# Ben-Hur (play)

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Hippodrama by William W. Young

Ben-Hur 1899 poster from the Broadway premiere Written by William W. Young, Lew Wallace Genre Hippodrama, Melodrama

***Ben-Hur*** was an 1899 theatrical adaptation of the 1880 [Lew Wallace](/source/Lew_Wallace) novel *[Ben-Hur: A Tale of the Christ](/source/Ben-Hur%3A_A_Tale_of_the_Christ)*. The story was dramatized by [William W. Young](/source/William_Young_(playwright)) and produced by [Marc Klaw and A. L. Erlanger](/source/Klaw_%26_Erlanger). The stage production was notable for its elaborate use of spectacle, including live horses for the famous [chariot race](/source/Chariot_race). The [hippodrama](/source/Hippodrama) had six acts with [incidental music](/source/Incidental_music) written by American composer [Edgar Stillman Kelley](/source/Edgar_Stillman_Kelley). The stage production opened at the [Broadway Theater](/source/Broadway_Theatre_(41st_Street)) in New York City on November 29, 1899, and became a hit [Broadway show](/source/Broadway_theatre). Traveling versions of the production, including a national tour that ran for twenty-one years, played in the United States, Great Britain, and Australia. By the end of its run in April 1920, the play had been seen by more than twenty million people and earned over $10 million at the box office. There have been other stage adaptations of Wallace's novel, as well as several motion picture versions.

## History

After Wallace's novel was published in 1880, there was widespread demand for it to be adapted for the stage, but Wallace resisted for nearly twenty years, arguing that no one could accurately portray Christ on stage or recreate a realistic chariot race.[1] Despite that resistance, smaller theatre companies adapted the novel for the stage.[2] In 1899, following three months of negotiations, Wallace entered into agreement with theatrical producers [Marc Klaw](/source/Marc_Klaw) and [A. L. Erlanger](/source/A._L._Erlanger) to adapt his novel into a stage production. Wallace would receive two thirds of the royalties from the production, while [Harper and Brothers](/source/Harper_(publisher)), the book's publisher, would receive one third.[3]

Playwright William Young wrote the stage adaptation, reducing it to six acts in thirteen scenes. The stage version closely followed the novel's plot and retained portions of its dialog.[4] Edgar Stillman Kelley composed the play's music, but it was its elaborate staging and special effects that created a life-sized visual presentation of Wallace's novel.[5] Ernest Gros and the painter [Ernest Albert](/source/Ernest_Albert) designed the production's sets.[6]

Edward J. Morgan as Judah Ben-Hur and [Corona Riccardo](/source/Corona_Riccardo) as Iras

The character of [Ben-Hur](/source/Judah_Ben-Hur) was initially cast with [Walker Whiteside](/source/Walker_Whiteside), but he was replaced by Edward J. Morgan at the last minute.[5] [William Farnum](/source/William_Farnum) replaced Morgan after the show's first season.[7] [William S. Hart](/source/William_S._Hart) played Messala.[5] Hart would go on to leading roles in silent films such as *[The Aryan](/source/The_Aryan)* (1916), and became a silent screen [cowboy](/source/Western_films) hero. Farnum also appeared in several films, including *[The Spoilers](/source/The_Spoilers_(1914_film))* (1914).[8][9] The character of Christ was "represented as a 25,000-candlepower beam of light" and not portrayed by an actor.[3]

The resulting production of *Ben-Hur* opened at the [Broadway Theater](/source/Broadway_Theatre_(41st_Street)) in New York City on November 29, 1899. It ran for 194 performances in its first season, before closing on May 10, 1900. Critics of the three-hour-and-twenty-nine-minute performance gave it mixed reviews; however, the audience, many of whom were first-time theatergoers, packed the house. *Ben-Hur* became a hit show, selling 25,000 tickets per week.[7][10][11] The play reopened in New York City on September 3, 1900, and ran for eighteen non-consecutive years on [Broadway](/source/Broadway_theatre).[12] The play's twenty-one-year national tour included large venues in cities such as Boston, Philadelphia, Chicago and Baltimore. International versions of the show played in London, England, and in Sydney and [Melbourne](/source/Melbourne), Australia. When the play finally closed in April 1920, it had been seen by more than twenty million people and earned over $10 million at the box office.[10][13][14][15]

