# Aphex Twin

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British electronic musician (born 1971)

"Richard D. James" redirects here. For the materials scientist, see [Richard D. James (scientist)](/source/Richard_D._James_(scientist)). For the American art director, see [Richard D. James (production designer)](/source/Richard_D._James_(production_designer)).

Aphex Twin James performing in March 2007 Background information Also known as AFX Caustic Window Polygon Window The Tuss Bradley Strider Phonic Boy on Dope Karen/Brian Tregaskin Power-Pill Born Richard David James (1971-08-18) 18 August 1971 (age 54) Limerick, Ireland Origin Cornwall, England Genres Electronic techno acid ambient IDM jungle experimental drill 'n' bass Occupations Musician record producer composer DJ Instruments Synthesiser piano turntables drum machine sequencer sampler laptop Works Discography compositions Years active 1988–present Labels Warp Rephlex Apollo R&S Formerly of Mike & Rich Website aphextwin.warp.net

Musical artist

**Richard David James** (born 18 August 1971), known professionally as **Aphex Twin**,[1][2][a] is a British musician, composer and DJ active in [electronic music](/source/Electronic_music) since 1988. His idiosyncratic work has drawn on many styles, including [techno](/source/Techno), [ambient](/source/Ambient_music), [acid](/source/Acid_(electronic_music)), and [jungle](/source/Jungle_music),[8] and he is closely associated with the [intelligent dance music](/source/Intelligent_dance_music) (IDM) genre.[b] Journalists from publications including *[Mixmag](/source/Mixmag)*, *[The New York Times](/source/The_New_York_Times)*, *[NME](/source/NME)*, *[Fact](/source/Fact_(UK_magazine)),* *[Clash](/source/Clash_(magazine))* and *[The Guardian](/source/The_Guardian)* have called James one of the most influential and important artists in contemporary electronic music.[23]

James was raised in [Cornwall](/source/Cornwall) and began [DJing](/source/DJing) at [free parties](/source/Free_party) and clubs around the [South West](/source/South_West_England) in the late 1980s.[24] His debut EP *[Analogue Bubblebath](/source/Analogue_Bubblebath),* released in 1991 on [Mighty Force Records](/source/Mighty_Force_Records), brought James an early following; he began to perform across the UK and [continental Europe](/source/Continental_Europe).[25][26] James co-founded the independent label [Rephlex Records](/source/Rephlex_Records) the same year. His 1992 debut album *[Selected Ambient Works 85–92](/source/Selected_Ambient_Works_85%E2%80%9392)*, released by Belgian label [Apollo](/source/Apollo_Records_(Belgium)), garnered wider critical and popular acclaim. James signed to [Warp](/source/Warp_Records) in late 1992 and subsequently released charting albums such as *[...I Care Because You Do](/source/...I_Care_Because_You_Do)* (1995) and *[Richard D. James Album](/source/Richard_D._James_Album)* (1996), as well as [Top 40](/source/Top_40) singles such as "[Come to Daddy](/source/Come_to_Daddy_(song))" (1997) and "[Windowlicker](/source/Windowlicker)" (1999); the latter two were accompanied by [music videos](/source/Music_video) directed by [Chris Cunningham](/source/Chris_Cunningham) and brought James wider international attention.

After releasing *[Drukqs](/source/Drukqs)* in 2001 and completing his contract with Warp, James spent several years releasing music on his own Rephlex label, including the 2005 *[Analord](/source/Analord)* EP series under his AFX alias and a pair of 2007 releases as the Tuss. In 2014 he made available a [previously unreleased 1994 LP](/source/Caustic_Window_LP) as Caustic Window. He returned later that year with the Aphex Twin album *[Syro](/source/Syro)* on Warp, winning the [Grammy Award for Best Dance/Electronic Album](/source/Grammy_Award_for_Best_Dance%2FElectronic_Album). He has since released charting EPs including *[Cheetah](/source/Cheetah_(EP))* (2016) and *[Collapse](/source/Collapse_EP)* (2018). His 2023 single "[Blackbox Life Recorder 21f](/source/Blackbox_Life_Recorder_21f)" was nominated for the [Grammy Award for Best Dance/Electronic Recording](/source/Grammy_Award_for_Best_Dance%2FElectronic_Recording).[27][28] Since 2015 he has been [sporadically releasing music on SoundCloud](/source/Aphex_Twin_SoundCloud_demos).

## Early life

James grew up in [Cornwall](/source/Cornwall) (pictured: Cornwall's Chapel Porth, seen on the cover and referenced in the liner notes of James's 1993 album *[Surfing on Sine Waves](/source/Surfing_on_Sine_Waves)*).[29]

James was born on 18 August 1971[30] in [Limerick](/source/Limerick), Ireland,[31] to [Welsh](/source/Welsh_people) parents.[32] He had a stillborn older brother also named Richard [whose name he inherited](/source/Necronym).[33][34] In a 1997 interview, he said that this death occurred while his family had moved to Canada in 1968 for his father's mining work; his mother reused the name because "she didn't want to accept the death of the child."[35]

James grew up in [Cornwall](/source/Cornwall),[29] where he lived in [Lanner](/source/Lanner%2C_Cornwall) while attending [Redruth School](/source/Redruth_School) in [Redruth](/source/Redruth).[29] He later said he liked growing up there, "cut off from the city and the rest of the world".[29] He became interested in making sounds before writing music, and as a child he played with the strings inside his family piano and disassembled tape equipment.[36]

In a 2001 interview, James said that at age 11 he won £50 in a competition for producing sound on a [Sinclair ZX81](/source/ZX81), a home computer with no sound hardware: "I played around with [machine code](/source/Machine_code) and found some codes that retuned the TV signal so that it made this really weird noise when you turned the volume up."[37] However, *[Fact Magazine](/source/Fact_Magazine_(UK))* reported in 2017 that this contest story is dubious,[38] and likely based on a program published in *Your Computer Magazine* 1982, for which the author (G. N. Owen) was paid £6 (equivalent to £21 in 2025).[39][40]

James bought his first synthesizer at age 12 and after taking an interest in [electronics](/source/Electronics), modified [analogue synthesisers](/source/Analogue_synthesisers) "and junk" to make noise.[36] He began making music at age 14,[29] partially as a refuge from the "bloody awful" [Jesus and Mary Chain](/source/Jesus_and_Mary_Chain) albums played by his sister.[41] Cornwall had few record shops, but a thriving nightlife in which [acid house](/source/Acid_house) was popular.[29] James claimed to have been making music with similarities to [acid](/source/Acid_house) and techno for years before hearing the genres, leading him to purchase every record he could find in the styles.[42] He studied at [Cornwall College](/source/Cornwall_College_(England)) from 1988 to 1990 and graduated with a [National Diploma](/source/National_Diploma_(UK)) in engineering.[30] According to one lecturer, he often wore headphones during practical lessons and had a "kind of mystique about him ... I think some of the other students were a bit in awe of him."[30]

## Career

### 1988–1991: Cornish free parties, Rephlex Records and first releases

In the late 1980s, James became involved in the Cornish [free party](/source/Free_party) scene, putting on raves at "secret coves along the coast and behind sand dunes".[43] The first party he DJed at was in a barn in 1988.[31] Parties were also known to take place at [Gwennap Pit](/source/Gwennap).[44] They mainly attracted local youths and [travellers](/source/New_Age_travellers), with entrance donations taken in [cannabis](/source/Cannabis). The community also held events at small clubs in towns around the county, including [St. Ives](/source/St_Ives%2C_Cornwall), [Porthtowan](/source/Porthtowan), and [St Austell](/source/St_Austell). James later referred to this scene as the "best he's ever been involved in".[24][29]

James started a regular DJ slot in 1989, playing alternate weeks at the Bowgie nightclub in [Crantock](/source/Crantock). There he met [Tom Middleton](/source/Tom_Middleton) and Grant Wilson-Claridge.[45] James incorporated his own tracks, recorded on [tape](/source/Cassette_tape), into his DJ sets.[29] Impressed by James's music, Middleton played a tape James had given him to a free party organiser in [Exeter](/source/Exeter), Mark Darby, who eventually convinced James to release a record on his fledgling record label [Mighty Force Records](/source/Mighty_Force_Records).[46] James was initially resistant, but while he was [tripping](/source/Psychedelic_experience) on [acid](/source/Lysergic_acid_diethylamide) backstage at a DJ gig, Darby and Middleton convinced him to release the record. Darby later said: "I think if he had not done that trip that night there may have never been any Aphex Twin."[46] James has given a similar account: "...they made me sign the contract when I was off my face. I was tripping and they're waving this money and a pen at me. It's a bit clichéd but it's the way they got me to sign."[47] Similarly impressed by James's music, Wilson-Claridge suggested they use some money he inherited to create a [record label](/source/Record_label) to release it. He and James founded [Rephlex Records](/source/Rephlex_Records) in 1991.[29]

James's first release was the 12" [EP](/source/Extended_play) *[Analogue Bubblebath](/source/Analogue_Bubblebath)*, released on Mighty Force in September 1991.[48] The EP made the playlist of [Kiss FM](/source/Kiss_100_London), an influential London radio station, giving it wide exposure in the dance music scene.[49] In 2015 *The Guardian* called the release one of the key moments in the history of dance music.[50] The record caught the ear of Renaat Vandepapeliere, the head of [R&S Records](/source/R%26S_Records), at that time one of the leading European [rave](/source/Rave_music) labels. James visited him in Belgium, bringing a box full of cassettes of his music. From these cassettes they picked out tracks for two records, including James's first [album](/source/Studio_album) *Selected Ambient Works 85-92*.[51][52]

In 1992, as word of his 12" records spread, James started performing at London techno events like the formative club Knowledge, held at the SW1 nightclub in London's [Victoria](/source/Victoria%2C_London), and the influential night Lost.[53][54]

Through 1991 and 1992 James released three *[Analogue Bubblebath](/source/Analogue_Bubblebath)* EPs, two EPs as Caustic Window, the *[Red](/source/Universal_Indicator_Red)* EP as part of the [Universal Indicator](/source/Universal_Indicator_(collective)) collective, along with the *[Digeridoo](/source/Digeridoo_(EP))* and *[Xylem Tube](/source/Xylem_Tube_EP)* EPs on the [R&S](/source/R%26S_Records) label. Although he moved to London to take an [electronics](/source/Electronics) course at [Kingston Polytechnic](/source/Kingston_University), he admitted to [David Toop](/source/David_Toop) that his electronics studies were slipping away as he pursued a career in electronic music.[55]

