# Butchered at Birth

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1991 studio album by Cannibal Corpse

Butchered at Birth Studio album by Cannibal Corpse Released July 1, 1991 Recorded 1991 Studio Morrisound Recording, Tampa, Florida Genre Death metal Length 36:34 Label Metal Blade Producer Scott Burns Cannibal Corpse chronology Eaten Back to Life (1990) Butchered at Birth (1991) Tomb of the Mutilated (1992)

Professional ratings Review scores Source Rating AllMusic [1] Collector's Guide to Heavy Metal 6/10[2] Kerrang! [3] MusicHound Rock [4]

***Butchered at Birth*** is the second studio album by American [death metal](/source/Death_metal) band [Cannibal Corpse](/source/Cannibal_Corpse). It was released on July 1, 1991 through [Metal Blade Records](/source/Metal_Blade_Records).

The album was recorded at [Morrisound Recording](/source/Morrisound_Recording) in [Tampa, Florida](/source/Tampa%2C_Florida) and was produced by [Scott Burns](/source/Scott_Burns_(music_producer)). It is considered to be musically and lyrically more extreme than the band's debut, *[Eaten Back to Life](/source/Eaten_Back_to_Life).* The album's music represents an evolution to "pure death metal" from the [thrash metal](/source/Thrash_metal)-oriented sound of its predecessor. Barnes stated that the album is a concept album about [butchery](/source/Butcher). Its cover artwork was created by comic book artist [Vincent Locke](/source/Vince_Locke), and depicts a pregnant woman being [dissected](/source/Dissection) by zombies.

*Butchered* remains a notorious entry in the band's discography, and has been censored by various entities at different points in its history.

## Background and recording

Cannibal Corpse began writing new material immediately following the release of their debut album, *[Eaten Back to Life](/source/Eaten_Back_to_Life)*.[5] With their sophomore effort, Cannibal Corpse sought to create a [heavier](/source/Heavy_metal_music) sound and even more gruesome imagery than their debut. The band wrote and rehearsed the album in their storage space in Buffalo.[6]

During this time, the band was having 4-hour practice sessions five days per week.[7] The writing process for the album's instrumentation was a collaborative effort.[8] Guitarist [Jack Owen](/source/Jack_Owen) recalled that "everybody was writing tons of shit" and vocalist [Chris Barnes](/source/Chris_Barnes_(musician)) said the band was "writing a song every two weeks."[9] Drummer [Paul Mazurkiewicz](/source/Paul_Mazurkiewicz) said "it was months of us trying to be the most brutal band on earth."[10] He claims to have written the opening riff in "Gutted."[11]

Following their experience recording *[Eaten Back to Life](/source/Eaten_Back_to_Life)* at [Morrisound Recording](/source/Morrisound_Recording) in [Tampa](/source/Tampa%2C_Florida), the band became entrenched in the [growing death metal scene](/source/Florida_death_metal) there, and subsequently made frequent trips to the city. The spirit of competition within the scene encouraged the band to keep a quick pace with releases, and *Butchered at Birth* was recorded over a two-week period.[12] Producer [Scott Burns](/source/Scott_Burns_(music_producer)), revered within the Florida death metal scene, assisted the band in refining the sound of their debut to achieve even more dissonant and guttural sonic textures.[6] Burns noted that very little production was required for Barnes' vocals, which he felt "sounded heavy on their own."[13] The album's [liner notes](/source/Liner_notes) explicitly state that no [harmonizers](/source/Pitch_shifting) were used on the vocal production. [Karl Sanders](/source/Karl_Sanders) of [Nile](/source/Nile_(band)) recalled in the *[Centuries of Torment](/source/Centuries_of_Torment%3A_The_First_20_Years)* documentary that when the album was first released, "people were going, 'how can a human voice do that!?'"[14]

## Music and lyrics

The album represents the band's transition to "pure [death metal](/source/Death_metal)" from the [thrash](/source/Thrash_metal)-orientated sound of their debut, an assessment that is agreed upon by music journalists and the band members themselves. Founding guitarist [Jack Owen](/source/Jack_Owen) believes *Butchered at Birth* showcases the band's greatest evolution between albums. The music is now considered to have a "[classic death metal](/source/Classic_death_metal)" sound.[15][10][16]

The album's style has been called "one dimensional"[17] and "rough around the edges." Owen retrospectively described the album's [song structures](/source/Song_structures) as "just riff after riff" and not "[making] much sense." According to bassist [Alex Webster](/source/Alex_Webster), "we were convinced the more unorthodox the music, the less mainstream it was. It was heavier to be off-the-wall as far as arrangements go."[18] In addition to its extremely raw songwriting, *Butchered* is also noted for its "harsh, barely [tuned](/source/Musical_tuning) guitars" and its "[beehive](/source/Beehive)-wall of [white noise](/source/White_noise)" guitar [tone](/source/Tone_(musical_instrument)#Amplified_instruments). According Zeke Ferrington of [Gear Gods](/source/Gear_Gods), "There’s so much [gain](/source/Gain_(electronics)) and so much [treble](/source/Treble_(sound)) that you can’t identify individual [notes](/source/Musical_note) anymore. The guitar lines meld into these indefinite, evolving, waves of unsettling [frequencies](/source/Audio_frequency) [...] it actually adds to the revolting brutality of [the] album."[19] [Chris Barnes](/source/Chris_Barnes_(musician))' "grunted" vocals are largely unintelligible.[20][21] Despite a statement in the album's [liner notes](/source/Liner_notes) that no [harmonizers](/source/Pitch_shifting) were used on his vocal performance, the album opener "Meathook Sodomy" contains an intro that prominently utilizes the pitch shifting technique on the vocals.[14][22]