Fans included [William Jennings Bryan](/source/William_Jennings_Bryan), who claimed it was "the greatest play on stage when measured by its religious tone and moral effect".[16] Its popularity is credited with introducing stage shows to a new audience, "many of them devout churchgoers who'd previously been suspicious of the stage".[16] Adaptations of other novels with biblical settings followed *Ben-Hur* to the stage. These included *Quo Vadis* in 1901 and *Judith of Bethulia* in 1904.[17]

## Spectacle

The key spectacle of the 1899 show recreated the novel's chariot race with live horses and real chariots running on treadmills against a rotating backdrop.[10][14] When Wallace saw the elaborate stage sets, he exclaimed, "My God. Did I set all of this in motion?"[10][16]

Esther, Simonides, Ben Hur, and Amrah in a 1903 scene

When the play was produced for the London stage, it used four chariots, as opposed to two in the U.S.[8] In 1902, *[The Era](/source/The_Era_(newspaper))*'s drama critic detailed how it was achieved with "four great cradles, 20 ft (6.1 m) in length and 14 ft (4.3 m) wide" that are moved "back and front on railways". The horses galloped full-pelt towards the audience, secured with steel cable traces as they ran on treadmills. The horses also drove the movement of a vast [cyclorama](/source/Cyclorama) backdrop that revolved in the opposite direction to create an illusion of rapid speed. Electric rubber rollers spun the chariot wheels, while fans created clouds of dust. A critic for *[The Illustrated London News](/source/The_Illustrated_London_News)* described it as "a marvel of stage-illusion" that was "memorable beyond all else". *[The Sketch](/source/The_Sketch)*'s critic called it "thrilling and realistic ... enough to make the fortune of any play" and noted that "the stage, which has to bear 30 tons' weight of chariots and horses, besides huge crowds, has had to be expressly strengthened and shored up".[14]

## Adaptations

There have been other stage adaptations since the initial production in 1899, including a London production staged in 2009 at the [O2 arena](/source/The_O2) featuring a live chariot race.[18]

The book was also adapted for motion pictures in [1907](/source/Ben_Hur_(1907_film)), [1925](/source/Ben-Hur_(1925_film)), [1959](/source/Ben-Hur_(1959_film)), [2003](/source/Ben_Hur_(2003_film)), [2016](/source/Ben-Hur_(2016_film)), and as an American television miniseries in [2010](/source/Ben_Hur_(miniseries)). The [1959 film adaptation](/source/Ben-Hur_(1959_film)), starring [Charlton Heston](/source/Charlton_Heston) and featuring the famous chariot race, won a record eleven [Academy Awards](/source/Academy_Awards)[19] and was the top-grossing film of 1960.[20]

A 1901 poster for a production at the Illinois Theater in Chicago

## References

**Notes**

1. **[^](#cite_ref-1)** Ray E. Boomhower (2005). *The Sword and the Pen*. Indianapolis: Indiana Historical Society Press. pp. 138–39. [ISBN](/source/ISBN_(identifier)) [0-87195-185-1](https://en.wikipedia.org/wiki/Special:BookSources/0-87195-185-1).

1. **[^](#cite_ref-2)** [""Ben Hur""](https://www.newspapers.com/image/425658922/). No. Wellington Daily Mail. January 7, 1893. Retrieved February 19, 2023.

1. ^ [***a***](#cite_ref-Mors457_3-0) [***b***](#cite_ref-Mors457_3-1) Robert E. Morsberger and Katharine M. Morsberger (1980). [*Lew Wallace: Militant Romantic*](https://archive.org/details/lewwallacemilita00mors/page/457). New York: McGraw-Hill. p. [457](https://archive.org/details/lewwallacemilita00mors/page/457). [ISBN](/source/ISBN_(identifier)) [0-07-043305-4](https://en.wikipedia.org/wiki/Special:BookSources/0-07-043305-4).

1. **[^](#cite_ref-4)** Morsberger and Morsberger, p. 458.

