1989 *Recital*, music: [David Chesworth](/source/David_Chesworth), [Puccini](/source/Puccini), [Mozart](/source/Mozart) et al., text: Douglas Horton and Helen Noonan
- 1990 *[The Fall of the House of Usher](/source/The_Fall_of_the_House_of_Usher)*, music: [Philip Glass](/source/Philip_Glass), text: [Arthur Yorinks](/source/Arthur_Yorinks) after [Edgar Allan Poe](/source/Edgar_Allan_Poe)
- 1991 *Greek*, music: [Mark-Anthony Turnage](/source/Mark-Anthony_Turnage), text: [Steven Berkoff](/source/Steven_Berkoff)
- 1991 *Sweet Death*, music: Andree Greenwell, text: Abe Pogos after [Claude Tardat](/source/Claude_Tardat)
- 1992 *[The Cars That Ate Paris](/source/The_Cars_That_Ate_Paris)*, [musical improvisation](/source/Musical_improvisation), text by Douglas Horton after [Peter Weir](/source/Peter_Weir)
- 1992 *Lacuna*, music: David Chesworth, text: Douglas Horton
- 1993 *Improvement: Don Leaves Linda*, music & text: [Robert Ashley](/source/Robert_Ashley)
- 1993 *[Medea](/source/Medea_(Seneca))*, music: [Gordon Kerry](/source/Gordon_Kerry), text: Justin Macdonnell after [Seneca](/source/Seneca_the_Younger)
- 1994 *The Two Executioners*, music: David Chesworth, text: Douglas Horton after [Fernando Arrabal](/source/Fernando_Arrabal)'s *Les Deux Bourreaux*
- 1995 *Tresno*, music & text: [Jacqui Rutten](/source/Jacqui_Rutten)
- 1995 *The Burrow*, music: [Michael Smetanin](/source/Michael_Smetanin), text: [Alison Croggon](/source/Alison_Croggon)
- 1997 *[Wide Sargasso Sea](/source/Wide_Sargasso_Sea)*, music: Brian Howard, text Brian Howard after [Jean Rhys](/source/Jean_Rhys)
- 1997 *Fresh Ghosts*, music: [Julian Yu](/source/Julian_Yu), text: [Glenn Perry](/source/Glenn_Perry) after [Lu Xun](/source/Lu_Xun)
- 1998 *Dr Forbes Will See You Now*, music: Stephen Ingham, text: Douglas Horton
- 1998 *Matricide – The Musical*, music: [Elena Kats-Chernin](/source/Elena_Kats-Chernin), text: Kathleen Mary Fallon
- 1999 *Eight Songs For A Mad King*, music: [Peter Maxwell Davies](/source/Peter_Maxwell_Davies), text: [Randolph Stow](/source/Randolph_Stow)
- 2000 *[Gauguin](/source/Gauguin) (a synthetic life)*, music: Michael Smetanin, text: Alison Croggon
- 2000 *[Teorema](/source/Teorema_(film))*, music: [Giorgio Battistelli](/source/Giorgio_Battistelli), scenario after [Pier Paolo Pasolini](/source/Pier_Paolo_Pasolini)
- 2002 *Slow Love*, music: [Stevie Wishart](/source/Stevie_Wishart), text: [Richard Murphett](/source/Richard_Murphett)
- 2002 *Motherland*, music: [Dominique Probst](/source/Dominique_Probst), text: Le Quy Duong
- 2003 *The Possessed*, music: Julian Yu, text: Glenn Perry
- 2003 *Phobia*, music: [Gerard Brophy](/source/Gerard_Brophy), text: Douglas Horton, in homage to [Alfred Hitchcock](/source/Alfred_Hitchcock)
- 2003 *[Walkabout](/source/Walkabout_(film))*, music & text: [Richard Frankland](/source/Richard_Frankland) after [Nicolas Roeg](/source/Nicolas_Roeg)
- 2004 *The Charcoal Club* (aka *Burning Embers*), music & text: [Richard Frankland](/source/Richard_Frankland)
- 2006 *Corruption*, music: [Sasha Stella](/source/Sasha_Stella), text: [Ania Walwicz](/source/Ania_Walwicz) after [Elisa Evers](/source/Elisa_Evers)
- 2006 *The Hive*, music: [Nicholas Vines](/source/Nicholas_Vines), text: [Sam Sejavka](/source/Sam_Sejavka)
- 2007 *Crossing Live*, music: [Bryony Marks](/source/Bryony_Marks), text: [Matthew Saville](/source/Matthew_Saville)
- 2008 *[The Children's Bach](/source/The_Children's_Bach_(opera))*, music: [Andrew Schultz](/source/Andrew_Schultz), text: Glenn Perry based on [Helen Garner](/source/Helen_Garner)'s novella
- 2010 *Another Lament*, music: [Ida Duelund Hansen](/source/Ida_Duelund_Hansen)
- 2010 *The Itch*, music: Alex Garsden
- 2010 *Exile*, the world's first iPad opera, music: [Helen Gifford](/source/Helen_Gifford)
- 2011 *Minotaur: The Island*, music: David Young, text: Margaret Cameron
- 2011 *Dwelling Structure*, by Madeleine Flynn and Tim Humphrey, libretto Cynthia Troup
- 2011 *Ophelia Doesn't Live Here*, music: [Darrin Verhagen](/source/Darrin_Verhagen), director: Daniel Schlusser[7]
- 2012 *The Box*, by [Fritz Hauser](/source/Fritz_Hauser) with Boa Baumann, libretto Willoh S. Weiland
- 2012 *PM – An incidental video opera*, by Peter Lambropoulos
- 2012 *The Minotaur Trilogy*, music: David Young, text: Margaret Cameron
- 2013 *Turbulence*, music: [Juliana Hodkinson](/source/Juliana_Hodkinson), libretto: Cynthia Troup
- 2013 *Opera – therapea*, by David Young, Margaret Cameron, Hellen Sky, Deborah Kayser, Jane Refshuage
- 2013 *Between Lands and Longings*, by Zierle & Carter
- 2013 *Opera for a small mammal*, written and performed by Margaret Cameron
- 2014 *Wake*, conceived by Maeve Stone and John Rodgers, composed by Tom Lane
- 2014 *Another Other,* created and performed by Erkki Veltheim, Sabina Maselli, Natasha Anderson, and Anthony Pateras
- 2015 *Captives of the City,* co-created by Chamber Made and Lemony S Puppet Theatre
- 2016 *Permission to Speak,* created by Tamara Saulwick and Kate Neal, performed by Gian Slater, Georgie Darvidis, Josh Kyle and Edward Fairlie
- 2017 *Between 8&9,* created by Australian and Chinese artists in a collaborative process led by Madeleine Flynn and Tim Humphrey
- 2018 *Dybbuks,* conceived and directed by Samara Hersch
- 2019 *Diaspora,* created by Robin Fox and collaborators
- 2020 *Dragon Ladies Don't Weep,* created by Tamara Saulwick, Nick Roux and Kok Heng Leun, performed by Margaret Leng Tan
- 2021 *SYSTEM_ERROR,* co-created and performed by Tamara Saulwick and Alisdair Macindoe, directed by Lucy Guerin, with Melanie Huang as data visualisation artist
- 2022 *My Self in That Moment,* led by Tamara Saulwick, composed by [Peter Knight (musician)](/source/Peter_Knight_(musician)), performed by Jessica Aszodi, Alice Hui-Sheng Chang, and Tina Stefanou