### 1992–1994: *Selected Ambient Works* and early success

Main articles: [Selected Ambient Works 85–92](/source/Selected_Ambient_Works_85%E2%80%9392) and [Selected Ambient Works Volume II](/source/Selected_Ambient_Works_Volume_II)

The first full-length Aphex Twin album, *Selected Ambient Works 85–92*, comprised material dating back to James's teen years. It was released in November 1992 by [Apollo Records](/source/Apollo_Records_(Belgium)),[56] a subsidiary of Belgian label [R&S](/source/R%26S_Records).[57] John Bush of [Allmusic](/source/Allmusic) would later describe the release as a watershed moment in ambient music.[58] In a 2002 *[Rolling Stone](/source/Rolling_Stone)* record review Pat Blashill noted that Aphex Twin had "expanded way beyond the [ambient music](/source/Ambient_music) of [Brian Eno](/source/Brian_Eno) by fusing lush soundscapes with oceanic beats and bass lines," demonstrating that "techno could be more than druggy dance music".[59] Writing for [*Pitchfork*](/source/Pitchfork_(website)) in 2002, David Pecoraro called it "among the most interesting music ever created with a keyboard and a computer".[60] *[DJ Mag](/source/DJ_Mag)'s* Ben Murphy named it "a seminal record in the IDM, ambient and experimental canon".[61]

In 1992 James also released the EPs *[Digeridoo](/source/Digeridoo_(EP))* and *[Xylem Tube EP](/source/Xylem_Tube_EP)* as Aphex Twin, the *[Pac-Man](/source/Pac-Man_(album))* EP (an album of remixes of *[Pac-Man](/source/Pac-Man)* music) as Power-Pill, two of his four *Joyrex* EPs (*[Joyrex J4 EP](/source/Joyrex_J4_EP)* and *[Joyrex J5 EP](/source/Joyrex_J5_EP)*) as Caustic Window, and *[Analogue Bubblebath 3](/source/Analogue_Bubblebath_3)*. "Digeridoo" reached No. 55 on the [UK Singles Chart](/source/UK_Singles_Chart), and was later described by *Rolling Stone* as foreshadowing [drum and bass](/source/Drum_and_bass).[62][63] That year, he also appeared as the Dice Man on the [Warp Records](/source/Warp_Records) compilation *[Artificial Intelligence](/source/Artificial_Intelligence_(compilation_album))* with the track "Polygon Window". The compilation helped create the genre later known as "[intelligent dance music](/source/Intelligent_dance_music)", and helped launch James's career alongside [Autechre](/source/Autechre) and [Richie Hawtin](/source/Richie_Hawtin).[64] As Polygon Window, in 1993, James released his first records on Warp: *[Surfing on Sine Waves](/source/Surfing_on_Sine_Waves)* (the second in the *[Artificial Intelligence](/source/Artificial_Intelligence_(series))* series)[65] and the EP *[Quoth](/source/Quoth_(EP))*. Later that year he released the EP *[On](/source/On_(EP))*, which entered the top 40 on the UK chart.[66] Rephlex also released an EP by James under the alias Bradley Strider, *[Bradley's Robot](/source/Bradley's_Robot)*, and two more Caustic Window records.[*[citation needed](https://en.wikipedia.org/wiki/Wikipedia:Citation_needed)*]

James was part of several tours in 1993. He supported [the Orb](/source/The_Orb) on several dates, and joined the "Midi Circus" tour at venues across the UK, co-headlining with [Orbital](/source/Orbital_(band)), the Orb and [Drum Club](/source/Drum_Club).[67][68] Later in the year, he was part of the NASA "See the Light" tour with Orbital, [Moby](/source/Moby), and Vapourspace at venues across the United States.[43]

Warp released the second Aphex Twin album, *[Selected Ambient Works Volume II](/source/Selected_Ambient_Works_Volume_II)*, in March 1994. It explored a more ambient sound, inspired by [lucid dreams](/source/Lucid_dreaming) and James's experience of [synaesthesia](/source/Synaesthesia). It reached number 11 in the UK chart,[69] but was not particularly well received critically; critic Simon Reynolds later noted that "many in the Aphex cult were thrown for a loop" and that "Aphex aficionados remain divided".[70] Other 1994 releases were a fourth *Analogue Bubblebath,* *[GAK](/source/GAK_(album))* (derived from early demos sent to Warp), and *[Classics](/source/Classics_(Aphex_Twin_album))*, a compilation album.

### 1995–2000: *...I Care Because You Do*, *Richard D. James Album* and *Come to Daddy*

Main articles: [...I Care Because You Do](/source/...I_Care_Because_You_Do), [Richard D. James Album](/source/Richard_D._James_Album), and [Come to Daddy (EP)](/source/Come_to_Daddy_(EP))

Aphex Twin in an interview in 1995

For his charting 1995 album *[...I Care Because You Do](/source/...I_Care_Because_You_Do),*[71] composed between 1990 and 1994 in a range of styles, James used a [self-portrait](/source/Self-portrait) of his face for the cover, which became a [motif](/source/Motif_(visual_arts)) on his later releases. He commissioned [Western classical-music](/source/Classical_music) composer [Philip Glass](/source/Philip_Glass) to create an orchestral version of the *...I Care Because You Do* track "Icct Hedral", which appeared on the *[Donkey Rhubarb](/source/Donkey_Rhubarb_(EP))* EP.[72] In the same year, James released his *[Hangable Auto Bulb](/source/Hangable_Auto_Bulb)* EP under the name AFX, which spearheaded the short-lived [drill 'n' bass](/source/Drill_'n'_bass) style.[73][42] This rapid, computer-based drum programming style would become the dominant approach of James's work through the end of the decade.[74] In 1996, James and [Michael Paradinas](/source/Michael_Paradinas) (μ-Ziq) collaborated for the album *[Expert Knob Twiddlers](/source/Expert_Knob_Twiddlers)* under the one-off side project [Mike & Rich](/source/Mike_%26_Rich), which was released by James' Rephlex label.[75][76]

*[Richard D. James Album](/source/Richard_D._James_Album)*, James's fourth studio album as Aphex Twin, was released on Warp in 1996. It features [software synthesisers](/source/Softsynth) and unconventional rhythms. Will Hermes of *[Spin](/source/Spin_(magazine))* discussed James's use of [jungle](/source/Old_school_jungle) elements, writing that "by applying junglist strategies to his own obsessive sound creation - his gorgeous weirdo palette of modernist strings, whirring crib toys, and agitated machines - he remakes drum'n'bass in his own image".[77] In a *Pitchfork* list of the best albums of the 1990s, Eric Carr wrote that *Richard D. James Album* demonstrated "aggressive combinations of disparate electronic forms", with an "almost-brutal contrast between its elements" that has ensured its relevance.[78] In 2003 *NME* named it the 55th greatest album of all time,[79] and in 2009 *Pitchfork* named it the 40th greatest album of the 1990s.[80]

James garnered attention the following year after the release of his charting *[Come to Daddy](/source/Come_to_Daddy_(EP))* EP.[81] The [title track](/source/Come_to_Daddy_(song)) was conceived as a [death metal](/source/Death_metal) parody. Accompanied with a successful music video directed by [Chris Cunningham](/source/Chris_Cunningham), James became disenchanted by its success: "This little idea that I had, which was a joke, turned into something huge. It wasn't right at all."[82] It was followed by "[Windowlicker](/source/Windowlicker)", a charting single[83] promoted with another Cunningham music video, nominated for the [Brit Award](/source/Brit_Award) for Best British Video in 2000.[84][82]

### 2001–2009: *Drukqs*, *Analord* and the Tuss

Main articles: [Drukqs](/source/Drukqs) and [Analord](/source/Analord)

James performing in 2008

In 2001 Aphex Twin released *[Drukqs](/source/Drukqs)*, an experimental double album featuring abrasive, meticulous programming and [computer-controlled piano](/source/Disklavier) influenced by [Erik Satie](/source/Erik_Satie) and [John Cage](/source/John_Cage). It features the piano composition "[Avril 14th](/source/Avril_14th)", which remains perhaps James' best known work.[85] The album polarised reviewers. James told interviewers he had accidentally left an MP3 player with new tracks on a plane, and had rushed the album release to preempt an [internet leak](/source/Music_leak).[86]

In 2001 James also released a short EP, *2 Remixes By AFX*, with remixes of songs by [808 State](/source/808_State) and [DJ Pierre](/source/DJ_Pierre). It also had an untitled third track, consisting of a [SSTV](/source/Slow-scan_television) image with high-pitched sounds which can be decoded to a viewable image with appropriate software. In 2002 James was nominated for the [Brit Award](/source/Brit_Award) for Best British Male.[84] In 2003 Warp released *[26 Mixes for Cash](/source/26_Mixes_for_Cash)*, collecting many of James's remixes for other artists.

In 2005 James released a series of vinyl EPs under the AFX name, *[Analord](/source/Analord)*, created entirely with analogue equipment. These were followed in 2006 by a compilation album of *Analord* tracks, *[Chosen Lords](/source/Chosen_Lords).*[87] In 2007 James released two records on Rephlex, *[Confederation Trough](/source/Confederation_Trough)* and *[Rushup Edge](/source/Rushup_Edge_(album))*, under the alias the Tuss, Cornish slang for "erection". Media sources speculated about James's involvement, but his identity was not confirmed until 2014.[88][89]

In 2009 Rephlex Records released digital versions (in the FLAC file format) of the 11 Analord EPs. Each of them (except for Analord 10) had bonus tracks, totalling 81 minutes of new music between them all.[*[citation needed](https://en.wikipedia.org/wiki/Wikipedia:Citation_needed)*] Richard later disbanded Rephlex Records and gave up on the website.[90][91][92]

This same year, James began working with the visual artist Weirdcore for graphics for his live shows, debuting at [Bloc Festival](/source/Bloc_Festival) in Minehead.[93] Weirdcore has continued to work with James on live graphics and music videos.