1. ^ [***a***](#cite_ref-Mors459_5-0) [***b***](#cite_ref-Mors459_5-1) [***c***](#cite_ref-Mors459_5-2) Morsberbger and Morsberger, p. 459.

1. **[^](#cite_ref-6)** Jon Solomon (2016). *Ben-Hur: The Original Blockbuster*. [Edinburgh University Press](/source/Edinburgh_University_Press). p. 334. [ISBN](/source/ISBN_(identifier)) [9781474407960](https://en.wikipedia.org/wiki/Special:BookSources/9781474407960).

1. ^ [***a***](#cite_ref-Mors464_7-0) [***b***](#cite_ref-Mors464_7-1) Morsberger and Morsberger, p. 464.

1. ^ [***a***](#cite_ref-Mors466_8-0) [***b***](#cite_ref-Mors466_8-1) Morsberger and Morseberger, p. 466.

1. **[^](#cite_ref-9)** ["The Spoilers"](https://www.imdb.com/title/tt0004630/). [Internet Movie Database](/source/Internet_Movie_Database). Retrieved October 23, 2014.

1. ^ [***a***](#cite_ref-Boom140-1_10-0) [***b***](#cite_ref-Boom140-1_10-1) [***c***](#cite_ref-Boom140-1_10-2) [***d***](#cite_ref-Boom140-1_10-3) Boomhower, pp. 140–41.

1. **[^](#cite_ref-Solomon68_11-0)** Jon Solomon (2008). "Fugutive Sources, *Ben-Hur*, and the Popular Art "Property"". *RBM*. **9** (1). Chicago: Association of College and Research Libraries: 68.

1. **[^](#cite_ref-ibdb_12-0)** ["Ben Hur"](http://ibdb.com/show.php?id=1942). [Internet Broadway Database](/source/Internet_Broadway_Database). Retrieved October 23, 2014.

1. **[^](#cite_ref-13)** Morsberger and Morsberger, pp. 464–66.

1. ^ [***a***](#cite_ref-Guardian_14-0) [***b***](#cite_ref-Guardian_14-1) [***c***](#cite_ref-Guardian_14-2) Samantha Ellis (October 8, 2003). ["Ben-Hur, London, 1902"](https://www.theguardian.com/stage/2003/oct/08/theatre). *[The Guardian](/source/The_Guardian)*. Retrieved May 27, 2010.

1. **[^](#cite_ref-Humanities_15-0)** Amy Lifson (2009). ["Ben-Hur"](https://web.archive.org/web/20151015220552/http://www.neh.gov/humanities/2009/novemberdecember/feature/ben-hur). *Humanities*. **30** (6). Washington, D.C.: National Endowment for the Humanities. Archived from [the original](http://www.neh.gov/news/humanities/2009-11/BenHur.html) on October 15, 2015. Retrieved September 11, 2010.

1. ^ [***a***](#cite_ref-swansburg_16-0) [***b***](#cite_ref-swansburg_16-1) [***c***](#cite_ref-swansburg_16-2) John Swansburg (March 26, 2013). ["The Passion of Lew Wallace"](http://www.slate.com/articles/life/history/2013/03/ben_hur_and_lew_wallace_how_the_scapegoat_of_shiloh_became_one_of_the_best.html). The Slate Group. Retrieved October 1, 2014.

1. **[^](#cite_ref-17)** Morsberger and Morsberger, p. 465.

1. **[^](#cite_ref-18)** Mark Espiner (September 14, 2009). ["Ben Hur Live Leaves Little to the Imagination"](https://www.theguardian.com/stage/theatreblog/2009/sep/14/ben-hur-live). *[The Guardian](/source/The_Guardian)*. Retrieved October 10, 2014.

1. **[^](#cite_ref-Oscars1960_19-0)** ["The 32nd Academy Awards (1960) Nominees and Winners"](http://www.oscars.org/oscars/ceremonies/1960). *oscars.org*. [Archived](https://web.archive.org/web/20110706094204/http://www.oscars.org/awards/academyawards/legacy/ceremony/32nd-winners.html) from the original on July 6, 2011. Retrieved August 21, 2011.