## Awards

- 1992 Myer Group Arts Award – Chamber Made Opera
- 1994 [The Age](/source/The_Age) Performing Arts Awards – Most Outstanding Fringe Performance: *The Two Executioners*
- 1995 A Creative Artist Fellowship [aka a 'Keating', after the then Prime Minister, Mr Paul Keating] - AD/CEO Douglas Horton, for services to contemporary Australian opera
- 2002 [Green Room Awards](/source/Green_Room_Awards) – Best New Score: *Slow Love*
- 2002 Green Room Awards – Best Lighting Design: *Motherland*
- 2006 Green Room Awards – Best Opera Production: *The Hive*[8]
- 2007 [Helpmann Awards](/source/Helpmann_Awards) – Best Opera Direction: Douglas Horton for *The Hive*[9]
- 2007 Green Room Awards – Best New Australian Work: *Crossing Live*,[10]
- 2007 Green Room Awards - Best Performance, New Form: Luke Elliott in *Crossing Live*
- 2013 Art Music Awards – Victorian Performance of the Year, Excellence by an Organisation: *The Minotaur Trilogy*
- 2016 Green Room Awards - Puppetry Performance: *Captives of the City*
- 2016 Green Room Awards - Design & Realisation in Contemporary Performance: *Captives of the City*
- 2017 Art Music Awards - Victorian Performance of the Year: *Permission to Speak*
- 2018 Green Room Awards - Sound Performance: *Between 8&9*
- 2018 Art Music Awards - Excellence in Experimental: *Between 8&9*
- 2020 Green Room Awards - Visual Design: *Diaspora*
- 2020 Green Room Awards - Best Production: *Diaspora*
- 2021 Music Theatre NOW: *Dybbuks*
- 2021 Art Music Awards - Work of the Year Dramatic: *Dragon Ladies Don't Weep*

