# BFORD 9 > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/BFORD_9 > Markdown URL: https://mediated.wiki/source/BFORD_9.md > Source: https://en.wikipedia.org/wiki/BFORD_9 > Source revision: 1281634500 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) {{Use dmy dates|date=April 2022}} {{Infobox album | name = BFORD 9 | type = Album | artist = [Baby Ford](/source/Baby_Ford) | cover = BabyFordBFORD9.jpg | alt = | released = 18 May 1992 | recorded = | venue = | studio = | genre = *[House](/source/House_music) *[techno](/source/techno) *[acid house](/source/acid_house) *[minimal techno](/source/minimal_techno) | length = 77:29 | label = *Insumision *[Sire](/source/Sire_Records) | producer = *Baby Ford *Richard Salt *[eON](/source/Eon_(musician)) | prev_title = ["Ooo" The World of Baby Ford](/source/%22Ooo%22_The_World_of_Baby_Ford) | prev_year = 1990 | next_title = Headphoneasy Rider | next_year = 1997 | misc = {{Singles | type = studio | single1 = In Your Blood | single1date = 1991 | single2 = Fetish | single2date = 1992}} }} '''''BFORD 9''''' is the third [studio album](/source/studio_album) by English [house](/source/house_music) producer [Baby Ford](/source/Baby_Ford), released in 1992 by Insumision Records in the United Kingdom and by [Sire Records](/source/Sire_Records) in the [United States](/source/United_States). Ford co-produced the album with Richard Salt. Dispirited by [hardcore](/source/breakbeat_hardcore) music and the contemporary house scene, Ford decided to create an album that explored moods and emotions, while combining elements of his [acid house](/source/acid_house) work. The resulting album is eclectic and explores styles of [techno](/source/techno), [funk](/source/funk) and [disco](/source/disco), as well as featuring Ford's soft vocals. The record features the singles "In Your Blood", "Fetish", (a collaboration with fellow early 1990s dance producer [eON](/source/Eon_(musician))) and "Move-On". Upon release, ''BFORD 9'' received acclaim from contemporary music critics. Ford promoted the album with a series of gigs in the UK with eON, Colin Favor and Colin Dale. The album is known for inspiring [Perlon Records](/source/Perlon_Records) co-founder Zip to create dance music. ==Background and production== Baby Ford (real name Peter Ford) began his career in the late 1980s where he was a founder of the British [acid house](/source/acid_house) movement, taking influence from [Chicago house](/source/Chicago_house) producers like [Ron Trent](/source/Ron_Trent), [Larry Heard](/source/Larry_Heard), and [Marshall Jefferson](/source/Marshall_Jefferson) and releasing material on the label Rhythm King.{{cite web |last1=Cooper |first1=Sean |title=AllMusic Review by Sean Cooper |url=https://www.allmusic.com/artist/baby-ford-mn0000060425/biography |website=AllMusic |accessdate=6 February 2019}} His 1988 single "Oochy Koochy" was one of the most prominently heard tracks in UK acid house, despite the producer being unknown. Nonetheless, as Ford rose in stature, interest in his music became less pronounced. Prior to ''BFORD 9'', the producer released the albums ''Ford Trax'' in 1988 and '''Ooo' The World of Baby Ford'' in 1990,{{cite book |last1=Larkin |first1=Colin |title=The Guinness Encyclopedia of Popular Music |date=1995 |publisher=Guinness |location=Dublin |page=238 |isbn=9781561591763 |edition=1st |url=https://books.google.com/books?id=MloRAQAAMAAJ&q=baby+ford+ford+trax |accessdate=6 February 2019}} the former of which had become popular with many disc jockeys. ''BFORD 9'' was written and produced by Ford with co-production front Richard Salt. The record was mixed primarily by Ford and Salt at AML Studio 49, London, and later mastered at Townhouse.{{cite AV media notes| title = BFORD 9| others= Baby Ford| year = 1992| type = liner| publisher = Insumision}} Ford was apprehensive before creating the album because he had been releasing much material he felt was "badly timed", explaining: "I don't know whether you can really be ahead of the times or behind them, but somehow if you're not in sync it's the kiss of death." He disliked the direction that [house music](/source/house_music) was taking, feeling that the "commercial [hardcore](/source/breakbeat_hardcore) stuff" was "all ''nextnextnext!''". Consequently, Ford became more interested in developing an anonymous presence.