1. **[^](#cite_ref-20)** Cobbett Steinberg (1980). [*Film Facts*](https://archive.org/details/filmfacts00cobb_mc3/page/17). New York: Facts on File, Inc. pp. [17 and 23](https://archive.org/details/filmfacts00cobb_mc3/page/17). [ISBN](/source/ISBN_(identifier)) [0-87196-313-2](https://en.wikipedia.org/wiki/Special:BookSources/0-87196-313-2).

**Bibliography**

- Boomhower, Ray E. (2005). *The Sword and the Pen*. Indianapolis: [Indiana Historical Society](/source/Indiana_Historical_Society) Press. [ISBN](/source/ISBN_(identifier)) [0-87195-185-1](https://en.wikipedia.org/wiki/Special:BookSources/0-87195-185-1).

- Ellis, Samantha (October 8, 2003). ["Ben-Hur, London, 1902"](https://www.theguardian.com/stage/2003/oct/08/theatre). *[The Guardian](/source/The_Guardian)*. Retrieved May 27, 2010.

- Espiner, Mark (September 14, 2009). ["Ben Hur Live Leaves Little to the Imagination"](https://www.theguardian.com/stage/theatreblog/2009/sep/14/ben-hur-live). *The Guardian*. Retrieved October 10, 2014.

- Lifson, Amy (2009). ["Ben-Hur: The Book That Shook the World"](https://web.archive.org/web/20151015220552/http://www.neh.gov/humanities/2009/novemberdecember/feature/ben-hur). *Humanities*. **30** (6). Washington, D.C.: [National Endowment for the Humanities](/source/National_Endowment_for_the_Humanities). Archived from [the original](http://www.neh.gov/news/humanities/2009-11/BenHur.html) on October 15, 2015. Retrieved September 1, 2010.

- Morsberger, Robert E., and Katharine M. Morsberger (1980). [*Lew Wallace: Militant Romantic*](https://archive.org/details/lewwallacemilita00mors). New York: McGraw-Hill. [ISBN](/source/ISBN_(identifier)) [0-07-043305-4](https://en.wikipedia.org/wiki/Special:BookSources/0-07-043305-4).{{[cite book](https://en.wikipedia.org/wiki/Template:Cite_book)}}: CS1 maint: multiple names: authors list ([link](https://en.wikipedia.org/wiki/Category:CS1_maint:_multiple_names:_authors_list))

- Solomon, Jon (2008). ["Fugutive Sources, *Ben-Hur*, and the Popular Art "Property""](https://doi.org/10.5860%2Frbm.9.1.296). *RBM*. **9** (1). Chicago: Association of College and Research Libraries: 67–78. [doi](/source/Doi_(identifier)):[10.5860/rbm.9.1.296](https://doi.org/10.5860%2Frbm.9.1.296).

- Swansburg, John (March 26, 2013). ["The Passion of Lew Wallace"](http://www.slate.com/articles/life/history/2013/03/ben_hur_and_lew_wallace_how_the_scapegoat_of_shiloh_became_one_of_the_best.html). The Slate Group. Retrieved October 1, 2014.

## External links

Wikimedia Commons has media related to [Ben-Hur (play)](https://commons.wikimedia.org/wiki/Category:Ben-Hur_(play)).

Wikiquote has quotations related to ***[Ben-Hur (play)](https://en.wikiquote.org/wiki/Special:Search/Ben-Hur_(play))***.

- [*Ben Hur* the Broadway play...the souvenir book](https://edisoneffect.blogspot.com/2009/09/ben-hur-broadway-playthe-souvenir-book.html)

- [*​Ben-Hur​*](https://www.ibdb.com/broadway-show/1942) at the [Internet Broadway Database](/source/Internet_Broadway_Database)

v t e Lew Wallace's Ben-Hur: A Tale of the Christ Characters Judah Ben-Hur Films Ben Hur (1907) Ben-Hur: A Tale of the Christ (1925) Ben-Hur (1959) production Ben Hur (2003) Ben-Hur (2016) Other Ben-Hur (play) Ben Hur Live Ben Hur (miniseries)

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