## Discography

- 2001 *Wicked Voice* includes excerpts from *Lacuna* and *The Two Executioners* (Chesworth/Horton), [ABC Classics](/source/ABC_Classics)
- 2007 *Medea* (Kerry/Macdonnell), ABC Classics
- 2012 *Another Lament* (Ida Duelund), Chamber Made Opera Records
- 2013 *Winterreise* (Ida Duelund), Chamber Made Opera Records
- 2013 *The Minotaur Trilogy* box set, Chamber Made Opera Records

## Living Room Operas

From 2010 to 2014, a series of domestic-scale chamber operas were commissioned and developed for presentation in [living rooms](/source/Living_room) of residential houses.[11]

The Living Room Opera Series involved artists and musicians from a range of styles and backgrounds. This series aimed to give the audience new, chamber operas in close proximity.[12]

In 2010 new works by composer [Alex Garsden](/source/Alex_Garsden), Rawcus Theatre Company, and the Quiver Ensemble were commissioned and presented in a range of domestic settings with investment by individual donors. The Series represents a mobile and scalable model with support from private philanthropy.[13]

Productions that featured in the series were The Itch (2010), Another Lament (2010), Dwelling Structure (2011), Ophelia Doesn't Live Here Anymore (2011), Minotaur The Island (2011), The Box (2012), PM An incidental Video Opera (2012), Between Lands and Longings (2013), Turbulence (2013), and Wake (2014).

## The Venny

From 2012-2018, CMO partnered with the Kensington Adventure Playground (The Venny), to deliver a community outreach program for young people. Each year the company enabled professional artists to work with the children and staff of The Venny to develop and present a creative project exploring the children's interests and teaching them creative skills whilst building a sense of fortitude and community.[14]

## References

1. ["Tamara Saulwick's Biography"](https://chambermade.org/people/tamara-saulwick/)

1. Edgar, Ray (9 March 2012). ["Shadow boxing with audio architecture"](https://www.theage.com.au/entertainment/opera/shadow-boxing-with-audio-architecture-20120308-1umzr.html). *The Age*. Retrieved 31 May 2012.

1. Gruber, Fiona (19 November 2010). ["Pull up the lounge for a night of opera"](http://www.theaustralian.com.au/arts/pull-up-the-lounge-for-a-night-of-opera/story-e6frg8n6-1225955913886). *The Australian*. Retrieved 31 May 2012.

1. ["Douglas Horton to step down from Chambermade"](http://www.australianstage.com.au/news/melbourne/douglas-horton-to-step-down-from-chambermade-2388.html). Australian Stage. Retrieved 31 May 2012.

1. Gallasch, Keith. ["new director, new opera"](http://www.realtimearts.net/article/95/9770). RealTime. Retrieved 31 May 2012.

1. ["Tamara Saulwick steps into Artistic Director role at Chamber Made Opera"](http://artsreview.com.au/tamara-saulwick-steps-into-artistic-director-role-at-chamber-made-opera/). 16 February 2017.

1. [*Ophelia Doesn't Live Here Anymore* review](https://theatrenotes.blogspot.com.au/2011/11/review-ophelia-doesnt-live-here-anymore.html) by [Alison Croggon](/source/Alison_Croggon), Theatre Notes, 28 November 2011

1. ["Nicholas Vines : Represented Artist Profile"](http://www.australianmusiccentre.com.au/artist/vines-nicholas). Australian Music Centre. Retrieved 9 February 2012.

1. ["2007 Helpmann Award Winners "](http://www.australianstage.com.au/news/sydney/2007-helpmann-award-winners-588.html), australianstage.com.au, 7 August 2007

1. ["2007 Nominations and Recipients"](http://www.greenroom.org.au/content/index.php?option=com_content&view=article&id=47:2007-nominations-and-recipients&catid=34:the-nominations&Itemid=55). Greenroom.org.au. Retrieved 9 February 2012.

1. Gallasch, Keith. ["from the living room into the world"](http://www.realtimearts.net/article/issue108/10625). RealTime Arts. Retrieved 31 May 2012.

1. Power, Liza (17 December 2011). ["Living room librettos"](https://www.theage.com.au/entertainment/opera/living-room-librettos-20111216-1oy5x.html). *The Age*. Retrieved 31 May 2012.

1. Furhmann, Andrew. ["This is the future of Australian Opera"](http://www.artshub.com.au/au/news-article/opinions/arts/this-is-the-future-of-australian-opera-189091). Arts Hub. Retrieved 31 May 2012.

1. ["The Venny Project"](https://chambermade.org/the-venny-project/)

## External links

- [Chamber Made Opera official site](https://www.chambermadeopera.com/)

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Adapted from the Wikipedia article [Chamber Made](https://en.wikipedia.org/wiki/Chamber_Made) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Chamber_Made?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.