In 2010 James said he had completed six new albums, including a new version of the unreleased *[Melodies from Mars](/source/Melodies_from_Mars)*.[94] In September 2011 he performed a live tribute to the Polish composer [Krzysztof Penderecki](/source/Krzysztof_Penderecki); he performed his remix of Penderecki's "[Threnody to the Victims of Hiroshima](/source/Threnody_to_the_Victims_of_Hiroshima)" and a version of "[Polymorphia](/source/Polymorphia)".[95] The following month, he performed at the Paris [Pitchfork Music Festival](/source/Pitchfork_Music_Festival).[96]

### 2014–present: *Caustic Window*, *Syro*, and return as Aphex Twin

Main articles: [Caustic Window LP](/source/Caustic_Window_LP) and [Syro](/source/Syro)

Street art promoting the *Syro* album in New York City.

In 2014 a [test pressing](/source/Test_pressing) of a 1994 album recorded under James's pseudonym [Caustic Window](/source/Caustic_Window_(album)) appeared for sale on [Discogs](/source/Discogs). The album was once intended for sale on James's label Rephlex, but went unreleased. With the consent of James and Rephlex, fans organised a [Kickstarter](/source/Kickstarter) campaign to purchase the record and distribute copies.[97]

*Syro*, the first album released under the Aphex Twin name since *Drukqs* in 2001, was released through Warp on 23 September 2014. It was marketed by a teaser campaign including graffiti, a blimp flown over London, and an announcement made via a [.onion address](/source/.onion) accessible through the [darknet](/source/Darknet) browser [Tor](/source/Tor_(anonymity_network)).[98]

In November 2014 James released a set of 21 tracks, *Modular Trax*, on the audio platform [SoundCloud](/source/SoundCloud). The tracks were later removed.[99] Over several months in 2015 James [anonymously uploaded 230 demo tracks](/source/Aphex_Twin_SoundCloud_demos), some dating to the 1980s, to SoundCloud.[100] He said he had released the [demos](/source/Demo_(music)) to relieve his family of the pressure to release his archives after he dies.[101] He has continued to occasionally release tracks on the account.[102]

On 23 January 2015 James released *[Computer Controlled Acoustic Instruments pt2](/source/Computer_Controlled_Acoustic_Instruments_pt2)*,[103] created with robotic instruments including the [Disklavier](/source/Disklavier), a computer-controlled [player piano](/source/Player_piano).[104] On 8 July 2016 he released the *[Cheetah](/source/Cheetah_EP)* EP, backed by a music video for "CIRKLON3 [Колхозная mix]", the first official music video for an Aphex Twin track in 17 years.[105] On 17 December, James performed in [Houston](/source/Houston), Texas at the Day for Night festival, his first American appearance in eight years. A 12-inch vinyl was sold exclusively at the festival, containing two 10-minute tracks, entitled *Houston, TX 12.17.16 [Day For Night]*.[106][107] On 3 June 2017 James performed at the Field Day festival and released a limited edition EP, *[London 03.06.17](/source/London_03.06.17)*.[108] The performance was livestreamed on [NTS Radio](/source/NTS_Radio)'s Youtube channel. On 19 June 2017 a Michigan record store sold an exclusive Aphex Twin record comprising two tracks released on SoundCloud in 2015, entitled *3 Gerald Remix / 24 TSIM 2*.[109] On 27 July, Aphex Twin opened an online store with expanded versions of previous albums and new tracks.[110] On 29 July, at the [Fuji Rock Festival](/source/Fuji_Rock_Festival), a tape limited to 500 copies was released.[111]

Aphex Twin released an EP, *[Collapse](/source/Collapse_(EP))*, on 14 September 2018.[112] The EP was announced on 5 August in a garbled press release written in broken English and visually distorted with the same Aphex Twin 3D graphic found in London, Turin and Hollywood.[113] A promotional video for the *Collapse* EP was to be broadcast on [Adult Swim](/source/Adult_Swim), but was cancelled after failing the [Harding test](/source/Harding_test). It was made available online instead, and the video for "T69 Collapse" was uploaded to YouTube.[114][115]

During James' September 2019 tour two 12-inch records were released at performances at [Printworks](/source/Printworks_(London)), London, and [Warehouse Project](/source/The_Warehouse_Project), Manchester, entitled "London" and "Manchester" on James' warp.net site. Official recordings of the sets were released on 15 September and 26 December 2019 on Youtube.

Speculations of James's return started after a mysterious website featuring the Aphex Twin logo inside of the word "London" was discovered by fans. Its title alluded to 19 August 2023, the same day that the [Field Day](/source/Field_Day_(festival)) festival takes place on in London, teasing a possible performance.[116][117] His return was confirmed on 24 January 2023, when Aphex Twin was announced as a headliner for the festival.[118] Over the next few weeks, several other performances were announced for Europe.[119][120] At a performance at [Sónar](/source/S%C3%B3nar) on 16 June, an exclusive 12-inch vinyl was released entitled *Barcelona 16.06.23*.[121] During this festival, large [QR code](/source/QR_code) displays with Aphex Twin branding were spotted. This, coupled with posters found in Los Angeles,[122] led to the discovery of an [augmented reality](/source/Augmented_reality) app named YXBoZXh0d2lu. It was created to tease James' upcoming EP. On 21 June James announced the EP *[Blackbox Life Recorder 21f / In a Room7 F760](/source/Blackbox_Life_Recorder_21f_%2F_In_a_Room7_F760)*, which was released on 28 July.[123]

After the release of the EP, the app was updated again. Using the app to scan the front cover, inner sleeves, trifold insert and vinyl label of *Blackbox Life Recorder 21f / In a Room7 F760* reveals a variety of artwork and visuals, such as a 3D version of the cover, and makes the EP's songs playable in the app.[124] On 19 August, James performed at [Field Day](/source/Field_Day_(festival)) and released another exclusive vinyl EP, [London 19.08.2023](/source/London_19.08.2023).[125] NTS Radio released a [360-degree video](/source/360-degree_video) recording of the set on 27 August.[126] On 2 September, at a performance at Forwards Bristol, a cassette combining the Barcelona and London releases was released, *Bristol 02.09.23*.[*[citation needed](https://en.wikipedia.org/wiki/Wikipedia:Citation_needed)*]

On 18 June 2024, James announced an [expanded edition of *Selected Ambient Works Volume II*](/source/Selected_Ambient_Works_Volume_II#Expanded_Edition) would be released later in the year.[127] The re-issue was confirmed to be releasing on digital, triple CD, 4xLP standard and box set editions and double cassette formats.[128] This re-issue included two bonus tracks, "[th1 \[evnslower\]](/source/Th1_(evnslower))" and "Rhubarb Orc. 19.53 Rev", as well as [the 19th track](/source/Stone_in_Focus) being released on all formats. The tracks were gradually released onto streaming platforms, with "No. 19" releasing on the day of the announcement, "th1 [evnslower]" releasing on 4 September 2024[129] and "Rhubarb Orc. 19.53 Rev" being released on 2 October 2024.[130] *Selected Ambient Works Volume II (Expanded Edition)* officially released on 4 October 2024.

On 17 December 2024 a compilation album featuring a variety of music exclusively released during James' live performances was [released without announcement](/source/Surprise_release), titled *[Music from the Merch Desk (2016–2023)](/source/Music_from_the_Merch_Desk_(2016%E2%80%932023))*.[131][132]

## Musical style and influences

Writing for [AllMusic](/source/AllMusic), John Bush describes James as a "pioneer of [experimental techno](/source/Experimental_techno)" who has "constantly pushed the limits of what can be accomplished with [electronic equipment](/source/Electronic_instrument), resulting in forward-thinking and emotionally engaging work that ranges from sublime, [pastoral](/source/Pastoral_music) ambience to manic head-rush [acid techno](/source/Acid_techno)".[58] In a 1996 review, *[The Independent](/source/The_Independent)*'s Angela Lewis called him a "maverick of [1990s](/source/1990s_in_music) [electronica](/source/Electronica) [who] exemplifies the finest traditions of [British pop](/source/British_pop_music) mischief".[133] According to *[Fact](/source/Fact_(UK_magazine))* magazine, James has "carved out his own space in the history of [electronic music](/source/Electronic_music)" across several genres, with his unique melodies being "the reason he's talked about as not just an electronic innovator but as the sphere's definitive artist".[3] In 2014 review in the *[Financial Times](/source/Financial_Times)*, Ludovic Hunter-Tilney described James as a "musical maverick" noted for "yoking different elements together in unpredictable formulations" and blending "hard beats and uncanny tones; difficult abstraction and populist melodies".[134] Music publications have described James variously as "the [Mozart](/source/Mozart) of" both [techno](/source/Techno) and [ambient](/source/Ambient_music).[138] Writing in *[The Guardian](/source/The_Guardian)* in 2001 Paul Lester identified James's lineage as "electronic greats" including [Karlheinz Stockhausen](/source/Karlheinz_Stockhausen), [John Cage](/source/John_Cage), [Kraftwerk](/source/Kraftwerk), [Brian Eno](/source/Brian_Eno), and [Derrick May](/source/Derrick_May_(musician)).[18]

I could just lock myself away for days and get inspired by myself. That's my favorite way to do it. It's more like a pure form of motivation when it's all on your own. But you have to wait until you're really bored and you've got nothing to do. That's when it comes out. That's when I reckon it gets good.