{{cite journal |last1=Harrison |first1=Andrew |title=Baby Ford in a '88 State |journal=Select |date=June 1992 |page=33 |url=http://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2011/09/first0.jpg |accessdate=6 February 2019}} ==Composition== ''BFORD 9'' is an eclectic, [experimental](/source/experimental_music) house album,{{cite journal |last1=Kessler |first1=Ted |title=Reviews |journal=Select |date=June 1992 |page=69 |url=http://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2013/05/reviews1.jpg |accessdate=6 February 2019}} containing music that is aggressive, keyboard-driven and often instrumental in nature. ''[Billboard](/source/Billboard_(magazine))'' consider the album to mark Ford's transition from acid house into [techno](/source/techno) and [trance music](/source/trance_music), although writer Ted Kessler considers the record to revisit the acid house of Ford's debut album ''Ford Trax'', interjecting the genre with techno and other styles such as [disco](/source/disco) and [gospel](/source/gospel_music), contributing to an overall aesthetic that "straddles the entire frame" of [dance music](/source/dance_music) and avoiding easy categorisation. Throughout the album, beats and synths are accompanied by [sound](/source/sound_effect) and [vocal effect](/source/sound_effect)s in addition to [hook](/source/hook_(music))s. Ford said of the album's genre: "It's not hardcore, That's all about those old [breakbeat](/source/breakbeat)s and +8 speeds. I'm into moods and feelings, and if there's anything in there it's the acid element that makes it different." Philip Sherburne of ''[Pitchfork](/source/Pitchfork_(website))'' described ''BFORD 9'' as "first-generation [minimal techno](/source/minimal_techno)." "RU486", which opens the album with a stiff beat, reflects contemporary British electronic music in its incorporation of rumbles of bass and sirens and a [treble](/source/Treble_(sound)) melody line, along with a repeating hook. The album continues with the noisy "Fetish," co-produced with Ford's fellow early-1990s dance producer [eOn](/source/Eon_(musician)). It features stuttered rhythmic loops and abridged vocal [sample](/source/sampling_(music))s, contributing to a "stadium house" sound reminiscent of [The KLF](/source/The_KLF), whereas "Move - On" features Ford's vocals atop synthesised strings and a sped-up [funk](/source/funk) drum loop. "In Your Blood" is a sinister acid house track, featuring a more [minimalist](/source/minimalism_(music)) approach containing tinny percussion loops and synth squelches. The track was mixed by [CJ Bolland](/source/CJ_Bolland). "Sashay Around the Sun" is reminiscent of [electro funk](/source/electro_funk), while "20 Park Driven" is a slow funk track, driven by organ and reminiscent of [The Rolling Stones](/source/The_Rolling_Stones). The album finishes with numerous remixes and alternate takes. ==Release and reception== {{Album ratings |rev1 = [AllMusic](/source/AllMusic) |rev1score = {{Rating|3|5}} |rev2 = ''[Select](/source/Select_(magazine))'' |rev2score = {{Rating|5|5}} }} In the United Kingdom, ''BFORD 9'' was released on 18 May 1992 by the label Insumision on CD and as a limited edition double LP.{{cite journal |title=Promotional advert |journal=Select |date=July 1992 |page=72 |url=http://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2013/05/albums2.jpg |accessdate=6 February 2019}} In the United States, it was released in June by [Sire Records](/source/Sire_Records).