# Archetype

> Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Archetype
> Markdown URL: https://mediated.wiki/source/Archetype.md
> Source: https://en.wikipedia.org/wiki/Archetype
> Source revision: 1354434339
> License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/)

Concept in psychology, literature, philosophy

For other uses, see [Archetype (disambiguation)](/source/Archetype_(disambiguation)).

The concept of an **archetype** ([/ˈɑːrkɪtaɪp/](https://en.wikipedia.org/wiki/Help:IPA/English) [*AR-ki-type*](https://en.wikipedia.org/wiki/Help:Pronunciation_respelling_key)) appears in areas relating to [behavior](/source/Behavior), [historical psychology](/source/History_of_psychology#Emergence_of_German_experimental_psychology), [philosophy](/source/Philosophy) and [literary analysis](/source/Literary_analysis).

An archetype can be any of the following:

1. a statement, pattern of behavior, [prototype](/source/Prototype), "first" form, or a main model that other statements, patterns of behavior, and objects copy, emulate, or "merge" into. Informal synonyms frequently used for this definition include "standard example", "basic example", and the longer-form "archetypal example"; mathematical archetypes often appear as "[canonical](https://en.wiktionary.org/wiki/canonical) examples".

1. the [Jungian psychology](/source/Jungian_psychology) concept of an inherited unconscious predisposition, behavioral trait or tendency ("instinct") shared among the members of the species; as any behavioral trait the tendency comes to being by way of patterns of thought, images, affects or pulsions characterized by its qualitative likeness to distinct narrative constructs; unlike personality traits, many of the archetype's fundamental characteristics are shared in common with the collective and are not predominantly defined by the individual's representation of them; and the tendency to utilize archetypal representations is postulated to arise from the evolutionary drive to establish specific cues corresponding with the historical evolutionary environment to better adapt to it. Such evolutionary drives are: survival and thriving in the physical environment, the relating function, acquiring knowledge, etc. It is communicated graphically as archetypal "figures".

1. a constantly-recurring symbol or motif [in literature](/source/Motif_(narrative)), [painting](/source/Motif_(visual_arts)), or mythology. This definition refers to the recurrence of characters or ideas sharing similar traits throughout various, seemingly unrelated cases in classic storytelling, media, etc. This usage of the term draws from both [comparative anthropology](/source/Cultural_anthropology) and from [Jungian archetypal theory](/source/Jungian_archetypes).

Archetypes are also very close analogies to [instincts](/source/Instinct), in that, long before any consciousness develops, it is the impersonal and inherited traits of human beings that present and motivate human behavior.[1] They also continue to influence feelings and behavior even after some degree of consciousness developed later on.[1]

## Etymology

The word *archetype*, "original pattern from which copies are made," first entered into English usage in the 1540s.[2] It derives from the [Latin](/source/Latin) [noun](/source/Noun) *archetypum*, [Latinization](/source/Latinisation_of_Greek) of the [Greek](/source/Greek_language) noun ἀρχέτυπον (*archétypon*), whose [adjective](/source/Adjective) form is ἀρχέτυπος (*archétypos*), which means "first-molded",[3] which is a compound of ἀρχή *archḗ*, "beginning, origin",[4] and τύπος *týpos*, which can mean, among other things, "pattern", "model", or "type".[5] It, thus, referred to the beginning or origin of the pattern, model or type.[6]

## Archetypes in literature

### Function

Usage of archetypes in specific pieces of writing is a [holistic approach](/source/Holistic_approach), which can help the writing win universal acceptance. This is because readers can relate to and identify with the characters and the situation, both socially and culturally. By deploying common archetypes contextually, a writer aims to impart realism to their work.[7] According to many literary critics, archetypes have a standard and recurring depiction in a particular human culture or the whole human species that ultimately lays concrete pillars and can shape the whole structure in a literary work.[8]

### Story archetypes

[Christopher Booker](/source/Christopher_Booker), author of *[The Seven Basic Plots: Why We Tell Stories](/source/The_Seven_Basic_Plots)*, argues that the following basic archetypes underlie all stories:[9]

1. Overcoming the Monster

1. [Rags to Riches](/source/Rags_to_Riches)

1. The Quest

1. Voyage and Return

1. [Comedy](/source/Comedy)

1. [Tragedy](/source/Tragedy)

1. [Rebirth](https://en.wiktionary.org/wiki/rebirth)

These themes coincide with the characters of Jung's archetypes.