— James in a 1997 interview with *[Perfect Sound Forever](/source/Perfect_Sound_Forever_(magazine))*.[139]

James had no formal [music training](/source/Music_education) and is largely self-taught.[18] Prior to becoming a [producer](/source/Music_production), James spent his teens modifying [analogue synthesisers](/source/Analogue_synthesiser) and became "addicted to making noises," only later becoming "interested in listening to other people's stuff".[36] James states that he spent his initial years "ignorant of music, apart from [acid](/source/Acid_techno) and techno, where I bought just about everything".[36] He claimed to have been independently making music similar to acid and techno before encountering the styles, and subsequently became enthusiastic about them.[42] He has cited [808 State](/source/808_State)'s 1988 debut album *[Newbuild](/source/Newbuild_(album))* as a major early inspiration.[140] In a 1993 interview, James identified voluntary [sleep deprivation](/source/Sleep_deprivation) as an influence on his productions at that time.[36] He also claimed to have recorded over one thousand unreleased tracks.[36] He later said he experienced [synaesthesia](/source/Synaesthesia) and utilised [lucid dreaming](/source/Lucid_dreaming) as a means of developing compositional ideas.[141] Some of James's early work was compared to [Brian Eno](/source/Brian_Eno)'s ambient releases, but James claimed not to have heard Eno before he began recording.[142]

In a 1993 interview, [Simon Reynolds](/source/Simon_Reynolds) noted that James had only recently explored [avant-classical](/source/Avant-garde_classical) and left-field [rock](/source/Rock_music) artists including Cage, Stockhausen, Eno, [Steve Reich](/source/Steve_Reich), [Terry Riley](/source/Terry_Riley), and [Can](/source/Can_(band)), and had spent a couple of years "catching up" on other genres outside techno and [house](/source/House_music).[36] In 1997 James described himself as a fan of "old [tape](/source/Tape_music) and avant-garde music" such as Stockhausen's "[Song for the Youth](/source/Gesang_der_J%C3%BCnglinge)" and the work of American composer [Tod Dockstader](/source/Tod_Dockstader).[139] He also named works by [Erik Satie](/source/Erik_Satie), [Drexciya](/source/Drexciya), [Ween](/source/Ween), [Serge Gainsbourg](/source/Serge_Gainsbourg), and [Les Baxter](/source/Les_Baxter) among his favorite albums.[143] When James began programming faster, [jungle](/source/Jungle_music)-inspired [breakbeats](/source/Breakbeats) in the mid-1990s, he named friends and fellow musicians [Luke Vibert](/source/Luke_Vibert) and [Tom Jenkinson](/source/Squarepusher) as influences.[139] In a 2014 interview, James said of jungle that "I still think it's the ultimate genre, really, because the people making it weren't musicians," and noted that "for years, I could listen to jungle and nick things from them, but they didn't know I existed."[144] Along with Vibert and Jenkinson, James helped to spearhead the short-lived [drill 'n' bass](/source/Drill_'n'_bass) style, which exaggerated elements of [drum and bass](/source/Drum_and_bass), on his *[Hangable Auto Bulb](/source/Hangable_Auto_Bulb)* EP (1995).[73][42] Acknowledging another influence, James's Rephlex label released *[Music from the BBC Radiophonic Workshop](/source/Music_from_the_BBC_Radiophonic_Workshop)*, a compilation of music recorded by the pioneers of the [BBC Radiophonic Workshop](/source/BBC_Radiophonic_Workshop).[145] In 2019 he described Kraftwerk as a major influence.[146] Although he said he disliked "[rock and roll](/source/Rock_and_roll)", he appreciates [Led Zeppelin](/source/Led_Zeppelin) (as a source of "great breakbeats"),[147] and [Pink Floyd](/source/Pink_Floyd) (for their [psychedelic music](/source/Psychedelic_music)).[147] Asked in 2011 about an artist he would like to work with, James named [Kate Bush](/source/Kate_Bush).[148]

Rephlex Records, which James co-owned with Grant Wilson-Claridge, coined the word "braindance" to describe Aphex Twin's music.[9] According to the label: "Braindance is the genre that encompasses the best elements of all genres, e.g. traditional, [classical](/source/Classical_music), electronic music, popular, modern, [industrial](/source/Industrial_music), ambient, [hip-hop](/source/Hip_hop_music), [electro](/source/Electro_(music)), house, techno, breakbeat, [hardcore](/source/Hardcore_(electronic_dance_music_genre)), [ragga](/source/Ragga), [garage](/source/Garage_house), drum and bass, etc."[149] According to *Pitchfork's* Paul Cooper braindance "escaped the mind/body binary opposition of electronic music" while retaining its club roots.[150]

James has been characterised as a figurehead of [intelligent dance music (IDM)](/source/Intelligent_dance_music).[151] IDM is mentioned on the home page of the Intelligent Dance Music (IDM) mailing list at [Hyperreal.org](/source/Hyperreal.org) about the music of Aphex Twin and the [Artificial Intelligence Series](/source/Artificial_Intelligence_(series)) released by [Warp Records](/source/Warp_Records).[152] The series features James's recordings as Polygon Window and early productions from artists including [Autechre](/source/Autechre), Black Dog, [Richie Hawtin](/source/Richie_Hawtin)'s FUSE project and [Speedy J](/source/Speedy_J). The term spread to the United States and internet [message boards](/source/Internet_forum). James responded to the IDM term in a 1997 interview:

I just think it's really funny to have terms like that. It's basically saying, "this is intelligent and everything else is stupid." It's really nasty to everyone else's music. (laughs) It makes me laugh, things like that. I don't use names. I just say that I like something or I don't.

## Image and pseudonyms

Logo used on several Aphex Twin records, designed by Paul Nicholson in 1991.[153]

James's face, grinning or distorted, is a theme of his album covers, music videos and songs. James said it began as a response to techno producers who concealed their identities:

I did it because the thing in techno you weren't supposed to do was to be recognised and stuff. The sort of unwritten rule was that you can't put your face on the sleeve. It has to be like a circuit board or something. Therefore I put my face on the sleeve. That's why I originally did it. But then I got carried away.

The cover of *[...I Care Because You Do](/source/...I_Care_Because_You_Do)* features a self-portrait painted by James, and that of *[Richard D. James Album](/source/Richard_D._James_Album)* has a close-up photograph. His face is superimposed on the bodies of other people in the music videos for "[Come to Daddy](/source/Come_to_Daddy_(song))" and "[Windowlicker](/source/Windowlicker)". Near the end of the second track of the "Windowlicker" single (known as "Formula"), a photo of James's face is a [steganogram](/source/Steganography) which is revealed as a [spectrogram](/source/Spectrogram).[154] Another image of James and collaborator [Tom Jenkinson](/source/Squarepusher) is embedded (in [SSTV](/source/Slow-scan_television) format) with text in the third track of *2 Remixes by AFX*, "Bonus High Frequency Sounds".[*[citation needed](https://en.wikipedia.org/wiki/Wikipedia:Citation_needed)*]

James has recorded as AFX, Blue Calx, Bradley Strider, [Universal Indicator](/source/Universal_Indicator_(collective)), Caustic Window, [GAK](/source/GAK_(EP)), PBoD (Phonic Boy on Dope), Polygon Window, Power-Pill, Q-Chastic, Dice Man, the Tuss, Soit-P.P and [user18081971](/source/Aphex_Twin_SoundCloud_demos).[155][156][157][158] In a 1997 interview, he said: "There's really no big theory. It's just things that I feel right in doing at the time and I really don't know why. I select songs for certain [names] and I just do it. I don't know what it means."[11] In 2001 he commented on the speculation connected to many anonymous electronic artists: "A lot of people think everything electronic is mine. I get credited for so many things, it's incredible. I'm practically everyone, I reckon—everyone and nobody."[82]

## Influence and legacy

Writing in *[The Guardian](/source/The_Guardian)* in 2001 journalist [Paul Lester](/source/Paul_Lester) described James as "the most inventive and influential figure in contemporary electronic music".[136] *[Rolling Stone](/source/Rolling_Stone)* described James as a "hugely influential electronic musician whose ambient washes of sound and freakishly twisted beats have gone on to inform artists of all genres."[159] [AllMusic](/source/AllMusic)'s John Bush wrote that "unlike most artists who emerged from the '90s techno scene, James established himself as a genuine personality, known for his cheeky grin and nightmare-inducing music videos as much as his groundbreaking albums and EPs," which helped to "expand his audience from ravers and critics to rock fans, with numerous non-electronic musicians citing him as an inspiration".[58]

In 2001 [Thomas Bangalter](/source/Thomas_Bangalter) of [Daft Punk](/source/Daft_Punk) cited Aphex Twin (particularly "[Windowlicker](/source/Windowlicker)") as an influence on their 2001 album *[Discovery](/source/Discovery_(Daft_Punk_album))*. Bangalter said he liked it because "it wasn't a big club beat, but it also wasn't a laid back, quiet one".[160] Other artists to have expressed admiration or cited Aphex Twin as an influence include [Steve Reich](/source/Steve_Reich),[161] [Wes Borland](/source/Wes_Borland) of [Limp Bizkit](/source/Limp_Bizkit),[162] [Skrillex](/source/Skrillex),[163] [Mike Shinoda](/source/Mike_Shinoda) of [Linkin Park](/source/Linkin_Park),[164] [Red Hot Chili Peppers](/source/Red_Hot_Chili_Peppers) guitarist [John Frusciante](/source/John_Frusciante),[165] [Matty Healy](/source/Matty_Healy) of [the 1975](/source/The_1975),[166] [Kevin Parker](/source/Kevin_Parker_(musician)) of [Tame Impala](/source/Tame_Impala),[167] [C418](/source/C418), [Nick Zammuto](/source/Zammuto_(band)) of [the Books](/source/The_Books),[168] [Grimes](/source/Grimes)[169] and [Charli XCX](/source/Charli_XCX).[170]

James influenced [Radiohead](/source/Radiohead)'s transition to electronic music for their 2000 album *[Kid A](/source/Kid_A)*.[171] In 2013, the Radiohead singer, [Thom Yorke](/source/Thom_Yorke), said Aphex Twin was his biggest influence: "He burns a heavy shadow ... Aphex opened up another world that didn't involve my fucking electric guitar ... I hated the [Britpop](/source/Britpop) thing and what was happening in America, but Aphex was totally beautiful, and he's kind of my age too."[172] In 2002, asked if he would tour with Radiohead, James said "I wouldn't play with them since I don't like them".[147] However, he said in 2011 that his dislike of Radiohead had been exaggerated by the press and that he had contacted Yorke to explain this.[173]

In 2005 [Alarm Will Sound](/source/Alarm_Will_Sound) released *[Acoustica: Alarm Will Sound Performs Aphex Twin](/source/Acoustica_(Alarm_Will_Sound_album))*, featuring acoustic arrangements of James's electronic tracks.[174] The [London Sinfonietta](/source/London_Sinfonietta) performed arrangements of Aphex Twin songs in 2006.[175] The animator [David Firth](/source/David_Firth_(animator)) sampled Aphex Twin in his animated series *[Salad Fingers](/source/Salad_Fingers)*.[176] In 2012 *[Fact](/source/Fact_(UK_magazine))* named *Selected Ambient Works 85–92* the best album of the 1990s.[177]