{{cite magazine |last1=Newman |first1=Melinda |last2=Morris |first2=Chris |last3=Morris |first3=Edward |title=Album Reviews |magazine=Billboard |date=18 July 1992 |volume=104 |issue=29 |page=48 |url=https://books.google.com/books?id=lxAEAAAAMBAJ&q=baby+ford+bford+9&pg=PA48 |accessdate=6 February 2019}}{{cite journal |title=Releases |journal=Schwann Spectrum |date=1995 |volume=7 |issue=1 |page=7 |url=https://books.google.com/books?id=oQw5AQAAIAAJ&q=baby+ford+bford+9 |accessdate=6 February 2019}} To promote the album, "In Your Blood" and "Fetish" were released as singles, and in May and June, Baby Ford played live dates in the UK with eON, Colin Favor and Colin Dale. In a contemporary review, Ted Kessler of ''[Select](/source/Select_(magazine))'' gave ''BFORD 9'' a perfect score, saying "Ford successfully straddles the entire frame of dance, avoiding much of the categorisation that dogs current thinking in the techno world." He felt that Ford's frail voice, which he wrote was "part [MC 900 Foot Jesus](/source/MC_900_Foot_Jesus), part yearning adolescent alien," ensured that the album explored "a full spectrum of emotions". He concluded that "while the development of House is still in its infancy, Baby Ford is well ahead of the pack." Colleague Andrew Harrison wrote that the album was the first to successfully combine disco, techno and "oblique atmospherics" under the "acid banner." He also described "Fetish" as a "white noise stomperama", calling it "easily the best Baby Ford record since 'Oochy Koochy'." ''[Billboard](/source/Billboard_(magazine))'' felt that the album would "add a shot of musical integrity" to the [rave](/source/rave_music) movement, commenting how the "assaulting" music is "wisely" spiced with sound and vocal effects and hooks. In a retrospective review, Ned Raggett of [AllMusic](/source/AllMusic) said that the album "had its moments of invigorating house/techno heaven given a fine combination of dirt and sheen." Nonetheless, he felt the album's opening tracks were its strongest, rendering it "another in the long line of dance albums that fails to maintain its strength over its length." He concluded that the album was "uneven but still interesting."{{cite web |last1=Raggett |first1=Ned |title=AllMusic Review by Ned Raggett |url=https://www.allmusic.com/album/bford-9-mw0000079887 |website=AllMusic |accessdate=6 February 2019}} Sean Cooper of AllMusic called "Fetish" a "classic cut." ''BFORD 9'' is known for inspiring future Ford collaborator and [Perlon Records](/source/Perlon_Records) co-founder Zip (Thomas Franzmann) to leave his band [Bigod 20](/source/Bigod_20) and start producing dance music.{{cite web |last1=Unicomb |first1=Matt |title=Tracks from Dimbiman, Melchior Productions Ltd. and Joy Orbison make it into the popular mix series' next instalment. |url=https://www.residentadvisor.net/news/32124 |website=Resident Advisor |accessdate=6 February 2019 |date=10 November 2015}}{{cite web |last1=Sherburne |first1=Philip |title=Techno |url=https://pitchfork.com/features/techno/6389-techno/ |website=Pitchfork |accessdate=6 February 2019 |date=26 July 2006}} He discovered the album in a selection of promos given to the band by a Sire representative, and later told ''Pitchfork'' writer Philip Sherburne: "I got into electronic music pretty late, actually, but when I heard ''BFORD 9'', that changed a lot for me-I think it was mainly the combination of the groove and [soul](/source/soul_music) with electronic music, because what we were doing was relatively cold and industrial. It touched me very, very deeply. So much so, actually, that I could not go on being the singer in this band." ==Track listing== All tracks written by Baby Ford. # "RU486" – 4:25 # "Fetish" – 5:40 # "Move - On" – 6:29 # "In Your Blood" – 5:41 # "Blow Back" – 4:15 # "Sashay Around the Fuzzbox" – 5:05 # "Intro (20, Park Drive)" – 0:49 # "20, Park Drive" – 7:44 # "Disconoddy" – 6:05 # "Change" (Konrad Cadet Mix 1) – 5:51 # "Move - On" (Alt) – 5:19 # "Fetish" (9AX) – 5:26 # "Noddy" – 6:53 # "20, Park Drive" (Inst) – 7:40 ==Personnel== *Baby Ford – writing, production, mixing (tracks 1, 2, 5–14) *Richard Salt – co-production, programming, mixing (tracks 1, 5–14) *Kevin Metcalfe – mastering *[Stephane Sednaoui](/source/Stephane_Sednaoui) – photography *Mike Sale – artwork *eON – mixing (track 2), co-production (track 2) *Kurt Rogers – mixing (track 3) *[C. J. Bolland](/source/C._J._Bolland) – mixing (track 4) ==References== {{reflist}} {{Authority control}} Category:1992 albums Category:Baby Ford albums Category:Sire Records albums --- Adapted from the Wikipedia article [BFORD 9](https://en.wikipedia.org/wiki/BFORD_9) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/BFORD_9?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.