### Literary criticism

Main article: [Archetypal literary criticism](/source/Archetypal_literary_criticism)

Archetypal literary criticism argues that archetypes determine the form and function of literary works and that a [text](/source/Text_(literary_theory))'s meaning is shaped by [cultural](/source/Culture) and [psychological](/source/Psychology) myths. Cultural archetypes are the unknowable basic forms personified or made concrete by recurring [images](/source/Image), [symbols](/source/Symbol), or [patterns](/source/Pattern) (which may include motifs such as the "[quest](/source/Quest)" or the "[heavenly ascent](/source/Entering_heaven_alive)"; recognizable character types such as the "[trickster](/source/Trickster)", "[saint](/source/Saint)", "[martyr](/source/Martyr)" or the "[hero](/source/Hero)"; symbols such as the apple or the snake; and imagery) and that have all been laden with meaning prior to their inclusion in any particular work.[*[citation needed](https://en.wikipedia.org/wiki/Wikipedia:Citation_needed)*]

The archetypes reveal shared roles universal among societies, such as the role of the mother in her natural relations with all members of the family. These archetypes create a shared imagery which is defined by many stereotypes that have not separated themselves from the traditional, biological, religious, and mythical framework.[10]

## Jungian archetypes

Main article: [Jungian archetypes](/source/Jungian_archetypes)

For broader coverage of this topic, see [Signified and signifier](/source/Signified_and_signifier) and [Schema (Kant)](/source/Schema_(Kant)).

The concept of psychological archetypes was advanced by the [Swiss](/source/Switzerland) psychiatrist [Carl Jung](/source/Carl_Jung), c. 1919. Jung has acknowledged that his conceptualization of archetype is influenced by Plato's [Theory of forms](/source/Theory_of_forms), which he described as "the formulated meaning of a primordial image by which it was represented symbolically."[11] According to Jung, the term *archetype* is an explanatory paraphrase of the [Platonic *eidos*](/source/Eidos_(philosophy)), also believed to represent the word *form*.[11] He maintained that [Platonic archetypes](/source/Platonic_realism#Forms) are metaphysical ideas, paradigms, or models, and that real things are held to be only copies of these model ideas.[11] However, archetypes are not easily recognizable in Plato's works in the way in which Jung meant them.[12]

In Jung's psychological framework, archetypes are innate, [libidinally](/source/Libido) collective [schemas](/source/Schema_(psychology)), universal prototypes for idea-[sensory impression images](/source/John_Locke) and may be used to interpret observations.[13][6] A group of memories and interpretations associated with an archetype is a [complex](/source/Complex_(psychology)) (e.g. a mother complex associated with the mother archetype). Jung treated the archetypes as psychological organs, analogous to physical ones in that both are morphological constructs that arose through [evolution](/source/Evolution).[14] At the same time, it has also been observed that evolution can itself be considered an archetypal construct.[15]

Jung states in part one of *[Man And His Symbols](/source/Man_and_His_Symbols)* that:

My views about the 'archaic remnants', which I call 'archetypes' or 'primordial images,' have been constantly criticized by people who lack sufficient knowledge of the psychology of dreams and of mythology. The term 'archetype' is often misunderstood as meaning certain definite mythological images or motifs, but these are nothing more than conscious representations. Such variable representations cannot be inherited. The archetype *is a tendency to form such representations* of a motif—representations that can vary a great deal in detail without losing their basic pattern.

While there are a variety of categorizations of archetypes, Jung's configuration is perhaps the most well known and serves as the foundation for many other models. The four major archetypes to emerge from his work, which Jung originally terms *primordial images,* include the anima/animus, the self, the shadow, and the persona. Additionally, Jung referred to images of the wise old man, the child, the mother, and the maiden.[16] He believed that each human mind retains these basic unconscious understandings of the human condition and the collective knowledge of our species in the construct of the [collective unconscious](/source/Collective_unconscious).