## Personal life

James has made "wild and essentially unverifiable claims" about his personal life in interviews.[144] He has described himself as "just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music."[18] In a 1993 interview, he claimed to only sleep two to three hours per night.[36] In the mid-1990s, James bought a disused bank in the [Elephant & Castle](/source/Elephant_%26_Castle) area of London, where he claimed to live in a converted [bank vault](/source/Bank_vault).[33] He falsely claimed in a 2001 interview to have bought the steel structure in the centre of the [Elephant Square](/source/Elephant_Square) roundabout, though this is in fact the [Michael Faraday Memorial](/source/Michael_Faraday_Memorial) which houses an electricity substation for the [London Underground](/source/London_Underground).[178] In the 1990s, James bought a 1950s [armoured car](/source/Armored_car_(military)), complete with a working [machine gun](/source/Machine_gun), which he claimed to drive around Cornwall in lieu of a car.[179][33]

In a 2010 interview with *[Fact](/source/Fact_(UK_magazine))*, James said he was living in Scotland after relocating from London.[180] As of 2014[\[update\]](https://en.wikipedia.org/w/index.php?title=Aphex_Twin&action=edit), he lived in a village near Glasgow in Scotland with his two sons from his first marriage[159] and his second wife, Anastasia,[144] a Russian art student.[181] His sister [Julie James](/source/Julie_James_(politician)) is a [Welsh Labour](/source/Welsh_Labour) politician who was appointed the Welsh [Minister for Climate Change](/source/Minister_for_Climate_Change_(Wales)) in 2021.[182][183] In a 2014 interview, James mentioned that he finds it challenging to live in a small village: "You have to speak to everybody, and everybody knows your business. For someone like me, who's a little bit [autistic](/source/Autistic) or something, it can be quite intense." He also mentioned he does not own a smartphone.[184]

On 17th January 2020, his father died, later stating in his user18081971 SoundCloud profile bio that "it was not related to [COVID-19](/source/COVID-19)". His mother died on April 13th 2022.[185][186][187][188]

In 2025, James posted two new songs on SoundCloud. The art featured a photo of James on a beach with a woman, thought to be his girlfriend Cordelia Angel Clarke.[189]

## Awards

Year Awards Category Work Result 1998 MTV Video Music Awards Best Special Effects "Come to Daddy" Nominated D&AD Awards Pop Promo Video with a budget over £40,000 Yellow Pencil Direction Yellow Pencil MTV Europe Music Awards Best Video Nominated 1999 "Windowlicker" Nominated Prix Ars Electronica Digital Music Himself Won Online Music Awards Best Electronic Fansite[190] Nominated 2000 Brit Awards Best British Video "Windowlicker" Nominated D&AD Awards Direction Yellow Pencil Editing Yellow Pencil NME Awards Single of the Year Won Best Dance Act Himself Nominated 2002 Nominated Brit Awards British Male Solo Artist Nominated Shortlist Music Prize Album of the Year Drukqs Nominated 2005 Antville Music Video Awards Best Video "Rubber Johnny" Nominated 2010 DJ Mag Best of British Awards Best Live Act[191] Himself Nominated 2014 DJ Mag Best of British Awards Outstanding Contribution[192] Won Rober Awards Music Poll Best Male Artist Nominated Comeback of the Year Nominated Best Electronica Won 2015 Grammy Awards Best Dance/Electronica Album Syro Won International Dance Music Awards Best Full Length Studio Recording Nominated IMPALA Awards Album of the Year[193] Nominated Mercury Prize Album of the Year Nominated Libera Awards Nominated Creative Packaging Award Won Marketing Genius Syro album release campaign Nominated 2016 Brit Awards British Male Solo Artist Himself Nominated 2018 Rober Awards Music Poll Best EP Collapse Nominated Best Art Vinyl Best Art Vinyl[194] Nominated UK Video Music Awards Best Dance Video "T69 Collapse" Nominated Best Visual Effects in a Video Nominated Best Animation in a Video Nominated 2019 Classic Pop Reader Awards Video of the Year Nominated Brit Awards British Male Solo Artist Himself Nominated Libera Awards[195] Marketing Genius Collapse Won Video of the Year "T69 Collapse" Nominated 2024 Grammy Awards Best Dance/Electronic Recording[196] "Blackbox Life Recorder 21f" Nominated AIM Independent Music Awards Best Creative Campaign[197] Himself Won

## Discography

Main article: [Richard D. James discography](/source/Richard_D._James_discography)

See also: [List of compositions by Richard D. James](/source/List_of_compositions_by_Richard_D._James)

**Studio albums**

- *[Selected Ambient Works 85–92](/source/Selected_Ambient_Works_85%E2%80%9392)* (1992)

- *[Selected Ambient Works Volume II](/source/Selected_Ambient_Works_Volume_II)* (1994)

- *[...I Care Because You Do](/source/...I_Care_Because_You_Do)* (1995)

- *[Richard D. James Album](/source/Richard_D._James_Album)* (1996)

- *[Drukqs](/source/Drukqs)* (2001)

- *[Syro](/source/Syro)* (2014)

**Compilations**

- *[Classics](/source/Classics_(Aphex_Twin_album))* (1995)

- *[Music from the Merch Desk (2016–2023)](/source/Music_from_the_Merch_Desk_(2016%E2%80%932023))* (2024)

**EPs**

- *[Digeridoo](/source/Digeridoo_(EP))* (1992)

- *[Xylem Tube](/source/Xylem_Tube_EP)* (1992)

- *[On](/source/On_(EP))* (1993)

- *[Ventolin](/source/Ventolin_(EP))* (1995)

- *[Donkey Rhubarb](/source/Donkey_Rhubarb_(EP))* (1995)

- *[Girl/Boy](/source/Girl%2FBoy_EP)* (1996)

- *[Come to Daddy](/source/Come_to_Daddy_(EP))* (1997)

- *[Windowlicker](/source/Windowlicker)* (1999)

- *[Computer Controlled Acoustic Instruments pt2](/source/Computer_Controlled_Acoustic_Instruments_pt2)* (2015)

- *[Cheetah](/source/Cheetah_(EP))* (2016)

- *[Collapse](/source/Collapse_EP)* (2018)

- *[Blackbox Life Recorder 21f / In a Room7 F760](/source/Blackbox_Life_Recorder_21f_%2F_In_a_Room7_F760)* (2023)

## See also

- [Cornwall portal](https://en.wikipedia.org/wiki/Portal:Cornwall)

- [List of ambient music artists](/source/List_of_ambient_music_artists)

- [List of British Grammy winners and nominees](/source/List_of_British_Grammy_winners_and_nominees)

## Notes

1. **[^](#cite_ref-3)** James has recorded under a wide number of lesser known aliases, including AFX, Caustic Window, Polygon Window, and the Tuss.

1. **[^](#cite_ref-13)** James has dismissed the IDM label as "nasty," and his label [Rephlex Records](/source/Rephlex_Records) coined the alternate term "braindance,"[9] though IDM became the more widely-known term.[10][11]

## References

1. **[^](#cite_ref-Verge15_1-0)** Byford, Sam (3 July 2015). ["Aphex Twin returns again, this time as AFX"](https://www.theverge.com/2015/7/3/8888833/afx-new-music-warp-aphex-twin). *[The Verge](/source/The_Verge)*. Vox Media. [Archived](https://web.archive.org/web/20201108112433/http://www.theverge.com/2015/7/3/8888833/afx-new-music-warp-aphex-twin) from the original on 8 November 2020. Retrieved 5 May 2020. Richard D. James goes by a lot of pseudonyms, most famously Aphex Twin and next most famously AFX

1. **[^](#cite_ref-2)** ["AFX - Information"](https://web.archive.org/web/20211008154857/https://warp.net/artists/91412-afx/info). *[Warp](/source/Warp_Records)*. Archived from [the original](https://warp.net/artists/91412-afx/info) on 8 October 2021. Retrieved 8 October 2021. Richard D. James is known most prominently as Aphex Twin. Second among his aliases, ahead of relatively less used tags like Polygon Window, Caustic Window, and the Tuss, is AFX.

1. ^ [***a***](#cite_ref-FACT50best_4-0) [***b***](#cite_ref-FACT50best_4-1) ["The 50 best Aphex Twin tracks of all time"](https://www.factmag.com/2017/04/14/best-aphex-twin-songs/). *[FACT Magazine](/source/Fact_(UK_magazine))*. London: The Vinyl Factory Group. 14 April 2017. [Archived](https://web.archive.org/web/20180704175541/https://www.factmag.com/2017/04/14/best-aphex-twin-songs/) from the original on 4 July 2018. Retrieved 15 November 2019.

1. **[^](#cite_ref-Clay14_5-0)** Clay, Joe (20 September 2014). ["Aphex Twin: Syro"](https://www.thetimes.com/sunday-times-rich-list/profile/article/aphex-twin-syro-dbz90jcsfxc). *[The Times](/source/The_Times)*. London. [Archived](https://web.archive.org/web/20210719121324/https://www.thetimes.co.uk/article/aphex-twin-syro-dbz90jcsfxc) from the original on 19 July 2021. Retrieved 19 July 2021.

1. **[^](#cite_ref-Brake14_6-0)** Brake, David (22 June 2021). ["Down the Rabbit Hole: Entering the Universe of Aphex Twin"](https://www.passionweiss.com/2021/06/22/aphex-twin-beginners-guide/). *Passion of the Weiss*. Los Angeles. [Archived](https://web.archive.org/web/20210622201114/https://www.passionweiss.com/2021/06/22/aphex-twin-beginners-guide/) from the original on 22 June 2021. Retrieved 4 May 2020.

1. ^ [***a***](#cite_ref-DummySep14_7-0) [***b***](#cite_ref-DummySep14_7-1) ["Album of the week: Aphex Twin"](https://www.dummymag.com/features/album-of-the-week-aphex-twin-syro-review/). *Dummy Mag*. London. [Archived](https://web.archive.org/web/20201003155801/https://www.dummymag.com/features/album-of-the-week-aphex-twin-syro-review/) from the original on 3 October 2020. Retrieved 28 December 2020.

1. **[^](#cite_ref-ElecBeats18_8-0)** ["Sound Portraits: The Creativity Of Aphex Twin"](https://www.electronicbeats.net/the-feed/this-podcast-explores-the-staggeringly-creative-genius-of-aphex-twin/). *Electronic Beats*. 27 April 2018. [Archived](https://web.archive.org/web/20210719121324/https://www.electronicbeats.net/the-feed/this-podcast-explores-the-staggeringly-creative-genius-of-aphex-twin/) from the original on 19 July 2021. Retrieved 19 July 2021.