At the time of the album's release, its lyrics were considered to be the most gruesome and extreme that the genre had to offer, exploring macabre subject matter such as [dismemberment](/source/Dismemberment), [torture](/source/Torture), [infanticide](/source/Infanticide), and [sadomasochism](/source/Sadomasochism).[23][24] The album's lyrics were singlehandedly penned by Barnes, who strove to write the very first death metal [concept album](/source/Concept_album), and has stated that the album's central theme is "[butchery](/source/Butcher)".[6] He explained: "The beginning introduction finishes it off. Backwards it says ["feed off the carcasses of babies"]. I put myself in different points of view in different songs. [...] The [album] is pretty visual, it's all there. You don't have to ask any questions. That's how I write. I get a title in my head and write a little story."[25]

Cannibal Corpse's use of [shock value](/source/Shock_value) has drawn comparisons to [Gwar](/source/Gwar). Alex Henderson of [Allmusic](/source/AllMusic) assessed that *Butchered* "comes off as a [parody](/source/Parody_music) of death metal and [grindcore](/source/Grindcore) more than anything", describing the album as the "musical equivalent of [B-movie](/source/B_movie) horror flicks."[24]

## Artwork

*Butchered at Birth's* infamous album artwork is a [watercolor painting](/source/Watercolor_painting) depicting "evil [zombie](/source/Zombie) doctors pulling a [dead baby](/source/Dead_baby_jokes) as it comes out of a dead woman," according to Greg Pratt of *[Exclaim](/source/Exclaim!)*.[26] Joe Divita of *[Loudwire](/source/Loudwire)* stated that "it appears they have committed [this act] many times before, as indicated by the strung up infants behind them."[27] The image was created by longtime collaborator [Vince Locke](/source/Vince_Locke) and is frequently identified as one of the most gruesome album covers of all time.[28][29][30][31] [Metal Blade Records](/source/Metal_Blade_Records) president [Brian Slagel](/source/Brian_Slagel) called it one of the greatest album covers he has ever seen. Former vocalist Chris Barnes claims his jaw "dropped to the floor" upon first sight of the album's artwork, and believes it to be "the ultimate death metal album cover." Current vocalist [George Fisher](/source/George_Fisher_(musician)) recalled his first time seeing the artwork: "I saw that cover and was like, 'oh my -- damn. That has got to piss some people off.' [...] It's one thing to have people dying in your [albums], well you start messing with children, and people start getting pissed off."[32][33] Original guitarist Bob Rusay told *[Decibel](/source/Decibel_(magazine))* in 2008 that "when you look at her lying on the table and her arm sliding off her bone, it gets you."[34]

## Critical reception

This section is missing information about contemporary reviews for this album. Please expand the section to include this information. Further details may exist on the talk page. (April 2026)

## Cultural impact and legacy

*Butchered at Birth* is considered to be a highly controversial album in the history of the death metal genre.[35] Cannibal Corpse drummer [Paul Mazurkiewicz](/source/Paul_Mazurkiewicz) believes the album to be the band's "most notorious to date"; some [record stores](/source/Record_shop) reportedly refused to sell the album to patrons under the age of 18. According to [Metal Blade Records](/source/Metal_Blade_Records) president [Brian Slagel](/source/Brian_Slagel): "We had been through controversy before with the whole [PMRC](/source/Parents_Music_Resource_Center) thing in the '80s, so that was nothing new. [...] I actually like the fact that people were shocked [*[sic](/source/Sic)*] at it all."[36][37] In spite of censorship issues early on, the album's cover artwork is now considered to be iconic. In 2014, an [internet meme](/source/Internet_meme) depicting celebrity chef [Gordon Ramsay](/source/Gordon_Ramsay) screaming at the zombies in the artwork made rounds on [Twitter](/source/Twitter).[38] In 2024, *Loudwire* named the album's cover artwork as one of the "31 Scariest Metal Album Covers of All Time". Staff writer Joe DiVita said: "This album was released when death metal was still finding its way and confirmed the worst nightmares of parents."[39]