### Neo-Jungian concepts

Other authors, such as [Carol Pearson](/source/Carol_S._Pearson) and Margaret Mark, have attributed 12 different archetypes to Jung, organized in three overarching categories, based on a fundamental driving force. These include:[17]

- **Ego types**: 1. Innocent 1. Orphan/Regular person 1. Hero 1. Caregiver
- **Soul types**: 1. Explorer 1. Rebel 1. Lover 1. Creator
- **Self types**: 1. Jester 1. Sage 1. Magician 1. Ruler

Other authors, such as Margaret Hartwell and Joshua Chen, go further to give these 12 archetypes families 5 archetypes each. They are as follows:[18]

- **Innocent Family**: 1. Innocent 1. Child 1. Dreamer 1. Idealist 1. Muse
- **Citizen Family**: 1. Citizen 1. Advocate 1. Everyman 1. Networker 1. Servant
- **Hero Family**: 1. Hero 1. Athlete 1. Liberator 1. Rescuer 1. Warrior
- **Caregiver family**: 1. Caregiver 1. Angel 1. Guardian 1. Healer 1. Samaritan
- **Explorer Family**: 1. Explorer 1. Adventurer 1. Pioneer 1. Generalist 1. Seeker
- **Rebel Family**: 1. Rebel 1. Activist 1. Gambler 1. Maverick 1. Reformer
- **Lover Family**: 1. Lover 1. Companion 1. Hedonist 1. Matchmaker 1. Romantic
- **Creator Family**: 1. Creator 1. Artist 1. Entrepreneur 1. Storyteller 1. Visionary
- **Jester Family**: 1. Jester 1. Clown 1. Entertainer 1. Provocateur 1. Shapeshifter
- **Sage Family**: 1. Sage 1. Detective 1. Mentor 1. Shaman 1. Translator
- **Magician Family**: 1. Magician 1. Alchemist 1. Engineer 1. Innovator 1. Scientist
- **Sovereign Family**: 1. Sovereign 1. Ambassador 1. Judge 1. Patriarch 1. Ruler

## Other uses of archetypes

There is also the position that the use of archetypes in different ways is possible because every archetype has multiple manifestations, with each one featuring different attributes.[19] For instance, there is the position that the function of the archetype must be approached according to the context of biological sciences and is accomplished through the concept of the ultimate function.[20] This pertains to the organism's response to those pressures in terms of biological trait.[20]

### Dichter's application of archetypes

Later in the 1900s, a Viennese psychologist named Dr. [Ernest Dichter](/source/Ernest_Dichter) took these psychological constructs and applied them to marketing. Dichter moved to New York around 1939 and sent every ad agency on Madison Avenue a letter boasting of his new discovery. He found that applying these universal themes to products promoted easier discovery and stronger loyalty for brands.[21]

## See also

- [Allegory of the Cave](/source/Plato's_Cave) – Allegory by PlatoPages displaying short descriptions of redirect targets

- [Archetypal pedagogy](/source/Archetypal_pedagogy) – Theory of Education by Clifford Mayes

- [Archive for Research in Archetypal Symbolism](/source/Archive_for_Research_in_Archetypal_Symbolism) – Image archive of archetypal symbols

- [Character archetype](/source/Character_archetype) – Literary or social stereotype story characterPages displaying short descriptions of redirect targets

- [Character (arts)](/source/Character_(arts)) – Fictional being in a narrative

- [Cliché](/source/Clich%C3%A9) – Overused, unoriginal phrase or opinion

- [Dmuta](/source/Dmuta) in [Mandaeism](/source/Mandaeism)

- [Mental model](/source/Mental_model) – Mental representation of the external world

- [Monomyth](/source/Monomyth) – Pattern in storytellingPages displaying short descriptions of redirect targets

- [Ostensive definition](/source/Ostensive_definition) – Definition by example

- [Perennial philosophy](/source/Perennial_philosophy) – Idea that all religions share a single truth

- [Personification](/source/Personification) – Representation of a thing or abstraction as a person

- [Prototype](/source/Prototype) – Early sample or model built to test a concept or process

- [Role reversal](/source/Role_reversal) – Psychotherapeutic technique

- [Simulacrum](/source/Simulacrum) – Representation or imitation of a person or thing

- [Stereotype](/source/Stereotype) – Generalized belief about people

- [System archetypes](/source/System_archetype) – Patterns of behavior of a system

- [Theory of Forms](/source/Theory_of_Forms) – Philosophical theory attributed to PlatoPages displaying short descriptions of redirect targets

- [Type (biology)](/source/Type_(biology)) – Specimen(s) chosen to represent a newly described taxon

- [Wounded healer](/source/Wounded_healer) – Jungian archetype

## References

1. ^ [***a***](#cite_ref-:1_1-0) [***b***](#cite_ref-:1_1-1) Holzinger, Andreas; Ziefle, Martina; Hitz, Martin; Debevc, Matjaz (2013-06-26). *Human Factors in Computing and Informatics: First International Conference, SouthCHI 2013, Maribor, Slovenia, July 1-3, 2013, Proceedings*. Heidelberg: Springer. p. 18. [ISBN](/source/ISBN_(identifier)) [9783642390616](https://en.wikipedia.org/wiki/Special:BookSources/9783642390616).