1. **[^](#cite_ref-9)** [3][4][5][6][7]

1. ^ [***a***](#cite_ref-nme_10-0) [***b***](#cite_ref-nme_10-1) Oldham, James (12 September 2005). ["Various Artists : The Braindance Coincidence"](https://www.nme.com/reviews/reviews-nme-4486-338581). *[NME](/source/NME)*. [Archived](https://web.archive.org/web/20200726063142/https://www.nme.com/reviews/reviews-nme-4486-338581) from the original on 26 July 2020. Retrieved 2 April 2017.

1. **[^](#cite_ref-11)** Pattinson, Louis (2 May 2017). ["A Look Back at Aphex Twin & Grant Wilson-Claridge's Rephlex Records"](https://daily.bandcamp.com/label-profile/rephlex-records-best-releases). *Bandcamp Daily*. Retrieved 28 December 2024.

1. ^ [***a***](#cite_ref-gross_12-0) [***b***](#cite_ref-gross_12-1) ["Interview by Jason Gross"](https://web.archive.org/web/20080611121559/http://www.furious.com/perfect/aphextwin.html). *[Perfect Sound Forever](/source/Perfect_Sound_Forever_(magazine))*. September 1997. Archived from [the original](http://www.furious.com/perfect/aphextwin.html) on 11 June 2008. Retrieved 14 June 2008.

1. **[^](#cite_ref-Green19_14-0)** Green, Thomas H. (12 December 2019). ["Aphex Twin: Inside the Mythology of the MDMA Mozart"](https://mixmag.net/feature/aphex-twin-warp-30). *[Mixmag](/source/Mixmag)*. London: Wasted Talent Ltd. [Archived](https://web.archive.org/web/20210701153433/https://mixmag.net/feature/aphex-twin-warp-30) from the original on 1 July 2021. Retrieved 28 December 2019. He's often called the most important electronic musician of his generation

1. **[^](#cite_ref-Sanneh01_15-0)** Sanneh, Kelefa (4 November 2001). ["Old-Fashioned Sounds From Masters of Electronica"](https://www.nytimes.com/2001/11/04/arts/music-old-fashioned-sounds-from-masters-of-electronica.html). *[The New York Times](/source/The_New_York_Times)*. [Archived](https://web.archive.org/web/20210414172132/https://www.nytimes.com/2001/11/04/arts/music-old-fashioned-sounds-from-masters-of-electronica.html) from the original on 14 April 2021. Retrieved 2 May 2020.

1. **[^](#cite_ref-JonesNME14_16-0)** Jones, Lucy (17 June 2014). ["Aphex Twin's 'Caustic Window' album: Was It Worth £40K?"](https://www.nme.com/blogs/nme-blogs/aphex-twins-caustic-window-album-was-it-worth-40k-769602). *[NME](/source/NME)*. London. [Archived](https://web.archive.org/web/20201020120237/https://www.nme.com/blogs/nme-blogs/aphex-twins-caustic-window-album-was-it-worth-40k-769602) from the original on 20 October 2020. Retrieved 2 May 2020.

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1. ^ [***a***](#cite_ref-Brits_86-0) [***b***](#cite_ref-Brits_86-1) ["Brits Awards – Aphex Twin"](https://web.archive.org/web/20140805223851/http://www.brits.co.uk/artist/aphex-twin). Archived from [the original](http://www.brits.co.uk/artist/aphex-twin) on 5 August 2014. Retrieved 11 November 2014.

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1. **[^](#cite_ref-pattison_90-0)** Pattison, Louis (26 May 2007). ["Dancing in the dark"](https://www.theguardian.com/music/2007/may/26/electronicmusic.features16). *[The Guardian](/source/The_Guardian)*. London. [Archived](https://web.archive.org/web/20080618101712/http://music.guardian.co.uk/electronic/story/0%2C%2C2088396%2C00.html) from the original on 18 June 2008. Retrieved 14 June 2008.

1. **[^](#cite_ref-91)** ["Selected Aughties Works: The 5 Best Tracks From Aphex Twin's Quiet Period"](https://pitchfork.com/thepitch/503-selected-aughties-works-the-5-best-tracks-from-aphex-twins-quiet-period/). *Pitchfork.com*. 26 September 2014. [Archived](https://web.archive.org/web/20190421044141/https://pitchfork.com/thepitch/503-selected-aughties-works-the-5-best-tracks-from-aphex-twins-quiet-period/) from the original on 21 April 2019. Retrieved 21 April 2019.

1. **[^](#cite_ref-92)** ["Aphex Twin shuts down label Rephlex"](https://dancingastronaut.com/2015/01/aphex-twin-shuts-label-rephlex/). *[Dancing Astronaut](/source/Dancing_Astronaut)*. 13 January 2015. Retrieved 4 November 2025.

1. **[^](#cite_ref-93)** ["Aphex Twin's Rephlex Records has closed"](https://web.archive.org/web/20230327045857/https://completemusicupdate.com/article/aphex-twins-rephlex-records-has-closed/). *CompleteMusicUpdate.com*. 15 January 2015. Archived from [the original](https://www.completemusicupdate.com/article/aphex-twins-rephlex-records-has-closed/) on 27 March 2023. Retrieved 4 November 2025.

1. **[^](#cite_ref-94)** Hoffmann, Heiko (25 December 2014). ["25 Questions for Aphex Twin"](https://groove.de/2014/12/25/25-questions-for-aphex-twin/3/). *[Groove](https://de.wikipedia.org/wiki/Groove_(Zeitschrift))*. Retrieved 4 November 2025.

1. **[^](#cite_ref-95)** Needham, Jack (27 September 2017). ["Meet the anonymous artist behind Aphex Twin's insane visuals"](https://www.dazeddigital.com/music/article/37384/1/weirdcore-aphex-twin-mia-visuals-interview). *Dazed*. [Archived](https://web.archive.org/web/20231102202532/https://www.dazeddigital.com/music/article/37384/1/weirdcore-aphex-twin-mia-visuals-interview) from the original on 2 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-pitchfork_96-0)** ["Aphex Twin Says He's Got Six Albums Completed | News"](https://pitchfork.com/news/40543-aphex-twin-says-hes-got-six-albums-completed/). *Pitchfork.com*. 29 October 2010. [Archived](https://web.archive.org/web/20200726070621/https://pitchfork.com/news/40543-aphex-twin-says-hes-got-six-albums-completed/) from the original on 26 July 2020. Retrieved 20 February 2014.

1. **[^](#cite_ref-97)** Carrie Batten (12 September 2011). ["Video: New Compositions From Aphex Twin and Jonny Greenwood"](https://pitchfork.com/news/43966-video-new-compositions-from-aphex-twin-and-jonny-greenwood/). *Pitchfork.com*. [Archived](https://web.archive.org/web/20200331050409/https://pitchfork.com/news/43966-video-new-compositions-from-aphex-twin-and-jonny-greenwood/) from the original on 31 March 2020. Retrieved 17 August 2014.

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1. **[^](#cite_ref-99)** ["Caustic Window: Caustic Window LP"](https://pitchfork.com/reviews/albums/19574-aphex-twin-caustic-window/). *Pitchfork.com*. [Archived](https://web.archive.org/web/20190421044150/https://pitchfork.com/reviews/albums/19574-aphex-twin-caustic-window/) from the original on 21 April 2019. Retrieved 24 April 2019.

1. **[^](#cite_ref-100)** Bowe, Miles (18 August 2014). ["Aphex Twin Announces New Album SYRO Via Deep Web"](https://www.stereogum.com/1699431/aphex-twin-announces-new-album-syro-via-deep-web/news/). *[Stereogum](/source/SpinMedia)*. [Archived](https://web.archive.org/web/20200202034401/https://www.stereogum.com/1699431/aphex-twin-announces-new-album-syro-via-deep-web/news/) from the original on 2 February 2020. Retrieved 22 September 2014.

1. **[^](#cite_ref-101)** ["Aphex Twin Gives Away 21-Track Modular Synth Album Plus a Bundle of Demos and Studio Experiments"](http://www.factmag.com/2014/11/10/aphex-twin-download-21-track-modular-trax-synth-album/). *Factmag.com*. 10 November 2014. [Archived](https://web.archive.org/web/20141111040032/http://www.factmag.com/2014/11/10/aphex-twin-download-21-track-modular-trax-synth-album/) from the original on 11 November 2014. Retrieved 10 November 2014.

1. **[^](#cite_ref-102)** music, Guardian (8 May 2015). ["Aphex Twin archive removed from SoundCloud"](https://www.theguardian.com/music/2015/may/08/aphex-twin-archive-removed-from-soundcloud). *The Guardian*. [ISSN](/source/ISSN_(identifier)) [0261-3077](https://search.worldcat.org/issn/0261-3077). [Archived](https://web.archive.org/web/20190422085237/https://www.theguardian.com/music/2015/may/08/aphex-twin-archive-removed-from-soundcloud) from the original on 22 April 2019. Retrieved 22 April 2019.

1. **[^](#cite_ref-103)** ["Cover story: Aphex Twin's mask collapses"](https://crackmagazine.net/article/long-reads/aphex-twins-mask-collapses/). *Crack Magazine*. [Archived](https://web.archive.org/web/20181214052406/https://crackmagazine.net/article/long-reads/aphex-twins-mask-collapses/) from the original on 14 December 2018. Retrieved 22 April 2019.

1. **[^](#cite_ref-104)** ["Aphex Twin Shares New Songs"](https://pitchfork.com/news/aphex-twin-shares-new-songs-listen/). *Pitchfork*. 8 April 2020. [Archived](https://web.archive.org/web/20200411150439/https://pitchfork.com/news/aphex-twin-shares-new-songs-listen/) from the original on 11 April 2020. Retrieved 8 April 2020.

1. **[^](#cite_ref-105)** ["Aphex Twin Announces Computer Controlled Acoustic Instruments pt2 EP"](http://www.factmag.com/2015/01/09/aphex-twin-announces-computer-controlled-acoustic-instruments-pt2-ep/). *Factmag.com*. 9 January 2015. [Archived](https://web.archive.org/web/20150109154807/http://www.factmag.com/2015/01/09/aphex-twin-announces-computer-controlled-acoustic-instruments-pt2-ep/) from the original on 9 January 2015. Retrieved 20 January 2015.