Retrospective reviews of the album have been mostly positive. Alex Henderson of [AllMusic](/source/AllMusic) gave the album four stars out of five and wrote: "The rockers are one-dimensional, but then [again], they never claimed to be anything else. This band's obvious goal was to deliver the musical equivalent of [B](/source/B_movie)-movie [horror flick](/source/Horror_film), and on that level, the album is outrageously successful."[40] In 2020, Chris Krovatin of *[Kerrang!](/source/Kerrang!)* ranked *Butchered* as the best Cannibal Corpse album. He said: "While some bands have a sophomore slump, Cannibal Corpse used their second album to up the ante on everything that made them unique. [...] No words can accurately describe the hideous, gut-ripping power of *Butchered At Birth* -- you just have to experience it yourself, and try not to puke while doing so."[41] In 2023, original vocalist [Chris Barnes](/source/Chris_Barnes_(musician)) himself named the album as among his favorite death metal albums of all time, along with *[Leprosy](/source/Leprosy_(album))*, *[Seven Churches](/source/Seven_Churches_(album))* and *[Slowly We Rot](/source/Slowly_We_Rot)*. He said of the album: "I'm going to have to [...] kind of pat myself on the back. That was a huge album in death metal as far as our twist on the whole thing and I think it influenced a lot of people just as Possessed influenced a lot of bands to move in a certain direction."[42]

In 2026, original guitarist [Jack Owen](/source/Jack_Owen) cited the album from his catalog that he was the least satisfied with, saying: "The production could be a lot better and the writing process was a little more stress filled, I think. We were trying to make up for sounding simple on the first album, so we overwrote a little bit. So, yeah, I think that's the only one that's hard for me to listen to, to this day... Of the first four albums, it's the one that's probably number four out of those four — for me, anyway."[43]

## Track listing

All lyrics written by [Chris Barnes](/source/Chris_Barnes_(musician)). All music written by Cannibal Corpse.

No. Title Length 1. "Meat Hook Sodomy" 5:46 2. "Gutted" 3:15 3. "Living Dissection" 4:00 4. "Under the Rotted Flesh" 5:04 5. "Covered with Sores" 3:17 6. "Vomit the Soul" (featuring Glen Benton) 4:30 7. "Butchered at Birth" 2:45 8. "Rancid Amputation" 3:16 9. "Innards Decay" 4:38 Total length: 40:30

2002 remastered edition bonus track No. Title Length 10. "Covered with Sores" (live) 3:59

## Personnel

**Cannibal Corpse**

- [Chris Barnes](/source/Chris_Barnes_(musician)) – vocals

- Bob Rusay – guitars

- [Jack Owen](/source/Jack_Owen) – guitars

- [Alex Webster](/source/Alex_Webster) – bass

- [Paul Mazurkiewicz](/source/Paul_Mazurkiewicz) – drums

**Additional musicians**

- [Glen Benton](/source/Glen_Benton) – backing vocals on "Vomit the Soul"

- [Pat O'Brien](/source/Pat_O'Brien_(guitarist)) – lead guitar on live bonus track

- [George "Corpsegrinder" Fisher](/source/George_%22Corpsegrinder%22_Fisher) – vocals on live bonus track

**Technical personnel**

- [Scott Burns](/source/Scott_Burns_(music_producer)) – production, engineering

- Eddie Shreyer – mastering

- [Vincent Locke](/source/Vincent_Locke) – artwork, logo

- Joe Giron – photo

- Brian Ames – graphic design

## References

1. **[^](#cite_ref-1)** [AllMusic review](https://www.allmusic.com/album/r3258)

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1. **[^](#cite_ref-3)** Russell, Xavier (September 14, 1991). "Rekordz". *[Kerrang!](/source/Kerrang!)*. No. 358. [EMAP](/source/EMAP). p. 19.

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1. ^ [***a***](#cite_ref-:2_14-0) [***b***](#cite_ref-:2_14-1) Metal Blade Records (November 20, 2013). [*Cannibal Corpse - Centuries of Torment - DVD 1 - History (OFFICIAL)*](https://www.youtube.com/watch?v=aGPot3rP53o&t=3153s). Retrieved March 20, 2025 – via YouTube.

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1. **[^](#cite_ref-20)** Purcell, Natalie J. *Death Metal Music: The Passion and Politics of a Subculture*. McFarland. p. 62.

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v t e Cannibal Corpse Alex Webster Paul Mazurkiewicz Rob Barrett George "Corpsegrinder" Fisher Erik Rutan Bob Rusay Chris Barnes Jack Owen Pat O'Brien Studio albums Eaten Back to Life Butchered at Birth Tomb of the Mutilated The Bleeding Vile Gallery of Suicide Bloodthirst Gore Obsessed The Wretched Spawn Kill Evisceration Plague Torture A Skeletal Domain Red Before Black Violence Unimagined Chaos Horrific Live albums Live Cannibalism EPs Hammer Smashed Face Box sets 15 Year Killing Spree Video albums Monolith of Death Tour '96–'97 Live Cannibalism Centuries of Torment: The First 20 Years Global Evisceration Related articles Discography Six Feet Under Monstrosity Malevolent Creation Deicide Paths of Possession Serpentine Dominion Vince Locke

Authority control databases MusicBrainz release group

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Adapted from the Wikipedia article [Butchered at Birth](https://en.wikipedia.org/wiki/Butchered_at_Birth) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Butchered_at_Birth?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.