1. **[^](#cite_ref-2)** Douglas Harper. ["Online Etymology Dictionary - Archetype"](http://www.etymonline.com/index.php?search=archetype&searchmode=none).

1. **[^](#cite_ref-3)** [ἀρχέτυπος](https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Da%29rxe%2Ftupos), Henry George Liddell, Robert Scott, *A Greek-English Lexicon*, on Perseus

1. **[^](#cite_ref-4)** [ἀρχή](https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Da%29rxh%2F), Henry George Liddell, Robert Scott, *A Greek-English Lexicon*, on Perseus

1. **[^](#cite_ref-5)** [τύπος](https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Dtu%2Fpos), Henry George Liddell, Robert Scott, *A Greek-English Lexicon*, on Perseus

1. ^ [***a***](#cite_ref-:0_6-0) [***b***](#cite_ref-:0_6-1) Celikel, Mehmet; Taniyan, Baysar (2015). *English Studies: New Perspectives*. Newcastle upon Tyne, UK: Cambridge Scholars Publishing. p. 13. [ISBN](/source/ISBN_(identifier)) [978-1443877275](https://en.wikipedia.org/wiki/Special:BookSources/978-1443877275).

1. **[^](#cite_ref-7)** ["Online Literary Device - Archetype Function"](http://literarydevices.net/archetype/). 2013-08-19.

1. **[^](#cite_ref-8)** Garry, Jane (2017-07-05). [*Archetypes and Motifs in Folklore and Literature: A Handbook: A Handbook*](https://www.google.com/books/edition/Archetypes_and_Motifs_in_Folklore_and_Li/GikxDwAAQBAJ?hl=en&gbpv=1&dq=archetype+in+literature&printsec=frontcover). Routledge. [ISBN](/source/ISBN_(identifier)) [978-1-351-57615-4](https://en.wikipedia.org/wiki/Special:BookSources/978-1-351-57615-4).

1. **[^](#cite_ref-9)** Christopher., Booker (2004). [*The seven basic plots : why we tell stories*](https://archive.org/details/sevenbasicplotsw0000book). London: Continuum. [ISBN](/source/ISBN_(identifier)) [978-0826452092](https://en.wikipedia.org/wiki/Special:BookSources/978-0826452092). [OCLC](/source/OCLC_(identifier)) [57131450](https://search.worldcat.org/oclc/57131450).

1. **[^](#cite_ref-10)** Sbaihat, Ahlam. 2012. "La imagen de la madre en el refranero español y jordano. Estudio de Paremiología comparada." *España: Sociedad Española de Estudios Literarios de Cultura Popular*, Oceanide 5.

1. ^ [***a***](#cite_ref-:4_11-0) [***b***](#cite_ref-:4_11-1) [***c***](#cite_ref-:4_11-2) Knox, Jean (2003). *Archetype, Attachment, Analysis: Jungian Psychology and the Emergent Mind*. New York: Brunner-Routledge. p. 35. [ISBN](/source/ISBN_(identifier)) [978-1583911280](https://en.wikipedia.org/wiki/Special:BookSources/978-1583911280).

1. **[^](#cite_ref-12)** Nagy, Marilyn (1991). *Philosophical Issues in the Psychology of C. G. Jung: Portraits, Policies, Programs, and Practices*. Albany, NY: State University of New York Press. p. 157. [ISBN](/source/ISBN_(identifier)) [978-0791404515](https://en.wikipedia.org/wiki/Special:BookSources/978-0791404515).