1. **[^](#cite_ref-106)** ["If This Aphex Twin Archive Is Fake, We Don't Want to Know What Real Is"](https://pitchfork.com/thepitch/648-if-this-aphex-twin-archive-is-fake-we-dont-want-to-know-what-real-is/). *Pitchfork.com*. 27 January 2015. [Archived](https://web.archive.org/web/20150128171609/https://pitchfork.com/thepitch/648-if-this-aphex-twin-archive-is-fake-we-dont-want-to-know-what-real-is/) from the original on 28 January 2015. Retrieved 22 April 2019.

1. **[^](#cite_ref-107)** ["Watch Aphex Twin's First Music Video in 17 Years"](https://www.rollingstone.com/music/news/watch-aphex-twin-s-first-music-video-in-17-years-20160621). *Rolling Stone*. [Archived](https://web.archive.org/web/20160624132707/https://www.rollingstone.com/music/news/watch-aphex-twin-s-first-music-video-in-17-years-20160621) from the original on 24 June 2016. Retrieved 24 August 2017.

1. **[^](#cite_ref-108)** Cosores, Philip (17 December 2016). ["Aphex Twin releases surprise 12-inch vinyl at Day For Night Festival"](https://consequence.net/2016/12/aphex-twin-releases-surprise-12-inch-vinyl-at-day-for-night-festival/). *[Consequence of Sound](/source/Consequence_of_Sound)*. [Archived](https://web.archive.org/web/20230117034629/https://consequence.net/2016/12/aphex-twin-releases-surprise-12-inch-vinyl-at-day-for-night-festival/) from the original on 17 January 2023. Retrieved 6 May 2017.

1. **[^](#cite_ref-109)** ["AFX - Houston, TX 12.17.16 \[Day For Night\]. Aphex Twin"](https://aphextwin.warp.net/release/128168-afx-houston-tx-121716-day-for-night). 17 December 2016. [Archived](https://web.archive.org/web/20231126132522/https://aphextwin.warp.net/release/128168-afx-houston-tx-121716-day-for-night) from the original on 26 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-110)** NTS (4 June 2017). ["Aphex Twin Live at Field Day 2017 (alt. audio)"](https://ghostarchive.org/varchive/nzvLiwUK3R8?url=https://www.youtube.com/watch?v=nzvLiwUK3R8). Archived from [the original](https://www.youtube.com/watch?v=nzvLiwUK3R8&t=2575s) on 21 September 2021 – via [YouTube](/source/YouTube).

1. **[^](#cite_ref-111)** ["New Aphex Twin record on sale at Todd Osborn's Technical Equipment Supply shop in Michigan"](https://www.residentadvisor.net/news.aspx?id=39286). *Resident Advisor*. [Archived](https://web.archive.org/web/20170628065241/https://www.residentadvisor.net/news.aspx?id=39286) from the original on 28 June 2017. Retrieved 20 June 2017.

1. **[^](#cite_ref-112)** ["Aphex Twin Launches New Streaming Site With Rarities, Unreleased Tracks, More"](https://pitchfork.com/news/aphex-twin-launches-new-streaming-site-with-rarities-unreleased-tracks-more/). *Pitchfork.com*. 20 July 2017. [Archived](https://web.archive.org/web/20170720190045/https://pitchfork.com/news/aphex-twin-launches-new-streaming-site-with-rarities-unreleased-tracks-more/) from the original on 20 July 2017. Retrieved 24 April 2019.

1. **[^](#cite_ref-113)** ["Aphex Twin - Aphex Mt. Fuji 2017"](https://www.discogs.com/release/10631286-Aphex-Twin-Aphex-Mt-Fuji-2017). 29 July 2017. [Archived](https://web.archive.org/web/20231102202531/https://www.discogs.com/release/10631286-Aphex-Twin-Aphex-Mt-Fuji-2017) from the original on 2 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-114)** ["Warp Records on Twitter"](https://twitter.com/WarpRecords/status/1026831960491089921). [Twitter](/source/Twitter). [Archived](https://web.archive.org/web/20200423190145/https://twitter.com/WarpRecords/status/1026831960491089921) from the original on 23 April 2020. Retrieved 14 September 2018.

1. **[^](#cite_ref-115)** ["Warp Records on Twitter: "...""](https://twitter.com/WarpRecords/status/1026106153346973697). [Twitter](/source/Twitter). [Archived](https://web.archive.org/web/20180809015535/https://twitter.com/WarpRecords/status/1026106153346973697) from the original on 9 August 2018. Retrieved 5 August 2018.

1. **[^](#cite_ref-116)** ["Aphex Twin's TV premiere cancelled after failing epilepsy test"](https://www.nme.com/news/music/aphex-twins-tv-premiere-cancelled-failing-epilepsy-test-2364008). *NME*. 7 August 2018. [Archived](https://web.archive.org/web/20180807155432/https://www.nme.com/news/music/aphex-twins-tv-premiere-cancelled-failing-epilepsy-test-2364008) from the original on 7 August 2018. Retrieved 7 August 2018.

1. **[^](#cite_ref-117)** ["Aphex Twin – T69 Collapse"](https://ghostarchive.org/varchive/SqayDnQ2wmw?url=https://www.youtube.com/watch?v=SqayDnQ2wmw). 7 August 2018. Archived from [the original](https://www.youtube.com/watch?v=SqayDnQ2wmw) on 21 September 2021. Retrieved 16 September 2018 – via [YouTube](/source/YouTube).

1. **[^](#cite_ref-118)** Arcand, Rob (20 January 2023). ["Aphex Twin Teases First Show Since 2019"](https://pitchfork.com/news/aphex-twin-teases-first-show-since-2019/). *[Pitchfork](/source/Pitchfork_(website))*. [Archived](https://web.archive.org/web/20230121002911/https://pitchfork.com/news/aphex-twin-teases-first-show-since-2019/) from the original on 21 January 2023. Retrieved 21 January 2023.

1. **[^](#cite_ref-119)** ["19.08.23"](https://web.archive.org/web/20230120225228/https://190823.co.uk/). Archived from [the original](https://190823.co.uk/) on 20 January 2023. Retrieved 21 January 2023.

1. **[^](#cite_ref-120)** Arcand, Rob (24 January 2023). ["Aphex Twin to Headline London's Field Day Festival"](https://pitchfork.com/news/aphex-twin-to-headline-londons-field-day-festival/). *[Pitchfork](/source/Pitchfork_(website))*. [Archived](https://web.archive.org/web/20230124234110/https://pitchfork.com/news/aphex-twin-to-headline-londons-field-day-festival/) from the original on 24 January 2023. Retrieved 24 January 2023.

1. **[^](#cite_ref-121)** James, Richard D. [@AphexTwin] (7 February 2023). ["BEST KEPT SECRET. HOLLAND"](https://twitter.com/AphexTwin/status/1622884119179935746) ([Tweet](/source/Tweet_(social_media))). Retrieved 6 April 2023 – via [Twitter](/source/Twitter).

1. **[^](#cite_ref-122)** James, Richard D. [@AphexTwin] (21 March 2023). ["FORWARDS, BRISTOL"](https://twitter.com/AphexTwin/status/1638135089992269824) ([Tweet](/source/Tweet_(social_media))). Retrieved 6 April 2023 – via [Twitter](/source/Twitter).

1. **[^](#cite_ref-123)** ["Aphex Twin - Barcelona 16.06.2023"](https://www.discogs.com/release/27506649-Aphex-Twin-Barcelona-16062023). 24 June 2023. [Archived](https://web.archive.org/web/20231102202532/https://www.discogs.com/release/27506649-Aphex-Twin-Barcelona-16062023) from the original on 2 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-124)** Koe, Crystal. ["Aphex Twin's new augmented reality app lets you enjoy the "festival experience" in your living room"](https://musictech.com/news/gear/aphex-twin-new-augmented-reality-app/). *MusicTech*. Retrieved 22 April 2024.

1. **[^](#cite_ref-125)** Young, Alex (21 June 2023). ["Aphex Twin announces new EP"](https://consequence.net/2023/06/aphex-twin-blackbox-life-recorder-21f-in-a-room7-f760-ep/). *Consequence*. [Archived](https://web.archive.org/web/20230621170153/https://consequence.net/2023/06/aphex-twin-blackbox-life-recorder-21f-in-a-room7-f760-ep/) from the original on 21 June 2023. Retrieved 21 June 2023.

1. **[^](#cite_ref-126)** Stock, Olivia (18 August 2023). ["Aphex Twin releases new augmented reality app, YXBoZXh0d2lu"](https://djmag.com/news/aphex-twin-releases-new-augmented-reality-app-yxbozxh0d2lu). *DJ Mag*. Retrieved 22 April 2024.

1. **[^](#cite_ref-127)** ["Aphex Twin - London 19.08.2023"](https://www.discogs.com/release/28020546-Aphex-Twin-London-19082023). 19 August 2023. [Archived](https://web.archive.org/web/20231102202533/https://www.discogs.com/release/28020546-Aphex-Twin-London-19082023) from the original on 2 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-128)** ["You can now watch Aphex Twin's full set from Field Day 2023"](https://mixmag.net/read/watch-back-aphex-twins-first-london-show-four-years-field-day-2023-news). *Mixmag*. [Archived](https://web.archive.org/web/20231102202532/https://mixmag.net/read/watch-back-aphex-twins-first-london-show-four-years-field-day-2023-news) from the original on 2 November 2023. Retrieved 2 November 2023.

1. **[^](#cite_ref-129)** Torres, Eric (18 June 2024). ["Aphex Twin Announces Selected Ambient Works Volume II Expanded Edition"](https://pitchfork.com/news/aphex-twin-announces-selected-ambient-works-volume-2-expanded-edition/). *Pitchfork*. Retrieved 9 October 2024.

1. **[^](#cite_ref-130)** Duran, Anagricel (18 June 2024). ["Aphex Twin announces 30th anniversary box set of classic 'Selected Ambient Works Volume II'"](https://www.nme.com/news/music/aphex-twin-announces-30th-anniversary-box-set-of-classic-selected-ambient-works-volume-ii-3766729). *NME*. Retrieved 9 October 2024.

1. **[^](#cite_ref-131)** Lindert, Hattie. ["Aphex Twin's 'th1 \[evnslower\]' gets first official release"](https://ra.co/news/81220). *Resident Advisor*. Retrieved 9 October 2024.

1. **[^](#cite_ref-132)** Yopko, Nick (2 October 2024). ["Aphex Twin Reimagines Track From 1994 Album, "Selected Ambient Works Volume II": Listen"](https://edm.com/music-releases/aphex-twin-rhubarb-orc-19-53-rev). *EDM*. Retrieved 9 October 2024.