1. **[^](#cite_ref-13)** Hogenson, George B. (2004). "Archetypes: emergence and the psyche's deep structure". In Cambray, Joseph; Carter, Linda (eds.). *Analytical Psychology: Contemporary Perspectives in Jungian Analysis*. Advancing Theory in Therapy. Routledge. p. 33. [ISBN](/source/ISBN_(identifier)) [978-1-58391-999-6](https://en.wikipedia.org/wiki/Special:BookSources/978-1-58391-999-6). 'The archetypes are sources of energy [...] collective ideas [...] records of reactions to subjective sense-images' (Jung[).]

1. **[^](#cite_ref-14)** Boeree, C. George. ["Carl Jung"](http://www.ship.edu/~cgboeree/jung.html). [Archived](https://web.archive.org/web/20060206030011/http://www.ship.edu/~cgboeree/jung.html) from the original on 6 February 2006. Retrieved 2006-03-09.

1. **[^](#cite_ref-15)** Brown, R. S. 2013. "[Beyond the Evolutionary Paradigm in Consciousness Studies](http://atpweb.org/jtparchive/trps-45-13-02-159.pdf)." *[Journal of Transpersonal Psychology](/source/Journal_of_Transpersonal_Psychology)* 45(2):159–71.

1. **[^](#cite_ref-16)** Hull, R.F.C., ed. (2014), "Archetypes of the Collective Unconscious", *Collected Works of C.G. Jung, Volume 9 (Part 1): Archetypes and the Collective Unconscious*, Princeton University Press, pp. 3–41, [doi](/source/Doi_(identifier)):[10.1515/9781400850969.3](https://doi.org/10.1515%2F9781400850969.3), [ISBN](/source/ISBN_(identifier)) [9781400850969](https://en.wikipedia.org/wiki/Special:BookSources/9781400850969)

1. **[^](#cite_ref-17)** ["Archetypes – 12 Jungian types of human"](https://mainform.net/12-jungian-archetypes/). *mainform.net*. Retrieved 2019-05-10.[*[dead link](https://en.wikipedia.org/wiki/Wikipedia:Link_rot)*]

1. **[^](#cite_ref-18)** Mumfrey, W. H. (2009). [*Archetypes in Branding : a Toolkit for Creatives and Strategists*](http://worldcat.org/oclc/1088338691). Adams Media Corporation. [ISBN](/source/ISBN_(identifier)) [978-1-4403-0788-1](https://en.wikipedia.org/wiki/Special:BookSources/978-1-4403-0788-1). [OCLC](/source/OCLC_(identifier)) [1088338691](https://search.worldcat.org/oclc/1088338691).

1. **[^](#cite_ref-19)** [Odajnyk, V. Walter](/source/V._Walter_Odajnyk) (2012). *Archetype and Character: Power, Eros, Spirit, and Matter Personality Types*. New York: Palgrave Macmillan. p. 51. [ISBN](/source/ISBN_(identifier)) [9781349349241](https://en.wikipedia.org/wiki/Special:BookSources/9781349349241).

1. ^ [***a***](#cite_ref-:2_20-0) [***b***](#cite_ref-:2_20-1) Holtkamp, Mark B. (2012-07-10). [*Biology Of The Archetype*](https://books.google.com/books?id=svNYDQAAQBAJ&q=archetype+function&pg=PT309). BookBaby. [ISBN](/source/ISBN_(identifier)) [9780615665337](https://en.wikipedia.org/wiki/Special:BookSources/9780615665337).

1. **[^](#cite_ref-21)** ["Retail therapy. How Ernest Dichter, an acolyte of Sigmund Freud, revolutionised marketing"](https://www.economist.com/christmas-specials/2011/12/17/retail-therapy). *[The Economist](/source/The_Economist)*. December 17, 2011. Retrieved 2012-01-01. In 1939 he wrote to six big American companies, introducing himself as 'a young psychologist ...

## External links

- The dictionary definition of [*archetype*](https://en.wiktionary.org/wiki/archetype) at Wiktionary