1. **[^](#cite_ref-133)** Lawson, Michael (16 December 2024). ["Aphex Twin drops surprise compilation, Music From The Merch Desk (2016-2023) · News ⟋ RA"](https://ra.co/news/81813). *Resident Advisor*. Retrieved 17 December 2024.

1. **[^](#cite_ref-134)** Murray, Robin (16 December 2024). ["Aphex Twin Confirms New Compilation 'Music From The Merch Desk'"](https://www.clashmusic.com/news/aphex-twin-confirms-new-compilation-music-from-the-merch-desk/). *[Clash](/source/Clash_(magazine))*. Retrieved 17 December 2024.

1. **[^](#cite_ref-135)** Lewis, Angela. ["Pop & Jazz: Aphex Twin plays the Nia Centre, Manchester"](https://www.independent.co.uk/arts-entertainment/pop-jazz-aphex-twin-plays-the-nia-centre-manchester-1313431.html). *[The Independent](/source/The_Independent)*. [Archived](https://ghostarchive.org/archive/20220507/https://www.independent.co.uk/arts-entertainment/pop-jazz-aphex-twin-plays-the-nia-centre-manchester-1313431.html) from the original on 7 May 2022. Retrieved 15 September 2019.

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1. ^ [***a***](#cite_ref-pitchfork.com_146-0) [***b***](#cite_ref-pitchfork.com_146-1) [***c***](#cite_ref-pitchfork.com_146-2) Sherburne, Philip. ["Strange Visitor: A Conversation with Aphex Twin"](https://pitchfork.com/features/cover-story/reader/aphex-twin/). *Pitchfork*. [Archived](https://web.archive.org/web/20200821215414/http://pitchfork.com/features/cover-story/reader/aphex-twin/) from the original on 21 August 2020. Retrieved 21 November 2019.

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1. **[^](#cite_ref-153)** The following sources refer to James as either a figurehead, godfather, face, or "most emblematic and recognizable character of" the IDM genre: - Piotr, Orlov (22 December 2016). ["Return to Daddy"](https://www.npr.org/sections/therecord/2016/12/22/506196277/return-to-daddy-aphex-twin-conjures-storms-beats-and-catharsis-in-houston). *NPR*. Retrieved 28 December 2024. - Admin (3 August 2010). ["10 Things You Never Knew About… Aphex Twin"](https://www.clashmusic.com/features/10-things-you-never-knew-about-aphex-twin/). *Clash Music*. Retrieved 28 December 2024. - Phelan, Tom (5 November 2024). ["Hear Me Out: 'Richard D James Album' is Aphex Twin's best album to date"](https://faroutmagazine.co.uk/richard-d-james-album-is-aphex-twins-best-album-to-date/). *Far Out Magazine*. Retrieved 28 December 2024. - Mezzolani, Ario (7 August 2023). ["Aphex Twin: lucid dreams and portals of consciousness"](https://lampoonmagazine.com/article/2023/08/07/aphex-twin-idm-music-italy-tour-blackbox-life-recorder-21f-video-art/). *Lampoon Magazine*. Retrieved 28 December 2024. - Cameron, John. ["Squarepusher Shares "Nervelevers" from Upcoming Album"](https://selector.news/2020/01/11/squarepusher-nervelevers/). *Selector*. Retrieved 28 December 2024. - Staff (27 April 2016). ["Aphex Twin Is the Best Way to Fuel Your 'Game of Thrones' Fever"](https://www.vice.com/en/article/aphex-twin-game-of-thrones/). *[Thump](/source/Vice_Media)*. Retrieved 28 December 2024. - Staff. ["Aphex Twin • Biography"](https://ra.co/dj/aphextwin/biography). *Resident Advisor*. Retrieved 28 December 2024. - Vozick-Levinson, Simon. ["Aphex Twin on New 'Syro' LP: 'I'm Feeling Really Horny About It – and Very Smug'"](https://www.rollingstone.com/music/features/aphex-twin-on-new-syro-lp-im-feeling-really-horny-about-it-and-very-smug-20140903). *[Rolling Stone](/source/Rolling_Stone)*. [Archived](https://web.archive.org/web/20170615050200/http://www.rollingstone.com/music/features/aphex-twin-on-new-syro-lp-im-feeling-really-horny-about-it-and-very-smug-20140903) from the original on 15 June 2017. Retrieved 5 June 2017.

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1. **[^](#cite_ref-oconnell_180-0)** O'Connell, John (October 2001). ["Untitled"](http://www.aphextwin.nu/learn/100771194880071.shtml). *[The Face](/source/The_Face_(magazine))*. [EMAP](/source/EMAP). [Archived](https://web.archive.org/web/20080615033834/http://www.aphextwin.nu/learn/100771194880071.shtml) from the original on 15 June 2008. Retrieved 14 June 2008.

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1. **[^](#cite_ref-183)** [Spex](/source/Spex_(magazine)) October 2014, p. 26: *Aphex Twin: Ein Backup für Millionen* (German interview)

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1. **[^](#cite_ref-185)** Eede, Christian (5 August 2021). ["Wales' new Climate Change Minister is Aphex Twin's sister"](https://djmag.com/news/wales-new-climate-change-minister-aphex-twin-s-sister). *[DJ Mag](/source/DJ_Mag)*. [Archived](https://web.archive.org/web/20210805201018/https://djmag.com/news/wales-new-climate-change-minister-aphex-twin-s-sister) from the original on 5 August 2021. Retrieved 6 August 2021.

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## External links

Wikimedia Commons has media related to [Aphex Twin](https://commons.wikimedia.org/wiki/Category:Aphex_Twin).

- [Aphex Twin](https://aphextwin.warp.net) at [Warp Records](/source/Warp_Records)

- [Aphex Twin](https://www.discogs.com/artist/45) discography at [Discogs](/source/Discogs)

- [SoundCloud](/source/SoundCloud) page: [Aphex Twin](https://soundcloud.com/richarddjames)

v t e Aphex Twin Discography Tracks As Aphex Twin Studio albums Selected Ambient Works 85–92 (1992) Selected Ambient Works Volume II (1994) ...I Care Because You Do (1995) Richard D. James Album (1996) Drukqs (2001) Syro (2014) EPs Analogue Bubblebath (1991) Analog Bubblebath Vol 2 (1991) Digeridoo (1992) Xylem Tube (1992) On (1993) Ventolin (1995) Donkey Rhubarb (1995) Girl/Boy EP (1996) Come to Daddy (1997) Analord 10 (2005) Computer Controlled Acoustic Instruments pt2 (2015) Cheetah (2016) Collapse (2018) Blackbox Life Recorder 21f / In a Room7 F760 (2023) London 19.08.2023 (2023) Singles "Come to Daddy" (1997) "Windowlicker" (1999) "Avril 14th" (2001) "minipops 67 [120.2]" (2014) "MARCHROMT30A edit 2b 96" (2015) "Blackbox Life Recorder 21f" (2023) Compilations Classics (1995) 26 Mixes for Cash (2003) Chosen Lords (2006) Music from the Merch Desk (2016–2023) (2024) As AFX Analogue Bubblebath Vol 3 (1992) Analogue Bubblebath 4 (1994) Hangable Auto Bulb (1995, 2005) Smojphace EP (2003) Analords 1–9, 11 (2004-2005) Chosen Lords (2006) Orphaned Deejay Selek 2006–08 (2015) London 03.06.17 (2017) As The Tuss Confederation Trough (2007) Rushup Edge (2007) As Polygon Window Surfing on Sine Waves (1993) Quoth (1993) As Bradley Strider Bradley's Robot (1993) Bradley's Beat (1995) As Caustic Window Joyrex J4 EP (1992) Joyrex J5 EP (1992) Joyrex J9i (1993) Joyrex J9ii (1993) Compilation (1998) Caustic Window (2014) As GAK GAK (1994) As Power Pill Pac-Man EP (1992) Collaborations Expert Knob Twiddlers (1996) Unreleased Q-Chastic EP Joyrex Tape Analogue Bubblebath 5 Melodies from Mars Related articles Universal Indicator Acoustica: Alarm Will Sound Performs Aphex Twin Warp Records Rephlex Records Chris Cunningham Monkey Drummer Rubber Johnny Warp Works & Twentieth Century Masters SoundCloud demos Category

v t e Grammy Award for Best Dance/Electronic Album 2000s Kish Kash – Basement Jaxx (2005) Push the Button – The Chemical Brothers (2006) Confessions on a Dance Floor – Madonna (2007) We Are the Night – The Chemical Brothers (2008) Alive 2007 – Daft Punk (2009) 2010s The Fame – Lady Gaga (2010) La Roux – La Roux (2011) Scary Monsters and Nice Sprites – Skrillex (2012) Bangarang – Skrillex (2013) Random Access Memories – Daft Punk (2014) Syro – Aphex Twin (2015) Skrillex and Diplo Present Jack Ü – Jack Ü (2016) Skin – Flume (2017) 3-D The Catalogue – Kraftwerk (2018) Woman Worldwide – Justice (2019) 2020s No Geography – The Chemical Brothers (2020) Bubba – Kaytranada (2021) Subconsciously – Black Coffee (2022) Renaissance – Beyoncé (2023) Actual Life 3 (January 1 – September 9 2022) – Fred Again (2024) Brat – Charli XCX (2025) Eusexua – FKA Twigs (2026)

v t e Cornish popular musicians 2010s to present Aphex Twin Kai Campos Fink Hedluv + Passman Molly Hocking Helen Nash Rosie Vanier Wille and the Bandits Gwenno Saunders 2000s 3 Daft Monkeys Tom Baxter Haven Alex Parks Thirteen Senses 1990s Tracy Hitchings Nigel Mazlyn Jones Alan Opie Rootjoose Roger Taylor 1980s Melanie Harrold 1970s Mick Fleetwood 1960s Onyx

Authority control databases International ISNI 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 VIAF 2 3 GND FAST WorldCat 2 National United States 2 France BnF data Japan Italy Czech Republic 2 Spain Netherlands Norway Poland Israel Artists ULAN MusicBrainz 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 KulturNav Museum of Modern Art Grammy Awards People Deutsche Biographie Other IdRef Yale LUX

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Adapted from the Wikipedia article [Aphex Twin](https://en.wikipedia.org/wiki/Aphex_Twin) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Aphex_Twin?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.