v t e Appropriation in the arts By field Music Bootleg recording Chopped and screwed Contrafact list Contrafactum Cover version DJ mix Interpolation Medley Music mashup Music plagiarism Musical quotation Nightcore Parody music Pasticcio Plunderphonics Potpourri Quodlibet Remix Riddim Sampling Sound collage Standard Track-for-track Tribute act Trope Variation Vaporwave Literature / theatre Assemblage Cut-up technique Flarf poetry Found poetry Jukebox musical Trope Verbatim theatre Visual arts Collage Combine painting Photographic mosaic Readymades of Marcel Duchamp Swipe By source material Mona Lisa Michelangelo's David Michelangelo's Pietà Statue of Liberty Cinema / television / video Abridged series Anime music video Collage film Found footage Literal music video Parody film Re-cut trailer Remake Shot-for-shot Supercut TV format Vidding Video mashup YouTube Poop Other arts In-joke Internet meme Joke theft Parody advertisement Revivalism (architecture) Video game modding Bootleg games General concepts Intertextual figures Allusion Calque Parody Pastiche Plagiarism Quotation Translation Adaptation Film Literary Theatre Other concepts After (art) Assemblage (art) Bricolage Citation Détournement Found object Homage Imitation in art Mashup Reprise Satire Source criticism in the arts Related artistic concepts Aesthetic interpretation Anti-art Archetypal literary criticism Artistic inspiration "The Death of the Author" Divine inspiration Afflatus Genius (literature) Muses Fan labor Fan fiction Genre Genre studies Originality Simulacrum Western canon Standard blocks and forms Archetype Formula fiction Genre fiction Jazz standard Plot device Stock character Story structure Epoch-marking works L.H.O.O.Q. (1919) "Pierre Menard, Author of the Quixote" (1939) Reality Hunger: A Manifesto (2010) Theorization Dada De Copia Rerum Diegesis Dionysian imitatio Mimesis Nachahmung Palimpsests: Literature in the Second Degree The Pictures Generation Pop art Postmodernism Russian formalism Related non- artistic concepts Academic dishonesty Appropriation in sociology Articulation in sociology Cultural appropriation History of printing Information society Intellectual property Copyright infringement Derivative work Fair use Meme Open source Participatory culture Pirate politics Recontextualisation Remix culture

v t e Stock characters List Archetype By role Protagonists Heroes Action hero Bard Chosen One Christ figure Dwarf Everyman Folk hero Knight-errant Dragonslayer White knight Mythological king Paladin Reluctant hero Superhero Cyberhero Legacy hero Super soldier Space marine Youngest son Antiheroes Byronic hero Superfluous man Lovable rogue Fool Man alone Outlaw Pirate Air pirate Space pirate Rake Tragic hero Trickster Tricky slave Supporting Sidekick Donor Imaginary friend Shoulder angel Straight man Redshirt Henchman Igor Consigliere Caporegime Goon squad Antagonists Villains Alazon Archenemy False hero Black Knight Double agent Evil twin Mole Dark lord Mad scientist Masked villain Supervillain Sympathetic villain Monsters Alien Bug-eyed monster Little green men Cyborg Demon Folk devil Evil clown Killer robot Killer toy Lovecraftian horror Minotaur Monster girl Mole people Mutant Goblin Orc Giant Cyclopes Ogre Troll Skeleton Slime Swamp monster Werewolf Hellhound Vampire Lesbian vampire Zombie Nazi zombie Zombie animal By stereotype Gendered Feminine Class S Laotong Damsel in distress Princess and dragon Final girl Girl next door Idealized Gibson Girl Princesse lointaine Southern belle Yamato nadeshiko Lady-in-waiting Fairy godmother Hag Cat lady Crone Loathly lady Witch Hooker with a heart of gold Ingénue Blonde Farmer's daughter Loosu ponnu Manic Pixie Dream Girl Strong female Dragon Lady Femme fatale Hawksian woman Jungle girl Queen bee Woman warrior Masculine Bad boy Jock Father figure Absent-minded professor Elderly martial arts master Mountain man Wise old man Ivan the Fool Jack Little Johnny Nice guy Prince Charming Cavalier Wizard Racialized American mappillai Barbarian Magical Negro Mammy Nice Jewish boy Noble savage Token Tragic mulatto White savior Classist Feral child Gentleman detective Gentleman thief Town drunk Village idiot By media Anime Bishōjo Bishōnen Magical girl Magical girlfriend Catgirl Seme and uke Truck-kun Tsundere Commedia dell'arte Brighella Columbina Harlequin Innamorati La Ruffiana Scapino Pulcinella Pierrot Vecchio Pantalone Il Dottore Il Capitano Zanni

Authority control databases: National Czech Republic

---
Adapted from the Wikipedia article [Archetype](https://en.wikipedia.org/wiki/Archetype) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Archetype?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.